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Rating: 
Summary: Fun and Friendly Book
Review: I have really enjoyed this book. For the first time I feel an insight into the Northwest Artists that I have not felt before. It really leaves me asking for more. I hope that Wes will follow up with more details on these incredibly interesting people and their respective relationships with each other. I would recommend this to anyone who is interested in artists and their lives, as well as anyone looking for some honest, open and fun reading.
Rating:
Summary: Fun and Friendly Book
Review: I have really enjoyed this book. For the first time I feel an insight into the Northwest Artists that I have not felt before. It really leaves me asking for more. I hope that Wes will follow up with more details on these incredibly interesting people and their respective relationships with each other. I would recommend this to anyone who is interested in artists and their lives, as well as anyone looking for some honest, open and fun reading.
Rating:
Summary: Wonderful book on Art, Seattle, Friendship
Review: Not only is it one of the more delightful books I have read recently, it could very well be the best autobiography ever written by a lifetime resident of my hometown."The Eighth Lively Art" is at once a colorful history of Seattle in the 1950s, a thoughtful exploration of the artistic process, and a celebration of the connections that exist between people. Wesley Wehr recounts his life as a young man in Seattle in the 1950s where, as a student of music composition at the University of Washington, he was befriended by such luminaries as painter Mark Tobey, poet Elizabeth Bishop, and actress Margaret Hamilton. He meets painters Morris Graves, Guy Anderson, and Helmi Juvonen, all of whom become lifelong friends. He has encounters with famous twentieth-century figures like photographer Imogen Cunningham and composer Ernest Bloch who offer there wisdom, hospitality, and encouragement. The book is divided into chapters that focus, for the most part, on individuals he has known and people he has met. The artists convey their ideas about life and love while sharing their personal experiences with and approaches towards the composition process. Wes Wehr also relates his own, often unsuccessful, forays into music and painting during this early stage in his life. For those of us who have grown up in Seattle, this book is a reminder of how this place has shaped our own sensibilities. How many of us, like the young Guy Anderson, wandered through the Burke Museum as a child looking at Northwest Coast Indian Art or, like Wes himself, spent our late teens hanging out on the Ave? This book is, most significantly, about the power of friendship. I am so accustomed to living in a world where everything is assigned value based on net worth or earnings potential, I often lose sight of the things which have truly enriched my own life. After reading Wes' account of the various friendships he has established and maintained over the years, I recognized more clearly how very important such friendships have been to me.
Rating:
Summary: Wonderful book on Art, Seattle, Friendship
Review: Not only is it one of the more delightful books I have read recently, it could very well be the best autobiography ever written by a lifetime resident of my hometown. "The Eighth Lively Art" is at once a colorful history of Seattle in the 1950s, a thoughtful exploration of the artistic process, and a celebration of the connections that exist between people. Wesley Wehr recounts his life as a young man in Seattle in the 1950s where, as a student of music composition at the University of Washington, he was befriended by such luminaries as painter Mark Tobey, poet Elizabeth Bishop, and actress Margaret Hamilton. He meets painters Morris Graves, Guy Anderson, and Helmi Juvonen, all of whom become lifelong friends. He has encounters with famous twentieth-century figures like photographer Imogen Cunningham and composer Ernest Bloch who offer there wisdom, hospitality, and encouragement. The book is divided into chapters that focus, for the most part, on individuals he has known and people he has met. The artists convey their ideas about life and love while sharing their personal experiences with and approaches towards the composition process. Wes Wehr also relates his own, often unsuccessful, forays into music and painting during this early stage in his life. For those of us who have grown up in Seattle, this book is a reminder of how this place has shaped our own sensibilities. How many of us, like the young Guy Anderson, wandered through the Burke Museum as a child looking at Northwest Coast Indian Art or, like Wes himself, spent our late teens hanging out on the Ave? This book is, most significantly, about the power of friendship. I am so accustomed to living in a world where everything is assigned value based on net worth or earnings potential, I often lose sight of the things which have truly enriched my own life. After reading Wes' account of the various friendships he has established and maintained over the years, I recognized more clearly how very important such friendships have been to me.
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