Boring Postcards USA

Rating:
Summary: Fascinating Collection of the Mundane
Review: Boring Postcards is a conundrum. Then name perfectly describes the contents of the book yet they become fascinating, baffling, and sometimes hilarious. What goes through one's mind is why would anyone take a photo of this then try to sell it or use it to attract tourists. Why would anyone make a postcard of an interstate, a bend in the road, a truck stop, an aerial view of a hotel, a hospital room? Individually, no one would pay attention to them. But put together they become mesmerizing. It has the same effect as looking through a bunch of photos that have no meaning to you. You know no one, the photography is bad, you don't know why the photographer chose to take a picture of what they did yet they remain interesting. And Boring Postcards, perhaps because they were ostensibly done by professional photographers, remains intriguing.

Rating:
Summary: a really rather special little book
Review: Boring Postcards, collected and edited by Magnum photographer Martin Parr, composed 160 of the dullest British postcards from the fifties, sixties and seventies, touched a national nerve at the same time as it confirmed many foreigners' preconceptions of the British. As the Sunday Times critic discussed at the time: individually they were a kitsch hoot, but collectively they referred to the spirit and soul of a Britain vanished for ever.

For this collection Martin Parr has turned his eye to the USA. The format remains exactly the same: the only text included being the names of the various different postcard publishers whose products are included. The images, again 160 of them, are left to speak for themselves and strict criteria have been applied to the definition of "boring". Either its composition, content, or the characters featured must be arguably boring or it must be devoid of any subject matter which might conventionally be described as interesting.

Rather than comparing Boring Postcards USA to its only slightly older English cousin however, it is perhaps more appropriate to regard it within the established photographic genre which attempts to define and deal with notions of Americanness. To name but a few this long established genre includes the work of: Alexander Gardner, Lewis Hine, Edward Weston, Ansel Adams, Walker Evans, Robert Adams, Lewis Baltz, Robert Frank and, perhaps more relevant to Parr's oeuvre, Bill Owens. Looked at in this light, as Martin Parr is certainly aware, Boring Postcards USA has some way to climb; but for all that there is an appropriateness in using images made for mass consumption as a window on the ultimate consumer society. Certainly the humour shines through: taconite for anyone curious turns out to be a type of hard rock used as iron ore and the book, perhaps in spite of itself, seems bigger than itself. "Moving on", "My Four Wheels" and the notion of "Mom and Apple Pie" all feature. On a personal note I lament the exclusion of the famous Airstream caravan but echoes of previous work do indeed sneak through. Could for example the large veneered television on which Ronald Regan appears in Bill Owens' Suburbia have in fact been a Spartan Way Imperial? Did Matthew Brady make pictures near to what would later become the Gettysburg Interchange? And most crucial of all is the American sense of humour, sometimes self conscious and reportedly devoid of irony, ready for the attentions of Martin Parr? Let's hope so, for like last year's this is a really rather special little book. I await with bated breath the advent of Boring Postcards Belgium.

Rating:
Summary: Boring Postcards
Review: In a "nut shell", I felt that this was not "money well spent".I enjoyed looking at the postcards, but was disappointed at how many were offered (only one per 6"x8" page, total, about 175). I would have liked it a lot more if someone else had paid for it. Maybe I can sell it at a yard sale for a buck.

Rating:
Summary: An inspired collection of postcards from the edges
Review: The title is something of a misnomer - there's nothing boring about the cards collected in this edition. Banal, perhaps, but not boring. The irony encapsulated in a desloate stretch of highway titled "Picturesque Indiana" cannot be underestimated in its appeal or entertainment value.

The pride displayed in entrance ways to multimillion dollar turnpikes or the cafes of motels on well-traveled tourist highways speak to a time when the connectivity of automobile travel was still miraculous. Similarly for the cards documenting the rise of shopping centers (malls were still to come), factories, trailer courts, and all manner of 50s and 60s innovation. It all feels quite quaint now, magnified by the editor's terrific selection of poorly composed and wackily titled cards.

The editor has a terrific eye for oddball cards, and the inclusion of cards that show edge wear or postmarks helps bring them to life as mail-art. Perhaps the only negative is that the card backs were not included; a shame, given that the descriptions given there are often as good as the picture image. I also note the peculiar insertion of blank pages here and there.

A must-have volume for postcard collectors, collectors of kitschy 50s/60s art, or just about anyone with an interest in the intersection of industrial and consumer arts.

Rating:
Summary: Anything but boring...
Review: This book breaks the maxim, "You can't judge a book by it's cover." With a honest title and a no frills cover, you open the book and you find postcards that live up to everything you didn't expect: No humor. No fancy photography. No witty postcard statements. No nothing. These are simple photographs of the most boring subjects a person can chance upon: Interstate highways, hotel rooms and Cafetteria Food.

But then you stop for a moment and wonder why something so boring could possibly hold your attention for so long. I think the mesmerizing element of these boring postcards is that they are actually doing what they were intendid to do during their creation: They are bookmarks of a persons travel. They show you where a person was as they crossed the state line into Ohio. Sure the toll booth in the photograph is not much to look at...but you almost feel as if you are in the car with the traveller.

Also, because these photos are from the 50's and 60's...you feel as if this is not only a travel across the country. But a travel back into time. A young fella like myself can actually appreciate the look of days that are before my time. The best part is that they aren't tampered with. No photography tricks or advertising acrobats. These were point and click photos that aren't trying to be sexy. So yes, these postcards are definitly boring. But that's what is so exciting about them.