Wonders of the African World

Rating:
Summary: Interesting Illustrated Introduction
Review: "Wonders of the African World" by Henry Louis Gates is an interesting illustrated introduction to Africa, or more precisely, to ancient Nubia and modern Sudan; Ethiopia; Mali and Timbuktu; the Swahili East Coast; the historic Slave Coast and Gold Coast and modern Benin and Ghana; and South Africa and Zimbabwe. The book is a combination of personal essay, travelogue, and history. Much of the criticism of the "Wonders of the African World" TV/book production focused on Gates' sometimes goofy (to the point of insulting, think some) behavior vis-a-vis Africans; in print, Gates is more in his element and the book reads well.

This is no comprehensive history of Africa; rather, Gates explores something of interest in each of the countries he visits (the relations between ancient Nubia and Egypt, Christianity in Ethiopia; the ancient library at Timbuktu; the Eastern slave trade and African/Arab lineage of the Swahili; the Western slave trade and the Asante Kingdom; and megalithic ruins in Southern Africa). Gates writes a middle course between two opposing camps: the outmoded "Africa has no history" and the extreme "All civilization originated in Africa". Gates is no scholar of the history of Africa (and he makes this clear in the opening of the book). Readers who know little about Africa will certainly find much of interest here and will enjoy learning about Africa along with Gates. Students of African history might wonder what all the fuss is about. Everyone will admire the beautiful sepia-toned photographs by Lynn Davis. The book is filled out with well-chosen quotations from a variety of historic writers as well as vintage illustrations. Notes on sources are provided.

It is a pity that Gates did not travel in central Africa, along the Congo River. That's the part of Sub-Saharan Africa with no ancient books (like Timbuktu), no lost cities of stone (like Southern Africa and Sudan), no ancient priesthood or empire (like Ethiopia). It would heve been very interesting to see what Gates would have made of it.

A full-fledged and highly recommended history of Africa is "Africa: A Biography of the Continent" by John Reader. Also see Basil Davidson's "The Black Man's Burden: Africa and the Curse of the Nation-State", "Modern Africa: A Social and Political History", and "Africa in History: Themes and Outlines".

Rating:
Summary: Interesting Illustrated Introduction
Review: "Wonders of the African World" by Henry Louis Gates is an interesting illustrated introduction to Africa, or more precisely, to ancient Nubia and modern Sudan; Ethiopia; Mali and Timbuktu; the Swahili East Coast; the historic Slave Coast and Gold Coast and modern Benin and Ghana; and South Africa and Zimbabwe. The book is a combination of personal essay, travelogue, and history. Much of the criticism of the "Wonders of the African World" TV/book production focused on Gates' sometimes goofy (to the point of insulting, think some) behavior vis-a-vis Africans; in print, Gates is more in his element and the book reads well.

This is no comprehensive history of Africa; rather, Gates explores something of interest in each of the countries he visits (the relations between ancient Nubia and Egypt, Christianity in Ethiopia; the ancient library at Timbuktu; the Eastern slave trade and African/Arab lineage of the Swahili; the Western slave trade and the Asante Kingdom; and megalithic ruins in Southern Africa). Gates writes a middle course between two opposing camps: the outmoded "Africa has no history" and the extreme "All civilization originated in Africa". Gates is no scholar of the history of Africa (and he makes this clear in the opening of the book). Readers who know little about Africa will certainly find much of interest here and will enjoy learning about Africa along with Gates. Students of African history might wonder what all the fuss is about. Everyone will admire the beautiful sepia-toned photographs by Lynn Davis. The book is filled out with well-chosen quotations from a variety of historic writers as well as vintage illustrations. Notes on sources are provided.

It is a pity that Gates did not travel in central Africa, along the Congo River. That's the part of Sub-Saharan Africa with no ancient books (like Timbuktu), no lost cities of stone (like Southern Africa and Sudan), no ancient priesthood or empire (like Ethiopia). It would heve been very interesting to see what Gates would have made of it.

A full-fledged and highly recommended history of Africa is "Africa: A Biography of the Continent" by John Reader. Also see Basil Davidson's "The Black Man's Burden: Africa and the Curse of the Nation-State", "Modern Africa: A Social and Political History", and "Africa in History: Themes and Outlines".

Rating:
Summary: Well, a start ...
Review: (note: I had to give this one star because that was the minimum.) This is simply Africa's "Satanic Verses." The book, together with its TV series, should be banned from the public. I am really suspect of Gates' so-called `Travelogue.' His aim is probably to please his masters at Harvard while at the same time drive a wedge between the relationship of African-American and Africans. Imagine, for instance, Gates' calling for African to apologize for Trans-Atlantic Slave Trade! I am sure his white masters didn't ask for that much, but gets overzealous hatred toward some African cultures and tribes might have led him to do that.

Gates talks about things he has no clue about. He thinks Islam began spreading in East Coast of Africa some 2000 years ago! His Islamphobia shows up almost everywhere he talks about Muslims in the TV series. As a Harvard professor, he could have done a little better by hiding his hatred toward people of other faiths. Talking about Harvard connections, Gates shows off his Harvard T-shirt to Africans while doing a "documentary," as others have called it, about Africa.

This whole "Wonders" thing is simply ridiculous. It would go don in history as one of the worst academic blunders ever done on Africa.

Irritated African

Rating:
Summary: Wonders of the African World
Review: I learned more sub-Saharan African history reading this book than I have learned in all my previous 37 years. It focuses on architecture, but briefly discusses the cultures that built these jewels. The book could have used tighter editing in my opinion, since his discussions of this tribe's war on that tribe and then subsequent overthrow by the other tribe gets confusing. Can't tell the players apart without a crib sheet, since they often got no more mention than that. A minor quibble, though, since Gates brings us photographs and descriptions of places we've never heard of before, and gives us his on the spot impressions, which are likely what our impressions would be should we ever hop on a dhow to get there. An excellent contribution to the amateur historian's bookshelf.

Rating:
Summary: Havard has ruined more black men than whiskey
Review: I think Gates meant well by producing this piece,but his mind is no different from Eurocentrics who constantly degrade Africa and it's culture. I Have been on a crusade to justify Africa's existence in the broad history of the world. Gates Fails to do even this. I am a white person by the way. I recommend Gates instead of trying to displace Egypt from Africa you should look for connections. The connections between Egyptain relgion and African traditions is in there and worth a look. Dubois had said in his books constantly about the african features of ancient egypt. I heard Gates is making a documentary of Egypt,and I wonder if it will be insulting like this book and video set. Can scholars trust Gates not to be a biased eurocentric,nor a manaiac Afrocentric. I enjoyed parts of Africana,but found this book was offesive to African people and their culture. If you want to learn more about pre colonial West Africa check out Basil Davidson,a white historian of Africa,but a whole lot better choice on African history. Gates has no knowleadge of Africa either and it not an expert. He is just a pseudo anthropologist/african historian/book critic. TOny Brown also exposed his envolvment of the jewish coverup of the trans Atlantic slave trade. I shall discuss that on another post

Rating:
Summary: what a waste!
Review: Lynn Davis, I apologize. Your pictures are ok. Nothing outstanding, but surely good work. But Mr. Gates, how can a Harvard professor waste an opportunity of doing some real research about his subject. Everybody in REAL love for Africa was sighing: Another opportunity gone. Mr. Gates is superficial and has a touristic view, which is so often found in descriptions of "my africa" since centuries. There are hundreds of better books available!
by the way, his PBS series is worse, demonstrating clearly his often neo-colonial point of view.

Rating:
Summary: This One Should Share Library Space with "Roots"
Review: Not since Alex Haley's historical "novel" was released over twenty years ago has a book so enthralled me with its information about a forgotten people. Dr. Gates has fashioned an entertaining journey into the past of Africa, a past that should be made a part of every American because of past omissions. Every page, every chapter provides the reader with insight into the development, the abuse, and the richness of the respective peoples and lands of the heretofore mislabeled "Dark Continent." It is because of this "darkness" that the book brings to "light" some of the myths and misconceptions of that area of the world. A major accomplishment in the literary field is this work. I, for one, am making plans to visit the continent to experience the wonder and power of this most intriguing land!

Rating:
Summary: A compelling and informative travelogue.
Review: The author traveled by foot, camel and vehicle across twelve countries in search of Africa's past: this reflects his findings, displaying how Africa's past continues to influence modern African lives. Vivid color photos pack a rendition which blends a personal travelogue of discovery with social and cultural insights. A beautiful, recommended pick.

Rating:
Summary: Enjoyable history and travelogue
Review: This interesting account of journeys in Africa is both history and travelogue, in that the author set out to explore his African heritage and find the personal meaning of Africa for himself. Wonders Of The African World succeeds as both in its highly readable narrative.

The chapter Nubia: Black Gods And Kings, deals with a journey up the Nile from northern Sudan to Egypt while discussing the history of ancient Egypt's southern neighbour. It includes an account of the Kingdom of Kush, whose kings were also pharaos of Egypt between 712 and 664 BC, and also looks at Kerma, Meroë and the Kingdom of Napata.

Chapter two, Ethiopia: Holy Land And The Lost Ark Of The Covenant, looks at the history of this Christian land, including the Kingdom of Aksum. Salt, Gold And Books is the third chapter and it explores the road to Timbuktu. On the way, it deals with interesting subjects like the Griot (praise singer), the Dogon people, the Empire of Mali and the contemporary country.

The next visit is to the East Coast (which includes Kenya, Tanzania, Zanzibar and Pemba), with its ancient historical connections to the other cultures around the Indian Ocean. The chapter Time Of Forgetfulness focuses on West Africa, the tragic history of the slave trade, the Akan and Asante peoples, and the Kingdom of Dahomey.

The last chapter, South Africa and Zimbabwe, investigates the legends of the lost city of Monomotapa by looking at the site of Mapungubwe, at the Great Zimbabwe ruins and at the early Shona states. There is a complete map of Africa, plus a map of the area in question at the start of each chapter, all in full color. Impressive color photographs and a wealth of black and white plus color illustrations enhance the text. This gripping read ends with notes and an index.

Rating:
Summary: Good For a European View of Africa
Review: West Africa Review (2000)

ISSN: 1525-4488

"WONDERS OF AFRICA": A EUROCENTRIC ENTERPRISE

Molefi Kete Asante

I have tried to delay further commentary on the Gates' project until several articles I am writing come out in other venues. However, Nobel laureate Wole Soyinka's comment greatly disturbed me because of its personal nature toward Ali Mazrui. Like all of us, both have flaws, but it is not Mazrui's project that is under scrutiny here, but Henry Gates.' We all confronted Ali during his time on the video stage. Now let us look carefully at the nature of the negativity that is included in the Gates project. The beautiful African coastline in Ghana is studded with the haunted vestiges of slave fortresses built by European nations over a period of four hundred years. It is not unlike the history of the European Slave Trade in other parts of West Africa, from Mauritania to Angola, where more than six hundred slave ports were constructed by Europeans to support the rape of Africa. If one listens closely to Henry Louis Gates, the entire project of slavery would not have occurred if it had not been for African involvement. Blaming the victim for the predicament of enslavement is neither historically correct nor morally valid.

"The Wonders of Africa" television series sponsored by the BBC and the PBS and hosted by Professor Gates is one more attempt to rewrite the history of slavery. Despite the magnificence of the African landscape and the vitality of its modern cities, Gates finds opportunity almost at every turn to reduce the history of Africa to petty warfare and the history of the enslavement of millions of Africans to African culpability. If Gates were a white traveler in Africa commenting as he did on African society, making jokes about dignitaries, and sowing seeds of divisions between African people, the NAACP and a host of human rights leaders (Jesse Jackson, Al Sharpton, Soyinka) would have considered his production an insult and an assault on African people. However, because he is black we must call it a travesty. This travesty will set back the intellectual discourse on the African enslavement for fifty years if the narrative is not corrected to show that you cannot reduce the centuries of the Asante Empire, the Dahomey and Yoruba kingdoms to slave raiding in the interest of Europe.

Nowhere in "The Wonders of Africa" do we get the theme of African resistance to the enslavement, when in fact Africans fought, if you take European accounts, more than three hundred battles with European slave raiders and occupiers both in the interior and along the coast of Africa.

There are several disturbing themes that flow from Gates' core argument about slavery that must be confronted head-on. To allow these themes to go unchallenged would set an unacceptable scholarly precedent where misinformation, because it is distributed by the media, passes for truth. I will discuss each theme separately.

First, Gates argues that continental Africans are responsible for enslavement of Africans in the Americas and Caribbean. He marshals opinions from ordinary Africans about African involvement. What is true is that some Africans were collaborators with the Europeans much like some Africans were collaborators with whites in South Africa. However, we do not blame apartheid on South African blacks and Gates would not claim that because some Jews assisted the Germans that Jews were responsible for the holocaust. Slavery was initiated and maintained by Europeans; Africans were always on the fringes of this monumental catastrophe. No African society depended upon slave labor as a mode of production. Indeed, in any situation where people are seeking to liberate themselves you will have those who side with the oppressor. It is not just a historical reality, it is a current fact.

Secondly, Gates seeks to trivialize the traditional rituals and practices of Africa. He makes snide remarks about African practices of state, medicine, and ornamentation. He would not dare remark on English royal traditions in the same vein. The disrespect shown to the traditional leaders of Africa left an indelible impression of arrogance and haughtiness, perhaps the results of a post- modern disparagement of culture and customs. Thirdly, "Wonders of Africa" reinforces the stereotypes first created by the European travelers going down the Niger River in their pith helmets that Africa is backward, inadequate, scary, and not a place any African American would want to be. His vehicle breaks down and it is a major production. I have lived in Africa, travelled to the continent more than fifty times and this is not a common experience of African Americans traveling in Africa. Why was this event not edited out of the video since it is not a remarkable fact except if you want to leave an impression of African inefficiency?

How was this project sold to the white producers? Were they told that the video would show how Africans were responsible for our own predicament? The themes covered in the series rest on some disturbing sub-texts such as the undermining of a pan-African sentiment, the reinforcement of negative stereotypes, the separation of ancient Egypt from the rest of Africa, the attack on the Swahili language, and the undermining of the movement for African reparations. I see this series as a clear assault on the African and African American narrative of liberation. Much like Keith Richburg's Out of America, Gates'

"Wonders of Africa" is more about his own story than about Africa. This is seen in an almost obscene assertion of American superiority and the beauty of being Harvard while not once speaking to an African scholar at one of the elite universities on the continent. This is not a benign travelogue despite Gates' flippant commentaries; it is a documentary which mocks African culture, distorts African history, reinforces stereotypes, and imports American racist interpretations to African situations. This is a truly Eurocentric enterprise. How Wole Soyinka could support this series on Africa really escapes me except perhaps he really did not see the series and wrote his intervention as a wish.

------------------------------------------------------------------------ © Copyright 2000 Africa Resource Center Citation Format Asante, Molefi Kete. (2000). "WONDERS OF AFRICA": A EUROCENTRIC ENTERPRISE. West Africa Review: 1 , 2.[iuicode: iuicode?101.1.2.3]