Weapons of Mass Persuasion: Marketing the War Against Iraq

Rating:
Summary: The Moral Repugnance of the Propaganda State
Review: In an interview cited by Antonia Zerbisias in the Toronto Star just before the book's release, Paul Rutherford seemed to lay out his own point of view clearly: "For a brief time the United States ceased to be a democracy and became a propaganda state."

For a short time? It was profoundly depressing to witness the United States plunge into "one of its periods of historical madness," as novelist John Le Carré wrote. And I have been hungry for analysis that would help me to understand this madness, and to move towards a long-term cure.

In his book Rutherford rather pulls his punches. Not many scholars aspire to the cult status of a Noam Chomsky, both marginalized in mainstream media and idolized by those who live on the margins. As a history professor with an interest in the mass media and popular culture, Rutherford doesn't do prophetic outrage.

Late in the book, Rutherford does state his perspective more directly: "The propaganda state came to America in the guise of popular culture." (191) But for the most part he focuses on describing what "information warfare" actually looks like, rather than engaging in critique. Rutherford is interested in the qualities of the Iraq war as a branded war, a commodity for mass consumption-"war as narrative and spectacle, as a form of 'infotainment'." (4)

And on this score Rutherford's study succeeds. One of the best chapters is "Consuming War," in which he lists the elements of eight different genres that were woven into the "Operation Iraqi Freedom" infotainment narrative:

1) Tragedy; 2) Adventure; 3) Science Fiction (with Saddam Hussein as the "requisite monster"; 4) Action; 5) Human interest (the unending quest by reporters to find "signs that, yes, the Iraqis were eagerly awaiting liberation") (138); 6) Mystery; 7) Comedy (such as the pronouncement of "Comical Ali," Mohammed Saeed al-Sahaf, which prefigured the increasing disconnect from reality of U.S. spokemen); 8) Farce.

Weapons of Mass Persuasion makes good use of editorial cartoons, which often registered the cognitive dissonance that was being squelched in "serious" news outlets. One theme is the mutually exclusive, diametrically opposed worldviews on display on Fox News vs. Jazeera. Such visuals distill the critiques of writers like Nicholas Von Hoffman, who in his book Hoax: How We Were Taken In compares Americans to a shark in an aquarium. They "don't see the people outside the glass. It is as though America is in a 3,000 mile wide terrarium, an immense biosphere which has cut it off from the rest of the world and left it to pick its own way down the path of history."

For those well aware of how cut off most people in the U.S. are from the sources of information that shape global opinion, we may wish more prescription, and less description. That is not the task Rutherford sets himself. But the interviews he includes are sometimes illuminating. One penetrating chapters concerns "The Phallic Dimension" of this war. Judy Rebick, a chair of social justice and democracy at Toronto's Ryerson's University, found the "almost sexual excitement" that reporters and viewers expressed over America's own weapons of long-distance mass destruction to be "really morally repugnant."

The relatively balanced tone of this book makes it a good candidate to be used as a class text, for Communication, Sociology, Cultural Studies, Popular Culture, and others.

Perhaps Rutherford should have added religious epics to his list of genres: from The Ten Commandments to The Passion. America is a religion of sorts now, but also like an overzealous corporation. It brooks no competitors, accepts no substitutes, and treats its propaganda as scripture.

Propaganda "attempts to pre-empt debate" (13). American leaders are mastering new forms of propaganda as a means to discipline backsliders, or reign in wayward consumers. For most of the 20th century, Rutherford notes, American propaganda followed a "style much more akin to the sermon than the story." Propagandists in the late 20th and early 21st century have discovered that they can pre-empt debate much more successfully when people are absorbed in a story. But for the cheerleaders in the bunker, the sermon remains the same. The Propaganda State, "in the guise of popular culture," claims a God-given right to rid the world of evil. In the process, it becomes like what it fears or hates. And that is still morally repugnant.

(...)

Rating:
Summary: Amazing Book
Review: This book looks at all of the ways the american government used propaganda to sell its war against iraq. Though many of the concepts used are well known, some most people probably would never have thought off. For all non-americans (like myself) it offers a view of what the american people saw (on networks such as Fox News), and it shows just how effective these strategies were by reviewing just what the american public thought (through polls which were conducted).

It is an amazing book. Easy to read, very interesting, and sometime, almost unbelievable (to realize just how gullible the american population is).

For any americans, read this book. To put it plainly: It will make you smarter. It will help you to identify the means that the government uses to persuade the public, and hopefully, teach you how to make make up your own opinion, instead of just believing what you hear. And HOPEFULLY it may keep you from making the same mistake that you made this november.