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Rating: 
Summary: A compact but rewarding sampling
Review: "African-American Poetry: An Anthology, 1773-1927," edited by Joan Sherman, is a powerful and rewarding gathering of poems. Sherman has packed a lot into just 82 pages. Many of the giant names of African-American literature are here: Phillis Wheatley, Frances E.W. Harper, James Weldon Johnson, Paul Laurence Dunbar, and many more. There are also poets who are perhaps less well-known, but still admirable as literary creators. As a whole, these poets write with an intriguing variety of voices: solemn, satirical, militant, etc.Many of black America's most important and most memorable poems are in here: Wheatley's "On Being Brought from Africa to America," Dunbar's "Sympathy" (with its significant line, "I know why the caged bird sings..."), and Countee Cullen's "Yet Do I Marvel." There are poems about slavery, literacy, religion, racial uplift, folk culture, and more. It is interesting to see the juxtaposition (sometimes from the same author) between poems written in vernacular language and those written in very formal English with classical references. The only weak aspect of the book are the author bios. They are simply too short. Some are only a single sentence long, and they don't contain much bibliographic data. I would have liked a little more for each author. Still, this is an excellent anthology whose compact size and focus make it great both for classroom use and for general reading.
Rating:
Summary: A compact but rewarding sampling
Review: "African-American Poetry: An Anthology, 1773-1927," edited by Joan Sherman, is a powerful and rewarding gathering of poems. Sherman has packed a lot into just 82 pages. Many of the giant names of African-American literature are here: Phillis Wheatley, Frances E.W. Harper, James Weldon Johnson, Paul Laurence Dunbar, and many more. There are also poets who are perhaps less well-known, but still admirable as literary creators. As a whole, these poets write with an intriguing variety of voices: solemn, satirical, militant, etc. Many of black America's most important and most memorable poems are in here: Wheatley's "On Being Brought from Africa to America," Dunbar's "Sympathy" (with its significant line, "I know why the caged bird sings..."), and Countee Cullen's "Yet Do I Marvel." There are poems about slavery, literacy, religion, racial uplift, folk culture, and more. It is interesting to see the juxtaposition (sometimes from the same author) between poems written in vernacular language and those written in very formal English with classical references. The only weak aspect of the book are the author bios. They are simply too short. Some are only a single sentence long, and they don't contain much bibliographic data. I would have liked a little more for each author. Still, this is an excellent anthology whose compact size and focus make it great both for classroom use and for general reading.
Rating: 
Summary: simply amazing
Review: This book is simply amazing. I contains more culture than I have ever read in just one book. I definitely reccomend it to anyone.
Rating:
Summary: simply amazing
Review: This book is simply amazing. I contains more culture than I have ever read in just one book. I definitely reccomend it to anyone.
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