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Rating: 
Summary: Requires some selective reading, but thought provoking
Review: As the introduction indicates, skip the first chapter unless you really know nothing of the Middle Ages. Besides being dated and intensely opinionated the chapter contains sweeping generalizations with no support and factual errors, particularly regarding armor. Later chapters are much improved. Sources are noted (though they could use more variety) and statements of opinion, which are numerous, are generally noted in the first person.
Despite these issues, French Chivalry has much to offer. It's a great overview of a number of sources, and takes an easily comprehended view of chivalry from the perspectives of the church, proponents of courtly love, and from knights themselves. It's a good introduction to the topic, being more accessible than Maurice Keen's excelent work "Chivalry."
Rating: 
Summary: Fascinating Look at French Medieval Chivalry
Review: French Chivalry is superb. I have always enjoyed reading medieval history, and I have accepted that many texts are detailed and scholarly and require substantial effort by the reader. Well-researched and documented, French Chivalry is an exception. Anyone with a modicum of interest in the Middle Ages will have difficulty putting this book aside. Historian Sidney Painter writes with an engaging style that is both informal and scholarly. I read all 172 pages in two days. Painter has created a uniquely fascinating examination of French chivalry, contrasting the chivalric ideal with the actual practice of chivalry by French knights from about 1000 to the mid-1400s. There are only five chapters. The first chapter, The Nobles of France, portrays the French ruling class at the end of the first millennium as little more than undisciplined warriors. Painter examines the political, economic, and military factors that influenced the development of that remarkable code of behavior that we call chivalry. In chapter 2, Feudal Chivalry, Painter explores the ideals of chivalry that were most readily acceptable to French knights themselves - prowess in battle, loyalty, generosity, knightly courtesy, and love of glory. Chapter 3 (Religious Chivalry) and 4 (Courtly Love) describe how churchmen and ladies created and advanced their own distinct and rather contradictory conceptions of the perfect nobleman. Despite persistent efforts, the ethical ideals propagated by the ecclesiastical class met with limited success. The ladies did, however, persuade the warrior class to direct more attention away from the battlefield. The final chapter examines how the three somewhat mutually exclusive types of chivalry were reconciled. This story ends as the warrior knight is transformed into (or replaced by) the courtier, a man more concerned with entertaining and pleasing royalty than exhibiting prowess in battle.
Rating:
Summary: Fascinating Look at French Medieval Chivalry
Review: French Chivalry is superb. I have always enjoyed reading medieval history, and I have accepted that many texts are detailed and scholarly and require substantial effort by the reader. Well-researched and documented, French Chivalry is an exception. Anyone with a modicum of interest in the Middle Ages will have difficulty putting this book aside. Historian Sidney Painter writes with an engaging style that is both informal and scholarly. I read all 172 pages in two days. Painter has created a uniquely fascinating examination of French chivalry, contrasting the chivalric ideal with the actual practice of chivalry by French knights from about 1000 to the mid-1400s. There are only five chapters. The first chapter, The Nobles of France, portrays the French ruling class at the end of the first millennium as little more than undisciplined warriors. Painter examines the political, economic, and military factors that influenced the development of that remarkable code of behavior that we call chivalry. In chapter 2, Feudal Chivalry, Painter explores the ideals of chivalry that were most readily acceptable to French knights themselves - prowess in battle, loyalty, generosity, knightly courtesy, and love of glory. Chapter 3 (Religious Chivalry) and 4 (Courtly Love) describe how churchmen and ladies created and advanced their own distinct and rather contradictory conceptions of the perfect nobleman. Despite persistent efforts, the ethical ideals propagated by the ecclesiastical class met with limited success. The ladies did, however, persuade the warrior class to direct more attention away from the battlefield. The final chapter examines how the three somewhat mutually exclusive types of chivalry were reconciled. This story ends as the warrior knight is transformed into (or replaced by) the courtier, a man more concerned with entertaining and pleasing royalty than exhibiting prowess in battle.
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