Rating: 
Summary: Marginal prose reveals powerful, enraging story
Review: When a cruise missile destroys a target, there is a certain level of responsibility on Raytheon, the manufacturer. That type of corporate complicity though, is subservient to the lion's share of the blame which would go to the government that uses the cruise missile. In the case of Union Carbide, no such opportunities to share the blame exist. The deaths of up to 30,000 people lie directly at the door of the company as has been made clear in several books, Five Past Midnight in Bhopal being the most recent.It is unfortunate that the massacre perpetrated in Bhopal is given only a marginal telling here. The story is fairly compelling and it does have a creeping sense of doom as ones reads it. Often times though, the authors drop into cliché and melodrama. Many of the people in the book are revealed as one-dimensional, polarizing the guilty and innocent. If the victims of the crime were thugs of some sort, their characters should remain irrelevant. The same should go for those who are largely decent people, painting them as angelic does nothing to further the quest for justice against Union Carbide (since absorbed by Rhône-Poulenc and Dow Chemical). It's merely an attempt to tug at the heartstrings of the reader, of whom only the most imbecilic or callous would fail to identify with the victim and convict the perpetrator. That is not to say that the authors should not have tried to give the victims names and personalities, only that the way it is done here is often times unbearable. When it does come through though, it's effective. Drawing a depth of character that allows the reader to focus on what exactly the cost is going to be to these people, one can feel a bit of personal loss with the victims. The other main flaw that comes to mind is one that might have been identified by one of the blurbs on the back cover. In the book A Perfect Storm, Sebastian Junger gives thoughts, actions and motives (even dialogue) to people after all communication from them had been cut off. This was done despite the fact there is absolutely zero reason to think that any of it happened or that the characters were even alive at that point. Passing such tripe off as nonfiction is repulsive. When there is some evidence that might help recreate the last moments of people, as in Bhopal where the bodies of the killed were available at the time, there can be a limited amount of reasonable supposition. In the case of Five Past Midnight in Bhopal, this reviewer thinks the authors stretched a bit beyond reasonable credulity. Nevertheless, when all is said and done, the authors have recounted a piece of history and found to put the blame where most others have as well. Perhaps the melodrama and angel-raising could have been cut a bit to provide a better glimpse about the struggle for justice in the time since the mass-killing but that decision belongs to the authors, not to me. Reliable estimates put the total number of fatalities from the gassing of Bhopal higher than the number of Kurds gassed at Halabja by Saddam Hussein in one of his more famous crimes. The mens rea is clear for both crimes, one through direct malice, and one through reckless behavior that reasonable people could expect to lead to death. This is well established using Union Carbide's own materials. The safety reports convict the company on their own yet, justice is conspicuously absent to the people of Bhopal, with the complicity of the American government and the offensive lack or personal responsibility on the part of the Warren Anderson and the others chiefs of Union Carbide. Five Past Midnight in Bhopal gives a good account of the events and the behavior that lead up to the worst industrial catastrophe in history, it unfortunately does so with marginal storytelling ability and prose.
| 
