Flesh and Stone: The Body and the City in Western Civilization

Rating:
Summary: This will (may) change your view on the world....
Review: For those who are interested and curious about where our modern habits attitudes about our bodies and its interactions in urban space this is the book for you. Easy to read, and informative, yet very poignant and it is a book that is able to be read on many different levels.

Richard Sennett takes us from ancient Athens and its fixation with voice, logos, and democracy. Why sitting in the theatre is weakness and brings man to a passive posture. With pit-stops in Imperial Rome, Venice, Revelutionary Paris, and other cities, Sennett layers his logic and builds from the ground up a forceful argument to the reader. The last stop is modern New York City, a multi-cultural center full of dissonace and passivity. This chapter is especially powerful, because it strikes a chord in our psyche.

Each chapter is a pit-stop in history displaying the condition of the flesh in response to the stone of the city. Sennett's thesis is that the continual acceleration of life due to, in part by forces of capitolism, have made man a passive player in life. He discusses this against the backdrop of christianity and its change and flux due to forces of the state and commerce. A very interseting thesis that forces you to challenge your beliefs in the world, and maybe your own religion. It may irk some that this book has such a Christian-oriented slant, but Sennett comes right out and states why he is doing in in the beginning.

This book deals also with the philosophy of Phenomenology. Other readings by Howard Kunstler, Derrida and Heidigger are also recomended, but not necessary. Overall, a very suberb book.

Rating:
Summary: This will (may) change your view on the world....
Review: For those who are interested and curious about where our modern habits attitudes about our bodies and its interactions in urban space this is the book for you. Easy to read, and informative, yet very poignant and it is a book that is able to be read on many different levels.

Richard Sennett takes us from ancient Athens and its fixation with voice, logos, and democracy. Why sitting in the theatre is weakness and brings man to a passive posture. With pit-stops in Imperial Rome, Venice, Revelutionary Paris, and other cities, Sennett layers his logic and builds from the ground up a forceful argument to the reader. The last stop is modern New York City, a multi-cultural center full of dissonace and passivity. This chapter is especially powerful, because it strikes a chord in our psyche.

Each chapter is a pit-stop in history displaying the condition of the flesh in response to the stone of the city. Sennett's thesis is that the continual acceleration of life due to, in part by forces of capitolism, have made man a passive player in life. He discusses this against the backdrop of christianity and its change and flux due to forces of the state and commerce. A very interseting thesis that forces you to challenge your beliefs in the world, and maybe your own religion. It may irk some that this book has such a Christian-oriented slant, but Sennett comes right out and states why he is doing in in the beginning.

This book deals also with the philosophy of Phenomenology. Other readings by Howard Kunstler, Derrida and Heidigger are also recomended, but not necessary. Overall, a very suberb book.

Rating:
Summary: Urbanity and urbanicity
Review: If you have a worldview that has been forged and tempered in the fire of muti-directional, muti-disciplinary study, this book is not likely to shatter or alter it in any way, as the previous reviewer claims. It is a brief, pit-stoppy tour of some of the key cities of the West, coupled with sociologial descriptions of people's behavior in them. The idea is that the conception of the body went hand-in-hand with the built environment, and vice versa. Chicken and the egg.

The historical tour does have some profitable moments: The Greeks thought men were men by virtue of having more body heat and thus it was a manly thing to wear as little as possible and hang out in the front part of the house where it was drafty, while the womenfolk with smaller fires in their bellies huddled to warmed themselves in the back.
Harvey's discovery of blood circulation becomes a city planning concept in the 19th century and revolutionizes urban space as our forebears we know it. Etc.

The really interesting thing here is the physiological model that always looms in the metaphor of city as body. The author, like many modern persons, gives you the impression that while the ancients had a great sense of space and community, they were off on their understanding of human physiology. If only he were more familiar with the theoretical foundation of Chinese medicine! Perhaps then he would not think that the Greeks were so entirely wrong in their conjectures, even if they did not formulate them so clearly.

The entire thesis of the book builds up to the assertion that we moderns are lost and have no idea what makes for a great city, by which he means a gathering of spaces that reflect and "celebrates" (god, I hate that word used in that way!) a solid sense of community and belonging. But this conclusion is not surprising since the author's entire oeuvre for the past 30 years has been centered around the very same idea of modern alienation and its causes.
So, read it for the tour, but don't base your own conclusions on Sennett's. The real value of the book lies in its introduction of topics that you'd do well to go research on your own elsewhere. Especially good for undergrads under a good teacher.