Daniel Boone: An American Life

Rating:
Summary: A Detailed Portrait of the Woodsman in the Wilderness
Review: I blame television. When reading _Daniel Boone: An American Life_ (University Press of Kentucky) by Michael A. Lofaro, I realized that I didn't know anything about Daniel Boone. I thought he wore a coonskin cap and was a contemporary of Davy Crockett, and maybe fought at the Alamo. I discovered at the end of the book that Lofaro blames television, too. Boone's fame to my generation comes from "...Fess Parker playing the lead in _Daniel Boone_, a historical disaster for baby-boomers who still confuse Boone with Crockett" because Parker sequentially played one then the other in the mid-fifties. Lofaro had insight on my own ignorance, and his book is shot through with impressive scholarship that takes Boone, as much as possible, from myth and tall tales (and television-inspired error) and puts him into realistic historical perspective. There is plenty here that is inspiring, and fit for legend-making, and also plenty to show that Daniel Boone had essential trouble in managing to get along with society. And also (_pace_ Davy Crockett), Boone hated coonskin caps.

He was born in Pennsylvania in 1734, to devout Quakers. His rudimentary schooling shows up in many excerpts from his writings here; for instance, it seems to be true that on an East Tennessee tree he carved the inscription "D. Boon cilled a Bar on tree in the year 1760." Boone did indeed become an accomplished woodsman and hunter, and was always less fit for the life of frontier farming. He had a pattern of reaching out to new lands; he had a wanderlust, to be sure, and encroaching civilization always meant that he had to move to new frontiers to hunt game, but he was always eager to apply the simple solution of moving away when having people live around him was just too complicated. He would be on the move all his life. He fought for the British (along with Washington) in the French and Indian War, and then against the British in the western version of the American Revolution, which consisted mostly of fighting Indians. He had prodigious skill in the outdoors, and there are many stories here of heroism and craftiness. Although he could always win battles against Indians, he could not win against lawyers, and was often in court because of disputed boundaries he had surveyed. He was guileless and always assumed that treating someone honestly would get him honest treatment in return, an assumption that he never seemed to learn was unwarranted.

Boone was amazed that he became famous. There was a bogus autobiography printed in 1784, that was translated into German and French, and made Boone internationally known. He was painted by the young John James Audubon. James Fennimore Cooper based much of Natty Bumppo on him, and in a note to one of the Leatherstocking Tales said that Boone headed out from Kentucky to Missouri in later life "because he found a population of ten to the square mile inconveniently crowded." Tales of Boone's dry wit became staples. He did indeed, when asked if he had ever gotten lost in the wilderness, reply, "No, I can't say as ever I was lost, but I was bewildered once for three days." He blazed trails, most notably through the Cumberland Gap, and then was dismayed that they became widened for wagon travel and further encroachment by civilization. Ending up in Missouri, he spent his last years hunting buffalo and trapping beaver. He died at 85, as the nation was pushing further west and the wilds were more speedily declining. Lofaro's informative biography puts the brilliant pioneer and naïve citizen at the center of a complicated and longstanding war between settlers and Indians.

Rating:
Summary: A Detailed Portrait of the Woodsman in the Wilderness
Review: I blame television. When reading _Daniel Boone: An American Life_ (University Press of Kentucky) by Michael A. Lofaro, I realized that I didn't know anything about Daniel Boone. I thought he wore a coonskin cap and was a contemporary of Davy Crockett, and maybe fought at the Alamo. I discovered at the end of the book that Lofaro blames television, too. Boone's fame to my generation comes from "...Fess Parker playing the lead in _Daniel Boone_, a historical disaster for baby-boomers who still confuse Boone with Crockett" because Parker sequentially played one then the other in the mid-fifties. Lofaro had insight on my own ignorance, and his book is shot through with impressive scholarship that takes Boone, as much as possible, from myth and tall tales (and television-inspired error) and puts him into realistic historical perspective. There is plenty here that is inspiring, and fit for legend-making, and also plenty to show that Daniel Boone had essential trouble in managing to get along with society. And also (_pace_ Davy Crockett), Boone hated coonskin caps.

He was born in Pennsylvania in 1734, to devout Quakers. His rudimentary schooling shows up in many excerpts from his writings here; for instance, it seems to be true that on an East Tennessee tree he carved the inscription "D. Boon cilled a Bar on tree in the year 1760." Boone did indeed become an accomplished woodsman and hunter, and was always less fit for the life of frontier farming. He had a pattern of reaching out to new lands; he had a wanderlust, to be sure, and encroaching civilization always meant that he had to move to new frontiers to hunt game, but he was always eager to apply the simple solution of moving away when having people live around him was just too complicated. He would be on the move all his life. He fought for the British (along with Washington) in the French and Indian War, and then against the British in the western version of the American Revolution, which consisted mostly of fighting Indians. He had prodigious skill in the outdoors, and there are many stories here of heroism and craftiness. Although he could always win battles against Indians, he could not win against lawyers, and was often in court because of disputed boundaries he had surveyed. He was guileless and always assumed that treating someone honestly would get him honest treatment in return, an assumption that he never seemed to learn was unwarranted.

Boone was amazed that he became famous. There was a bogus autobiography printed in 1784, that was translated into German and French, and made Boone internationally known. He was painted by the young John James Audubon. James Fennimore Cooper based much of Natty Bumppo on him, and in a note to one of the Leatherstocking Tales said that Boone headed out from Kentucky to Missouri in later life "because he found a population of ten to the square mile inconveniently crowded." Tales of Boone's dry wit became staples. He did indeed, when asked if he had ever gotten lost in the wilderness, reply, "No, I can't say as ever I was lost, but I was bewildered once for three days." He blazed trails, most notably through the Cumberland Gap, and then was dismayed that they became widened for wagon travel and further encroachment by civilization. Ending up in Missouri, he spent his last years hunting buffalo and trapping beaver. He died at 85, as the nation was pushing further west and the wilds were more speedily declining. Lofaro's informative biography puts the brilliant pioneer and naïve citizen at the center of a complicated and longstanding war between settlers and Indians.

Rating:
Summary: Daniel Boone
Review: This book tells how Dniel showed honesty and cofidince. Everything about Daniel Boone is in this book. If you have a report due on a leader this is want you want. I prefer this book to anyone.