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Giotto to Durer: Early Renaissance Painting in the National Gallery

Giotto to Durer: Early Renaissance Painting in the National Gallery

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Rating: 5 stars
Summary: superb introduction to renaissance painting
Review: We are used to looking at "old Master" painting as if it were just a matter of style, but the truth is that Renaissance art was in important respects the product of a revolution in the use of binding media (water and egg yolk for tempera; oils) for pigments, and in the prepared surfaces (wood panels, paper, canvas) to which these pigments were applied. This wonderfully illustrated book distills the knowledge gained by the restorers of the National Gallery in London, from decades of well-documented, cutting-edge restorations of the outstanding Italian and northern European Old Master paintings in their care. It is much, much more than a technical handbook. Historical essays cover the categories of Renaissance painting, 1300 to 1500, and their many uses, while the second half of the book is an informative catalogue (with gorgeous color reproductions) of individual paintings by many of the best-known Renaissance artists (Botticelli, Jan van Eyck, Leonardo da Vinci, Albrecht Durer, to name the most obvious).

Rating: 5 stars
Summary: superb introduction to renaissance painting
Review: We are used to looking at "old Master" painting as if it were just a matter of style, but the truth is that Renaissance art was in important respects the product of a revolution in the use of binding media (water and egg yolk for tempera; oils) for pigments, and in the prepared surfaces (wood panels, paper, canvas) to which these pigments were applied. This wonderfully illustrated book distills the knowledge gained by the restorers of the National Gallery in London, from decades of well-documented, cutting-edge restorations of the outstanding Italian and northern European Old Master paintings in their care. It is much, much more than a technical handbook. Historical essays cover the categories of Renaissance painting, 1300 to 1500, and their many uses, while the second half of the book is an informative catalogue (with gorgeous color reproductions) of individual paintings by many of the best-known Renaissance artists (Botticelli, Jan van Eyck, Leonardo da Vinci, Albrecht Durer, to name the most obvious).


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