Home :: Books :: History  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs
Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History

Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers
Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical
Reference
Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
Bronzeville: Black Chicago in Pictures, 1941-1943

Bronzeville: Black Chicago in Pictures, 1941-1943

List Price: $39.95
Your Price: $25.17
Product Info Reviews

<< 1 >>

Rating: 5 stars
Summary: A Riveting Time Capsule
Review: Warning: Once you pick this book up, you won't be able to put it down.

I first skimmed it simply to enjoy the compelling photographs...that alone would have been enough for the money. But then add the text, especially the contemporary accounts from Richard Wright, and you'll feel you've time travelled. I've read about the Great Migration, but this book lives it.

Chicago was the "black capital" in the 1940's, having supplanted Harlem as the center of black culture and nationalism. It was home to notables like Joe Lewis, Thomas A. Dorsey, Mahalia Jackson, Ebony Magazine and Nation of Islam leader Elijah Muhammad. But the most arresting images and stories here are about the everyday people, ranging from grim images of the overcrowded slums to the more joyful life: a crowd watching the orchestra at the Savoy Ballroom, kids lined up in front of the movie theater, the Easter Parade outside Pilgrim Baptist. The book is divided into four parts: House & Home, Work, Church, Going Out.

One of the original essays discusses the fact that during the time period, most white media images of blacks perpetuated negative stereotypes, while many black photographers strove to counter this with "the strongest possible contrast to such representation." Which makes this collection even more important in that it presents such a wide range of people and situations, without trying to support an agenda. The photographers simply captured life.

I agree: This book should be a part of every photography and African American history collection.

Curator, AfroAmericanHeritage.com


<< 1 >>

© 2004, ReviewFocus or its affiliates