Home :: Books :: History  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs
Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History

Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers
Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical
Reference
Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
Art and Architecture in France, 1500-1700 (Yale University Press Pelican History of Art)

Art and Architecture in France, 1500-1700 (Yale University Press Pelican History of Art)

List Price: $35.00
Your Price: $35.00
Product Info Reviews

<< 1 >>

Rating: 4 stars
Summary: Blunt on France
Review: The one sad thing about the new Yale University Press/Pelican history of art editions is that the samll format has been eschewed in favor of a large size coffee table book. The text has changed little, if at all. What has been updated is the bibliography, and many color illustrations have been added. However, even the illustrations have not changed in many instances, because Blunt, when he originally wrote the text in the 1950's worked with, wrote from, a very specific set of images, and these same images are still essential if the reader wants to comprehend his argument. With that said, this is probably still the best general accounting of French art and architecture in the Renaissance and Baroque periods, certainly the best for the beginner. Those looking for more detailed studies might turn to some of Blunt's other books (he was the leading scholar of French Baroque for over fourty years) or more recent scholarly works. One bit of gossip that makes the text more enjoyable is that Blunt was for many many years a Russian spy, involved with a circle of British men sending intelligence to the Russians, and when he was found out in the late 1970's he was stripped of his knighthood and of his post at London's restigious art historical institution, the Courtauld. Whether or not his activites in that capacity influenced his interpreation or his writing of the text is for you to find out.


<< 1 >>

© 2004, ReviewFocus or its affiliates