Politics of Friendship (Phronesis Series)

Rating:
Summary: What are friends for?
Review: Derrida's latest book continues what has been pecieved as an 'ethical turn' in deconstruction, intiated with 1994's "Spectres of Marx," and the subesquent rich contribution of 'deconstructionists' to political and moral thinking. However, Derrida himself contends that his entire project would have been unthinkable without some form of Marxism, and I share emphatically the view of Critchley, Laclau et al that questions of ethics and politics lie at the heart of the deconstructive enterprise. It is such a reading that gives this latest text a crucial location in the most contempoarary of politics. And those who contend that Derrida's (and the continental tradtion's legacy in general) has nothing 'practical,' 'useful' to say about the conduct of states and peoples in something called the 'real world,' need only refer to the Middle East situation, and the endlessly shifting notions of 'friends' and 'enemies' in that region to begin to grasp the paradoxical importance of Aristotle's strange address, inverted by Nietzsche, "O my friends, there are no friends," around which Derrida constructs his arguments. Where do the boundairies of friendship lie - is not our closest friend also, as Nietzsche suggested long ago, also our greatest enemy? Throughout the years of the Cold War, such questions may have seemed irrelevant, facticious. For those of us in the West, it was US and them, the USSR, the Warsaw Pact. Complicated though the transactions may have been, it was between two concretely opposed and finished blocs. Today the questions are rarley so simple - is the US a friend, to those in Britain? But which US - for it is surely now not an homogenous entity if it ever was. And which Russia do we hold dear? The collsape of stable relasionships between states of the world precipates a collaspe of recognition and identification within these states, via which we exist as political beings. Derrida's book is not the truth of friends, but in myraid different ways explores the legacy in various philosophical traditions of the dicotomy friend / enemey, and opens new and vital interpretations of our contempoarary state.

Rating:
Summary: Too true to be ignored.
Review: Some things that I have previously written about fools were undoubtedly reinforced by my earlier attempt to gain something from this book. Now that I have returned to this book with all the seriousness that creative intellectual labor demands when it is not in a good mood, my concern is with a portion of Chapter 4, "The Phantom Friend Returning (in the name of `Democracy')" stated most concisely on pages 81-82, "with neither consciousness nor memory of its compulsive droning" being applied to "what has become the real structure of the political ~ . . . the marks and the discourse that give it form ~ to allow us to speak of them in such a way today, seriously and solemnly?" Whatever is being discussed here is leading to a German thinker on page 83: "This tradition takes on systematic form in the work of Carl Schmitt." The flip side of things is actually the case. "As soon as war is possible, it is taking place, . . . in a society of combat, in a community presently at war, since it can present itself to itself, as such, only in reference to this possible war." (p. 86) "The concept of the enemy is . . . the very concept of the political." (p. 86)

Perhaps this is only serious in a sense in which psychosis might be considered serious, or a political professional might be considered engaged in something like the practice of law, or a majority of the Supreme Court might think that people shouldn't count... because their wishes and desires will prevent them from maintaining any hard and fast rules about how they are counting. This is about the same as the democratic principles for friendship which are the topic of this book. Comedians might have predicted that if a presidency were to go, either to a guy that they thought was too smart, or to the dumb guy, the law ought to prefer the dumb guy anyway, because the law is like comedy, playing to the same audience. It might not always be right, but the audience always gets the jokes about the dumb guy. Derrida is not providing an index or bibliography with this work, just notes at the end of the chapters, so it wasn't easy for me to find comic elements of this book to pursue. I think he is fond of more troubling aspects of reality, like TRAGIC WAYS OF KILLING A WOMAN by Nicole Loraux and the usual Greek philosophers. As far as my concerns about the war on drugs, he provides some reasons for thinking that with the powers of high altitude herbicide spraying available today, we are capable of destroying much more of Columbia for each opium user here at home than back when Nietzsche was taking opium. When Derrida wrote this book, he might not have been thinking that the United States would be doing that by now, but it must be true.

Rating:
Summary: Too true to be ignored.
Review: Some things that I have previously written about fools were undoubtedly reinforced by my earlier attempt to gain something from this book. Now that I have returned to this book with all the seriousness that creative intellectual labor demands when it is not in a good mood, my concern is with a portion of Chapter 4, "The Phantom Friend Returning (in the name of `Democracy')" stated most concisely on pages 81-82, "with neither consciousness nor memory of its compulsive droning" being applied to "what has become the real structure of the political ~ . . . the marks and the discourse that give it form ~ to allow us to speak of them in such a way today, seriously and solemnly?" Whatever is being discussed here is leading to a German thinker on page 83: "This tradition takes on systematic form in the work of Carl Schmitt." The flip side of things is actually the case. "As soon as war is possible, it is taking place, . . . in a society of combat, in a community presently at war, since it can present itself to itself, as such, only in reference to this possible war." (p. 86) "The concept of the enemy is . . . the very concept of the political." (p. 86)

Perhaps this is only serious in a sense in which psychosis might be considered serious, or a political professional might be considered engaged in something like the practice of law, or a majority of the Supreme Court might think that people shouldn't count... because their wishes and desires will prevent them from maintaining any hard and fast rules about how they are counting. This is about the same as the democratic principles for friendship which are the topic of this book. Comedians might have predicted that if a presidency were to go, either to a guy that they thought was too smart, or to the dumb guy, the law ought to prefer the dumb guy anyway, because the law is like comedy, playing to the same audience. It might not always be right, but the audience always gets the jokes about the dumb guy. Derrida is not providing an index or bibliography with this work, just notes at the end of the chapters, so it wasn't easy for me to find comic elements of this book to pursue. I think he is fond of more troubling aspects of reality, like TRAGIC WAYS OF KILLING A WOMAN by Nicole Loraux and the usual Greek philosophers. As far as my concerns about the war on drugs, he provides some reasons for thinking that with the powers of high altitude herbicide spraying available today, we are capable of destroying much more of Columbia for each opium user here at home than back when Nietzsche was taking opium. When Derrida wrote this book, he might not have been thinking that the United States would be doing that by now, but it must be true.