Living As a Lesbian: Poetry

Rating:
Summary: Poetic pyrotechnics from a radical voice
Review: "Living As a Lesbian" is a stunning collection of poetry by Cheryl Clarke. As the title indicates, much of the book's content revolves around loving and surviving as a lesbian in the 20th century. Clarke also writes about racism and injustice, and reflects upon the people and events of her world. Much of the book has a gritty, urban flavor to it.

In the poem "wearing my cap backwards," Clarke writes, "poets are among the first witches / so suffer none to live." This sets the tone for her poetic style: edgy, dangerous, and allied with the most marginalized elements of society. As she explores her subjects--lesbian sex, racially biased courtrooms, recreational drug use, road kill, and more--Clarke uses language that is alternatingly lusty, playful, profane, enraged, and/or outraged.

Some of the most memorable selections from "Living As a Lesbian" include "living as a lesbian on the make," which narrates the adventure of a lesbian in a "straight" bar; "Indira," an irony-laden reflection on the life and public image of Indian leader Indira Gandhi; and "sexual preference," a humorous meditation on lesbian sexual practices.

As Clarke spins her poetic webs, she ensnares many public figures: Jesse Jackson, Anita Bryant, Vanessa Williams, and more. Her vision is international, multi-cultural, and unbound by time: "i hear a marimba player chanting / her slave song in portuguese" (from "marimba"). As in her other books, Clarke finds a wealth of inspiration in African-American culture and history.

In the poem entitled "living as a lesbian underground: a futuristic fantasy," Clarke writes, "Leave signs of struggle. / Leave signs of triumph." This book, along with Clarke's other volumes of poetry, contains powerful signs of both struggle and triumph on the part of a remarkable poet.

Rating:
Summary: Poetic pyrotechnics from a radical voice
Review: "Living As a Lesbian" is a stunning collection of poetry by Cheryl Clarke. As the title indicates, much of the book's content revolves around loving and surviving as a lesbian in the 20th century. Clarke also writes about racism and injustice, and reflects upon the people and events of her world. Much of the book has a gritty, urban flavor to it.

In the poem "wearing my cap backwards," Clarke writes, "poets are among the first witches / so suffer none to live." This sets the tone for her poetic style: edgy, dangerous, and allied with the most marginalized elements of society. As she explores her subjects--lesbian sex, racially biased courtrooms, recreational drug use, road kill, and more--Clarke uses language that is alternatingly lusty, playful, profane, enraged, and/or outraged.

Some of the most memorable selections from "Living As a Lesbian" include "living as a lesbian on the make," which narrates the adventure of a lesbian in a "straight" bar; "Indira," an irony-laden reflection on the life and public image of Indian leader Indira Gandhi; and "sexual preference," a humorous meditation on lesbian sexual practices.

As Clarke spins her poetic webs, she ensnares many public figures: Jesse Jackson, Anita Bryant, Vanessa Williams, and more. Her vision is international, multi-cultural, and unbound by time: "i hear a marimba player chanting / her slave song in portuguese" (from "marimba"). As in her other books, Clarke finds a wealth of inspiration in African-American culture and history.

In the poem entitled "living as a lesbian underground: a futuristic fantasy," Clarke writes, "Leave signs of struggle. / Leave signs of triumph." This book, along with Clarke's other volumes of poetry, contains powerful signs of both struggle and triumph on the part of a remarkable poet.