All We Have Is Now : A Novel

Rating:
Summary: a good read-lots to say ;and developed with care
Review: a wonderful story. Mr. Taylor writes with care. I think it is both a gay novel and a novel that shows taylor's ability to show complexity with easy.enjoyed the court room the best.

Rating:
Summary: All We Have Is Now
Review: All We Have Is Now is Robert Taylor's latest novel about a lonely actor who finds love for the second time in his life but loses his lover after he is brutally murdered in a hate crime.
... 
The murder sets off a complicated tapestry of events in the small Texas town where Jimmy grew up. A media circus trial ensues, discrimination and gay bias unravels, and Jimmy's parents finally come to terms with their son's homosexuality with the help of Jimmy's grandmother, Livie and Ian.
 
The book has a reflective feel to the Matthew Sheppard case and even mentions it during the trial but I don't think Taylor was trying to motivate his readers in that direction. Taylor brings many different messages to the table with his book. He explores the relationship between a younger gay man and an older gay man, he works a psychological profile on how to deal with a lover's death from AIDS and a hate crime, and he tries to deal with the emotions of a lover's parents whom are not acceptable to the gay lifestyle.
 
Taylor succeeds in making this novel a tearjerker. There is a lot of sadness through out and you can get into each one of the characters streams of consciousness but I think Taylor sensationalized Jimmy's murder too much and gave it an overblown look....

Rating:
Summary: All We Have Is Now
Review: All We Have Is Now is Robert Taylor's latest novel about a lonely actor who finds love for the second time in his life but loses his lover after he is brutally murdered in a hate crime.
... 
The murder sets off a complicated tapestry of events in the small Texas town where Jimmy grew up. A media circus trial ensues, discrimination and gay bias unravels, and Jimmy's parents finally come to terms with their son's homosexuality with the help of Jimmy's grandmother, Livie and Ian.
 
The book has a reflective feel to the Matthew Sheppard case and even mentions it during the trial but I don't think Taylor was trying to motivate his readers in that direction. Taylor brings many different messages to the table with his book. He explores the relationship between a younger gay man and an older gay man, he works a psychological profile on how to deal with a lover's death from AIDS and a hate crime, and he tries to deal with the emotions of a lover's parents whom are not acceptable to the gay lifestyle.
 
Taylor succeeds in making this novel a tearjerker. There is a lot of sadness through out and you can get into each one of the characters streams of consciousness but I think Taylor sensationalized Jimmy's murder too much and gave it an overblown look....

Rating:
Summary: FOR ONE THING: DON'T JUDGE THIS BOOK BY ITS COVER
Review: Checking out its picture on the cover and its subject matter, I thought this would make a great beach read. With all the elements of a great book: a gay relationship between a fiftyish gentleman and a twentysomething cute actor, a gay hate crime incident(reminiscent of Matthew Shephard's), a courtroom drama...great elements of which all turned out to be mundane and predictable.

Rating:
Summary: well writen,lots to say
Review: enjoyed his book. a great deal of thought. he has ability to write clearly, and with a purpose.

Rating:
Summary: Bad Book - Familiar Story
Review: This book takes all of the familiar things from the Matthew Shepherd story and turns it into a book about his boyfriend being killed and how he deals with it. The story was contrived but the grammar and writing style were also contrived as well. The way people speak in the book is not comfortable and the breaks in sentences is simply repulsive.

Rating:
Summary: Can He Love Again??
Review: This novel begins with a moving prologue in which Ian describes the death of his lover, Trevor, Ian's life partner who has died of AIDS. The devastating impact of Trevor's death leaves middle-aged Ian empty, no longer willing to love another, and totally devoted to his career as a repertory actor. Will he ever be able to love again? Well, several years pass, and Ian finds himself drawn to a beautiful young actor from Texas, named Jimmy, who's playing Ariel in the company's production of "The Tempest". Jimmy falls for Ian as well, and slowly works his way inside the walls of Ian's heart. But on a visit home to Texas, tragedy strikes, as Jimmy is the victim of a hate crime. Ian once again finds himself the survivor after Jimmy's death. Will he be able to rebuild his life again? Or will this be too much for him to overcome? Ian flies to Texas for the funeral and the second part of the novel begins revolving around the trial of Jimmy's killers. Will justice be served? And will Ian be able to show forgiveness?

I think the strength of the novel is placed on the second part of the book. The relationship Ian develops with Jimmy's grandmother is beautifully told, and the strength, love and friendship they discover in each other is truly heartwarming. Taylor's taken on two hot topics of the last twenty years in gay politics, AIDS and hate crimes, and has done a remarkable job with them. Yes, it's a take on the Matthew Shepard story, and no one is denying that, and this story could never compare to the tragedy of Matthew's death. However, the more these tragic hate crime stories are told, in whatever form, credit should be given to whoever gets the message across of how wrong and hateful these senseless attacks are. This is a well-written story about love, loss, and the desire of the human spirit to survive.

Joe Hanssen

Rating:
Summary: Can He Love Again??
Review: This novel begins with a moving prologue in which Ian describes the death of his lover, Trevor, Ian's life partner who has died of AIDS. The devastating impact of Trevor's death leaves middle-aged Ian empty, no longer willing to love another, and totally devoted to his career as a repertory actor. Will he ever be able to love again? Well, several years pass, and Ian finds himself drawn to a beautiful young actor from Texas, named Jimmy, who's playing Ariel in the company's production of "The Tempest". Jimmy falls for Ian as well, and slowly works his way inside the walls of Ian's heart. But on a visit home to Texas, tragedy strikes, as Jimmy is the victim of a hate crime. Ian once again finds himself the survivor after Jimmy's death. Will he be able to rebuild his life again? Or will this be too much for him to overcome? Ian flies to Texas for the funeral and the second part of the novel begins revolving around the trial of Jimmy's killers. Will justice be served? And will Ian be able to show forgiveness?

I think the strength of the novel is placed on the second part of the book. The relationship Ian develops with Jimmy's grandmother is beautifully told, and the strength, love and friendship they discover in each other is truly heartwarming. Taylor's taken on two hot topics of the last twenty years in gay politics, AIDS and hate crimes, and has done a remarkable job with them. Yes, it's a take on the Matthew Shepard story, and no one is denying that, and this story could never compare to the tragedy of Matthew's death. However, the more these tragic hate crime stories are told, in whatever form, credit should be given to whoever gets the message across of how wrong and hateful these senseless attacks are. This is a well-written story about love, loss, and the desire of the human spirit to survive.

Joe Hanssen

Rating:
Summary: Derivative Appropriation of Matthew Shepard's story
Review: Well, at least the book cover's pretty.

If you've been living in a foreign country since 1998, or have never read a story about gay hate crimes, perhaps this may have a Hallmark-card appeal.

However, most readers of gay stories will immediately see the utterly derivative plot of this bland fiction. Move the hate crime to Texas, have it narrated by an older boyfriend of the victim, and you've got the entire device of this vulturous rip-off of the now-famous hate crime.

With the definitive play "the Laramie Project," and several non-fiction and film accounts of the real event, I see no reason for this perfunctory work to have been given the green light at St. Martin's...

The entire second half is merely predictable courtroom dialogue. Chapters open and close with no tension whatsoever, and the repeated descriptions of delicious meals are inane.

Toss in some homespun aphorisms from good ole Texan grannies, and you've got a treacly, flat and uninspired book that even Fred Phelps could tolerate...