Restoried Selves: Autobiographies of Queer Asian-Pacific-American Activists (Haworth Gay & Lesbian Studies)

Rating:
Summary: A diverse and illuminating collection of voices
Review: "Restoried Selves: Autobiographies of Queer Asian/Pacific American Activists," edited by Kevin K. Kumashiro, is an anthology with a very tight focus (as indicated by the title). The bulk of the book consists of 17 autobiographical pieces written by different activists. In addition, the book contains a foreword, a preface, an afterword, an index, and capsule biographies of the contributors.

The entire book runs 137 plus xxvii pages long. The longest of the biographies is 13 pages, and most are under 10 pages long. While focused on a particular group of people, the book celebrates a tremendous diversity within that group. Many voices are heard: lesbian, gay male, bisexual (male and female), transgender and intersex. Ethnic experiences represented include Nepali, Filipino, Chinese, Vietnamese, Japanese, and more, including individuals who identify as bi- or multiethnic.

The stories in this book also take the reader across a vast portion of the United States: to Hawai'i; Long Island, New York; Silicon Valley, California; Connecticut; Decatur, Illinois; San Francisco; Detroit; and elsewhere. Certain recurring themes unify the collection as a whole: the "coming out" experience; the impact of pop culture upon the authors' lives; family relations; religion; dealing with multiple/overlapping identities; and the importance of joining or founding support organizations.

I'd like to mention a few selections that I found particularly memorable. "Curry Potatoes and Rainbow Banners," by Nur-e-alam S. Chisty, includes a compelling account of elementary school racism. "You're a What? An Activist??" by Alain Anh-Tuan Dang, recalls the author's fight against abusive Vietnamese sweatshops. In "South of Normal," Loren R. Javier writes movingly about growing up with Klinefelter's syndrome, a chromosomal condition. "Queerly a Good Friday" is by Jeanette Mei Gim Lee, a clergy candidate in a gay-friendly denomination; she writes about her approach to the Bible, which is informed by liberation theology and her own "queer-of-color experience."

My only real disappointment with the book relates to the very short lengths of most of the chapters. At times I wished that the authors (particularly Javier and Mei Gim Lee) could have gone into their fascinating topics in greater depth. But overall I really enjoyed the book. Angry and hopeful, intriguing and inspiring, this anthology is suitable both for academic courses and for general readers.

Rating:
Summary: A diverse and illuminating collection of voices
Review: "Restoried Selves: Autobiographies of Queer Asian/Pacific American Activists," edited by Kevin K. Kumashiro, is an anthology with a very tight focus (as indicated by the title). The bulk of the book consists of 17 autobiographical pieces written by different activists. In addition, the book contains a foreword, a preface, an afterword, an index, and capsule biographies of the contributors.

The entire book runs 137 plus xxvii pages long. The longest of the biographies is 13 pages, and most are under 10 pages long. While focused on a particular group of people, the book celebrates a tremendous diversity within that group. Many voices are heard: lesbian, gay male, bisexual (male and female), transgender and intersex. Ethnic experiences represented include Nepali, Filipino, Chinese, Vietnamese, Japanese, and more, including individuals who identify as bi- or multiethnic.

The stories in this book also take the reader across a vast portion of the United States: to Hawai'i; Long Island, New York; Silicon Valley, California; Connecticut; Decatur, Illinois; San Francisco; Detroit; and elsewhere. Certain recurring themes unify the collection as a whole: the "coming out" experience; the impact of pop culture upon the authors' lives; family relations; religion; dealing with multiple/overlapping identities; and the importance of joining or founding support organizations.

I'd like to mention a few selections that I found particularly memorable. "Curry Potatoes and Rainbow Banners," by Nur-e-alam S. Chisty, includes a compelling account of elementary school racism. "You're a What? An Activist??" by Alain Anh-Tuan Dang, recalls the author's fight against abusive Vietnamese sweatshops. In "South of Normal," Loren R. Javier writes movingly about growing up with Klinefelter's syndrome, a chromosomal condition. "Queerly a Good Friday" is by Jeanette Mei Gim Lee, a clergy candidate in a gay-friendly denomination; she writes about her approach to the Bible, which is informed by liberation theology and her own "queer-of-color experience."

My only real disappointment with the book relates to the very short lengths of most of the chapters. At times I wished that the authors (particularly Javier and Mei Gim Lee) could have gone into their fascinating topics in greater depth. But overall I really enjoyed the book. Angry and hopeful, intriguing and inspiring, this anthology is suitable both for academic courses and for general readers.

Rating:
Summary: BLTG Asian-Am Activists Speak OUT (pun intended)
Review: While reading this anthology, I kept being reminded of Cheryl Dunye's film "Watermelon Woman." At the end, she proclaims, "I am a black lesbian filmmaker." I can understand struggling to make peace with one's racial and sexual identities. But is identifying as a filmmaker an equally difficult struggle!? Well, in this book, non-straight Asian-Americans do not just speak about themselves, but they purposely dissect their political activism. In this book, activism is given as much weight as race or sexual orientation.

Activism here takes several forms. Be it promoting gay marriage in Hawaii, fighting xenophobia in a church setting, or coming out to one's Asian American studies students; the range is broad. Activists of all kinds of identities will relate to this. Further, straight Asian-Americans will see how they face some of the same struggles and this book may go far in promoting pan-sexual unity in Asian America.

The best article was by Pauline Park. She relates how as a transgender Korean adoptee, almost no organization accepts her in her wholeness. Still, this hasn't stopped her from accomplishing a lot in New York. Every reader will be blown away by all that she has done. The worst article came from David Lee. His piece says almost nothing about being activist. Though he critiques privileging white men over Asian man, you can tell he isn't taking his message seriously. I don't even know why Kumashiro put his piece in the book. I am quite sure other submissions had to have been better than this terrible contribution.

I doubt most Americans ever think about non-straight Asian Americans at all. However, if they do, they probably think first about monoracial, monosexual, gay-identified, male-born men. Kumashiro obviously wanted to have new centers. Most of the contributions are by women and their pieces are far stronger than those of the men. There are many works by biracial people and bisexuals, including Kumashiro coming out as bisexual. Not only is this a trans-inclusive work, but many contributors trouble gender binaries by hardly mentioning their gender at all. There is a great piece by a man who has Klinefelter's syndrome; this is fascinating as many activists want to use the phrase "LGBTI" to include intersexuals. Southeast Asians are often called "the forgotten Asians" and this book has a respectable amount of contributions from them. Still, this book is lacking in strong works by non-straight Polynesians. One Chicana-Samoan lesbian talks more about Chicanos and hardly about Samoans in her work. Another man talks about Native Hawaiian issues; however, he is not Native and the lack of mentioning what his race is makes me think he might be completely white, thus defeating the purpose of the book. When gay Pacific Islanders like Greg Louganis, Benjamin Cruz, or Esera Tuaolo are making press, this paucity is quite surprising and disappointing.

This book is for everyday readers. There are no footnotes or postmodern jargon. Readers will have a much easier time with this book than they may have with "Q&A" or "Racial Castration," previously released gay Asian-American books. The selections are arranged in alphabetical order. Because I think the purpose of the book is to get more straight Asian-Americans to embrace sexual minorities, I'm completely shocked that the work "queer" is thrown around so often and without question here. Many readers will be turned off and I don't know why the editor didn't think more about this.

Rating:
Summary: BLTG Asian-Am Activists Speak OUT (pun intended)
Review: While reading this anthology, I kept being reminded of Cheryl Dunye's film "Watermelon Woman." At the end, she proclaims, "I am a black lesbian filmmaker." I can understand struggling to make peace with one's racial and sexual identities. But is identifying as a filmmaker an equally difficult struggle!? Well, in this book, non-straight Asian-Americans do not just speak about themselves, but they purposely dissect their political activism. In this book, activism is given as much weight as race or sexual orientation.

Activism here takes several forms. Be it promoting gay marriage in Hawaii, fighting xenophobia in a church setting, or coming out to one's Asian American studies students; the range is broad. Activists of all kinds of identities will relate to this. Further, straight Asian-Americans will see how they face some of the same struggles and this book may go far in promoting pan-sexual unity in Asian America.

The best article was by Pauline Park. She relates how as a transgender Korean adoptee, almost no organization accepts her in her wholeness. Still, this hasn't stopped her from accomplishing a lot in New York. Every reader will be blown away by all that she has done. The worst article came from David Lee. His piece says almost nothing about being activist. Though he critiques privileging white men over Asian man, you can tell he isn't taking his message seriously. I don't even know why Kumashiro put his piece in the book. I am quite sure other submissions had to have been better than this terrible contribution.

I doubt most Americans ever think about non-straight Asian Americans at all. However, if they do, they probably think first about monoracial, monosexual, gay-identified, male-born men. Kumashiro obviously wanted to have new centers. Most of the contributions are by women and their pieces are far stronger than those of the men. There are many works by biracial people and bisexuals, including Kumashiro coming out as bisexual. Not only is this a trans-inclusive work, but many contributors trouble gender binaries by hardly mentioning their gender at all. There is a great piece by a man who has Klinefelter's syndrome; this is fascinating as many activists want to use the phrase "LGBTI" to include intersexuals. Southeast Asians are often called "the forgotten Asians" and this book has a respectable amount of contributions from them. Still, this book is lacking in strong works by non-straight Polynesians. One Chicana-Samoan lesbian talks more about Chicanos and hardly about Samoans in her work. Another man talks about Native Hawaiian issues; however, he is not Native and the lack of mentioning what his race is makes me think he might be completely white, thus defeating the purpose of the book. When gay Pacific Islanders like Greg Louganis, Benjamin Cruz, or Esera Tuaolo are making press, this paucity is quite surprising and disappointing.

This book is for everyday readers. There are no footnotes or postmodern jargon. Readers will have a much easier time with this book than they may have with "Q&A" or "Racial Castration," previously released gay Asian-American books. The selections are arranged in alphabetical order. Because I think the purpose of the book is to get more straight Asian-Americans to embrace sexual minorities, I'm completely shocked that the work "queer" is thrown around so often and without question here. Many readers will be turned off and I don't know why the editor didn't think more about this.