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Rating: 
Summary: Intrigue in Tangiers
Review: I love a good biography, and this one is GREAT! John Lahr writes brisk, delighfully breezy, and information-saturated biographies. He has another great one of his Father - Bert Lahr - the cowardly lion in Wizard of Oz. "Prick up your Ears"...is a page turner that kept me riveted as I came to an appreciation of the latter 60's London gay scene, and the Svengali/Frankenstein-like relationship between Orton and his 16-year lover, Ken Halliwell. Halliwell brutally murdered Orton in a frenzy of jealously and sheer madness in 1967, at Orton's peak of fame. I knew nothing of Joe Orton or his plays until I caught the last hour of the movie by the same title on BBC America last month, which starred Gary Oldman. The book is much better than the movie, in that it gives you all the "behind-the-scenes" information the movie does not have time to elaborate upon. Lahr treats Orton's horrible sex-addiction sensitively, and illustrates the magnitude of his genius and vision in a very articulate manner. Though Halliwell's murder/suicide was tragic for both men, Lahr helps the reader understand the reasons which lead to his fatal mistake, without excusing it by tapping the support of many of their old friends, living family, and aquaintences. Who knows, if only Orton had acknowledged Halliwell's contributions to his work, perhaps they'd both be with us today...
Rating: 
Summary: Extreme Boredom!
Review: Joe Orton was an original, no getting around it. His plays, especially "Entertaining Mr. Sloan," "Loot" and "What the Butler Saw" are considered classics of the blackest form of comedy. He enjoyed shocking people, while always maintaining that his characters and the situations he places them in were grounded in reality. This is a theatrical bio as bold and brash as its subject. Lahr has done a thorough job of exposing this most controversial of playwrights. Joe was a sexual compulsive, an in-your-face homosexual who enjoyed sex with strangers in public places. He also loved to brag about his exploits, never skimping on a detail. Just when "things" were finally coming together for Orton professionally, things were beginning to unravel for his companion Kenneth Halliwell, who brutally murdered Orton in August 1967. Some would say his rude death befit how he lived the rest of his life. I think that would be judging Joe too harshly. Perhaps he would have been a flash-in-the-pan or as lasting and popular as Stoppard. We'll never know. That's the tragedy. Good job Lahr.
Rating: 
Summary: Lahr captures a true original.
Review: Joe Orton was an original, no getting around it. His plays, especially "Entertaining Mr. Sloan," "Loot" and "What the Butler Saw" are considered classics of the blackest form of comedy. He enjoyed shocking people, while always maintaining that his characters and the situations he places them in were grounded in reality. This is a theatrical bio as bold and brash as its subject. Lahr has done a thorough job of exposing this most controversial of playwrights. Joe was a sexual compulsive, an in-your-face homosexual who enjoyed sex with strangers in public places. He also loved to brag about his exploits, never skimping on a detail. Just when "things" were finally coming together for Orton professionally, things were beginning to unravel for his companion Kenneth Halliwell, who brutally murdered Orton in August 1967. Some would say his rude death befit how he lived the rest of his life. I think that would be judging Joe too harshly. Perhaps he would have been a flash-in-the-pan or as lasting and popular as Stoppard. We'll never know. That's the tragedy. Good job Lahr.
Rating: 
Summary: Interesting biography of a minor playwright.
Review: Prick Up Your Ears is a biography of Joe Orton, who achieved a measure of fame in Britain and the US for his plays such as "What the Butler Saw." Orton, who was gay, got much of his literary education from his lover. The lover, who went from being the dominant person in the relationship to the lesser when Orton became famous, eventually developed such a rage against Orton that he murdered him and then killed himself. Orton's plays are often funny, but not deep. They depend on the breaking of social and sexual conventions. Now that those conventions have largely been broken anyhow, Orton's plays seem less shocking than they were at the time. Orton liked to be thought of as another Harold Pinter, but somewhat to his horror he found that his admirers included conventional middlebrow playwrights of the day. In fact, Orton's plays do have more in common with the works of these more conventional writer than with Pinter. Perhaps Orton's greatest comic invention were his letters to the editor of various British publications, always written under a false name and always espousing an absurdely conservative point of view. Orton, whether he admitted it or not, needed these conservatives for his plays to work. Lahr's biography is well researched, and is likely to remain the definitive biography of Orton. Lahr himself has a fluid writing style, and the intelligence to know what to put in and what to leave out. Thus, he avoids swamping the reader with meaningless details as do many American biographers.
Rating:
Summary: Strong Start... fizzles out
Review: This biography indeed has a powerful, engaging start as it first presents the murder of Joe Orton and the causes that lead to it, then goes back to explore his bleak upbringing and the fascinating pre-published period he spent with his companion (they were trying to avoid work at all costs while writing much-rejected fiction and mutilating library books). However, once Lahr begins covering Joe The Playwright, the book frankly gets slow, boring, and exhaustive. The biography turns into a literary criticism, as Lahr spends many a page giving his own interpretation and biased opinions on Orton's works. He does this with each and every play. This has no place in the story of his life and should've been put in The Complete Plays where it would've been appropriate. Lahr also feels the need to cover the drudgery of his subject's professional dealings at a snail's pace. All of this is somewhat understandable, since Lahr admitted in the foreword that informaiton on Orton was downright scarce during certain periods, but IMO, he should've just shortened the book as a result because we all know good things come in small packages, less is sometimes more... it's quality not quantity... you get my point. I recommend this book if only for the first half. Though the movie isn't as rich (as it's pressed for time) it moves along in a satisfying pace and covers all the major events in an OBJECTIVE way. I advise curious people to see the movie, hardcore fans may want to invest in the book.
Rating:
Summary: Extreme Boredom!
Review: This is the worst "biography" I've ever read. So much that it took me more than a year to complete. It's just a succession of VERY long-winded, very boring critiques of each of the writer's plays. Biographical facts are only half-heartedly tacked on at the start, and reading them I came to find out that I didn't even like Orton and his "friend" and felt they got the exact fates they deserved. This book was so stagnant and such a frustrating read that I actually began to hate the author! I wish I had NEVER ordered it.
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