Getting Over Homer

Rating:
Summary: Great Book by Overlooked Writer
Review: After I first read this book, I couldn't believe Mark O'Donnell wasn't a more famous writer. He is truly gifted. The characters are hilariously real and the writing is just amazing--the similes and metaphors are to die for. This book was a laugh riot from beginning to end. It's theme is universal--LOVE hurts but you survive it, even though you're dead sure you won't.

Rating:
Summary: Might have worked as a play, doesn't work as a novel.
Review: Completely uninteresting story of "Blue"'s heartbreak over Homer, someone the reader barely gets to know and has no reason to like. Eventually Blue forgets about Homer when he meets Teddy, another uninteresting and undeveloped character. You can tell that it's true love because they say, "I love you." Occasionally funny but never witty.

Rating:
Summary: C'mon Mark...let's get to know some of these characters...
Review: Getting Over Homer is a sparsely written novel about Blue Monohan, yet ANOTHER character from Cleveland (I've been to Cleveland and it isn't nearly this interesting in real life, Mark). Blue has one foot in the Buckeye state and one in the big city life of New York. Unlike another Cleveland-born character, Mary Ann Singleton, of Tales of the City fame, Blue's life remains somewhat centered in his Catholic white bread family life in Cleveland and embraces his move to the city only half-heartedly. This is unfortunate. Ninety-percent of the interesting characters in the book are Blue's family members! Oh, Mark...how I wish you'd let us get to know some of them better. This book could have been twice as long and still have held my interest. Even the main characters are underdeveloped. I found over and over again that I wanted to know some of the characters more. Mark writes hauntingly, however, and on more than one occassion provides beautiful insight into the "normal" everyday life of a gay man. That is why I chose to read this book, as I am also a middle aged man grappling with the fact that love sometimes leaves inexplicably. Finishing the book has made me want to read more of O'Donnell's offerings. I would recommend this book as light hearted reading, perfect for the train or bus as the chapters are small. Maybe we should all date someone like Mark O'Donnell...

Rating:
Summary: Good book. Funny and very well written.
Review: Good book. Took a few pages for me to get into it, but it won me over. I was afraid that it would be too limited an outlook, but the writer tells this familiar story so well that getting to the end was pure pleasure page after page. Loved the vicious portrays of the plastic Fire Island queens. With friends like these, you should buy a dog. Hope next time we get a story with a bit more range and scope; I think this author would be good company for a longer book. If I had the love life of the main character, I think I'd resign myself to life with a blow-up doll

Rating:
Summary: Great Book by Overlooked Writer
Review: I was captivated by this book for the first 100 pages -- until it began to fizzle. O'Donnell certainly has a scintillating sense of humor and writes trenchantly about gay life in New York. The book's one set piece on Fire Island is hilarious, and I found myself reading bits of it to friends. Alas, the narrative seems to wane and lag after Homer exits, and what follows feels all too familiar and predictable. Don't get me wrong. There are original insights all the way through, particularly about being a twin. Indeed, that subject matter in and of itself might make for fascinating next-novel material. The other comment I want to make is that although much of the dialogue is delicious and bitchy and pointed, you have to suspend disbelief a bit because you know that people can't really be that witty en passant. Obviously in writing one has to tred the dangerous ground between banal and clever, but when characters are two clever they run the risk of sounding too much like the author.

Rating:
Summary: inspiring first 100 pages
Review: I was captivated by this book for the first 100 pages -- until it began to fizzle. O'Donnell certainly has a scintillating sense of humor and writes trenchantly about gay life in New York. The book's one set piece on Fire Island is hilarious, and I found myself reading bits of it to friends. Alas, the narrative seems to wane and lag after Homer exits, and what follows feels all too familiar and predictable. Don't get me wrong. There are original insights all the way through, particularly about being a twin. Indeed, that subject matter in and of itself might make for fascinating next-novel material. The other comment I want to make is that although much of the dialogue is delicious and bitchy and pointed, you have to suspend disbelief a bit because you know that people can't really be that witty en passant. Obviously in writing one has to tred the dangerous ground between banal and clever, but when characters are two clever they run the risk of sounding too much like the author.

Rating:
Summary: Slight but tremendously funny
Review: Just what we need: yet another novel in which a youngish gay man searches wryly for true love in the Northeast. The streets that first-time novelist Mark O'Donnell treads are pretty well-worn, walked by Armistead Maupin, Stephen McCauley and a number of others. But O'Donnell brings remarkable freshness to his chronicle. He delivers a breathlessly funny novel that rewards the more careful reader, piling quip upon quip, precariously stacking clever puns and turns of phrase until they seem about to topple.

"I might as well tell you the whole arguably beautiful ordeal," his narrator sighs. "It's one of those coming-of-middle-age stories. A *bull-dung*-whatever. 'Lost Labors Loved.'" The narrator, Hans Christian Monahan (nicknamed Blue), was a child prodigy of sorts, writing a popular song (the sappy "Love Is the Answer") at age 11; since then he's slowly declined to become, in his 30s, a pianist and songwriter of less than great reknown, "a drowning, unaccompanied, pasty guy."

Still believing that love is indeed the answer ("I'm a beauty fool. A hope dope."), Blue searches New York for the perfect guy. What he finds is Homer, a dazzling party consultant of uncertain past and future, a man who turns out to be "ultimately more mirage than marriage." Blue describes his love life: "A few painful misfires, a few wonderful misfires, and then Homer. Homer, who cried with happiness when I carried him up to the roof of his own building he'd never even been on. Homer, who then left me alone with the ocean." He unsuccessfully seeks comfort from his 11 eccentric siblings, from friends, from television, from the Unhappy Hunting Grounds of gay bars. Listless and dispirited, "I was living in the world's dullest nightmare," he says.

And then he puts his plight into perspective: "One day I was watching this science-fiction movie on TV, waiting for the seasons to change, and the space victim was being lowered into boiling lava, and I said to myself, 'Well, I'm heartbroken, but I'm not being lowered into boiling lav! a.' That's when I knew I was going to make it." Things begin looking up-"Love Is the Answer" is resurrected as a detergent jingle, and Blue turns his despondency into a new song ("Thank You from the Bottom of My Hurt") that's recorded and made a hit by a country singer. "I'd sued life for heartbreak and it settled out of court," Blue says.

Finally over Homer, Blue finds Teddy, an uncomplicated twentysomething who seems devoted to him, and things seem on the right track. But "any man in Eden is trespassing," Blue says, and sure enough, Teddy too proves fickle and unpredictable, rejecting him cruelly and capriciously. "I can see," Blue laments, "why gay partnerships are so unstable-with no children or family support to bind them in others' eyes, they're like trying to produce a long-running TV series without sponsors or an audience."

The scenes of conflict and breakup should be far more moving than they are-sometimes O'Donnell's one-liners turn frantic, short-circuiting the story's pathos. When Teddy calmly tells a desperate Blue, "At this moment, I hate you," he blurts out, "You can't mean that! It's puppy hate! You'll outgrow it!" This is very funny, and clever, but it shortchanges the reader's need for catharsis. This complaint is a small one, though. Against odds, the language and one-liners keep up their furious pace all the way to the end, maintaining its bittersweet tone while delivering a steady stream of laughs born of desperation and frustration. At 193 pages, "Getting Over Homer" seems, if anything, too short. Blue sums up his story: "Boy finds love, Boy loses love, Boy finds seemingly far truer love, Boy loses that, too. At this point, Boy isn't a boy anymore.... You want life to be a fable, or a legend, but it's an epic shaggy dog story. And I'm just one more grizzling spear carrier in that overproduced and unfocused Grand Opera Earth.

Rating:
Summary: Boy meets boy, boy loses boy, boy laments loss. Average.
Review: Mark O'Donnell throws away the key in this roman-a-clef about a gay man's first romance and its sudden unexplained demise. Some wonderful moments are here, but are surrounded by an unbearable metric ton of cuteness and nicknames and mixed metaphors that prove counterproductive. For a longer review, see http://www.geocities.com/Athens/2679/homer.html