The Ultimate Plectrum Banjo Player's Guide, Volume 1

Rating:
Summary: The best plectrum book, bar none (I have them all)!
Review: "The Ultimate Plectrum Banjo Player's Guide" reallyis. It is not only the very best plectrum banjo book, it is a wholeorder of magnitude better than any music instruction book I've ever encountered.

I ordered the Ultimate Book as soon as it came out. I live in a small town in Indiana, which is in the middle of plectrum banjo nowhere, and have been trying to learn to play plectrum for the past 5 years. Despite many years of 5-string playing, I just wasn't getting anywhere. Then along came "The Ultimate Plectrum...Guide", I have gained more plectrum skills in the past few weeks than in the previous 5 years! It is absolutely fabulous. Whether you are a beginner or an advanced player, a student or a teacher, it is the perfect plectrum banjo book. The chord diagrams are the best I've ever seen. They are used in a unique way to indicate timing, picking, and even whether to pick up or down. The organization of the book is also superb. The explanations are precise, including "Dave's Rules", neat little generalities that stick in your mind the way he intended them to. Exercises are meaningful...when Dave says play it 20 times, if you play it 20 times you will have learned it. The book starts with the basic chords, and just when you have had enough chord playing, they interject an interesting secondary subject, then back to chords, etc. By the time you reach the end of the beginner's section, you can play all but the most arcane of chords with various timing and picking styles.

Next is part 3: "Adding Some Polish". Single string picking, turnarounds, etc. "Chord melody vs. improv vs. Background", "You're working too hard -- shortcuts" and "Transposing on the fly". Really great stuff.

Part Four, "Music Theory" is terrific, my wife is taking piano lessons and reading through this section clarified ideas her teacher was unable to get across. It is practical music theory, however, which may sound like a conflict in terms, but it is presented in such a way that you can put it to use immediately...building chords, transposing, converting to chord melody, etc.

Section 4 "Intermediate Banjo Playing" is about playing in groups. The first chapter, "When to cheat and how to do it", is full of techniques for playing above your head. The second, "What'd he say?" is a lexicon of band jargon so you don't feel stupid when you first sit in with a group.

Part 6, "Advanced Banjo Playing" really is, subjects like "single string and embelishments", "Differing Scales", modes and the harmonized scale, and "Inside chords and beyond".

Then comes the fabulous Appendices! Every chord diagram you can conceive of, transposition charts, etc., etc.

This book is not only the very best plectrum banjo book, it should be the model for every "how to play anything". It is a whole new approach to writing music books, a superb teacher (David Frey) combined with an outstanding writer of technical manuals (Susanne Sagiacomo, who was actually learning to play) created honest-to-God synergy and advanced the art of music. If you've read this far, buy it! END

Rating:
Summary: The best plectrum book, bar none (I have them all)!
Review: "The Ultimate Plectrum Banjo Player's Guide" reallyis. It is not only the very best plectrum banjo book, it is a wholeorder of magnitude better than any music instruction book I've ever encountered.

I ordered the Ultimate Book as soon as it came out. I live in a small town in Indiana, which is in the middle of plectrum banjo nowhere, and have been trying to learn to play plectrum for the past 5 years. Despite many years of 5-string playing, I just wasn't getting anywhere. Then along came "The Ultimate Plectrum...Guide", I have gained more plectrum skills in the past few weeks than in the previous 5 years! It is absolutely fabulous. Whether you are a beginner or an advanced player, a student or a teacher, it is the perfect plectrum banjo book. The chord diagrams are the best I've ever seen. They are used in a unique way to indicate timing, picking, and even whether to pick up or down. The organization of the book is also superb. The explanations are precise, including "Dave's Rules", neat little generalities that stick in your mind the way he intended them to. Exercises are meaningful...when Dave says play it 20 times, if you play it 20 times you will have learned it. The book starts with the basic chords, and just when you have had enough chord playing, they interject an interesting secondary subject, then back to chords, etc. By the time you reach the end of the beginner's section, you can play all but the most arcane of chords with various timing and picking styles.

Next is part 3: "Adding Some Polish". Single string picking, turnarounds, etc. "Chord melody vs. improv vs. Background", "You're working too hard -- shortcuts" and "Transposing on the fly". Really great stuff.

Part Four, "Music Theory" is terrific, my wife is taking piano lessons and reading through this section clarified ideas her teacher was unable to get across. It is practical music theory, however, which may sound like a conflict in terms, but it is presented in such a way that you can put it to use immediately...building chords, transposing, converting to chord melody, etc.

Section 4 "Intermediate Banjo Playing" is about playing in groups. The first chapter, "When to cheat and how to do it", is full of techniques for playing above your head. The second, "What'd he say?" is a lexicon of band jargon so you don't feel stupid when you first sit in with a group.

Part 6, "Advanced Banjo Playing" really is, subjects like "single string and embelishments", "Differing Scales", modes and the harmonized scale, and "Inside chords and beyond".

Then comes the fabulous Appendices! Every chord diagram you can conceive of, transposition charts, etc., etc.

This book is not only the very best plectrum banjo book, it should be the model for every "how to play anything". It is a whole new approach to writing music books, a superb teacher (David Frey) combined with an outstanding writer of technical manuals (Susanne Sagiacomo, who was actually learning to play) created honest-to-God synergy and advanced the art of music. If you've read this far, buy it! END

Rating:
Summary: The best plectrum book, bar none (I have them all)!
Review: I ordered the Ultimate Book as soon as it came out, and I have gained more plectrum skills in the past few weeks than in the 5 years previous! It is absolutely fabulous. Whether you are a beginner or advanced, student or teacher, it is the perfect plectrum banjo book.

I live in a small town in Indiana, the middle of plectrum banjo nowhere, and have been trying to learn to play plectrum for the last five years. Despite years of 5-string playing, I just wasn't getting anywhere...particularly without a live teacher.Then along came The Ultimate Plectrum Guide. The chord diagrams are the best I've ever seen. They are used in a unique way to indicate timing, picking, and even whether to pick up or down. The organization of the book is superb. First of all the explanations are precise, including "Dave's Rules", neat little generalities that stick in your mind the way he intended them to. Exercises are meaningful...when Dave says play it 20 times, if you play it 20 times you will have learned it. The book starts with the basic chords, and just when you have had enough chord playing, they interject a secondary subject, then back to chords, etc. By the time you reach the end of the beginner's section, you can play all but the most arcane of chords with various picking styles. But then you come to part 3: "Adding Some Polish". Single string picking, turnarounds, etc. "Chord melody vs. improv vs. Background", "You're working too hard -- shortcuts" and "Transposing on the fly". Really great stuff.

Part Four, "Music Theory" is terrific, my wife is taking piano lessons and reading through this section clarified things her teacher was unable to. It is practical music theory, which sounds like a conflict in terms, but it is presented in such a way that you can put it to use immediately...building chords, transposing, converting to chord melody, etc.

Section 4 "Intermediate Banjo Playing" is about playing in groups. The first chapter, "When to cheat and how to do it", is full of techniques for playing above your head. The second, "What'd he say?" is a lexicon of band jargon so you don't feel stupid when you first sit in with a group.

Part 6, "Advanced Banjo Playing" really is, subjects like "single string and embelishments", "Differing Scales", modes and the harmonized scale, and "Inside chords and beyond". Then comes the Appendices! Every chord diagram you can conceive of, transposition charts, etc., etc.

This book is not only the very best plectrum banjo book, it should be the model for every "how to play anything". It is a whole new approach to writing music books, a superb teacher (David Frey) combined with an outstanding writer of technical manuals (Susanne Sagiacomo, who was actually learning to play) created honest-to-God synergy and advanced the art of music instruction by a whole order of magnitude.

Rating:
Summary: A great companion to Vol. I, but a must for any player.
Review: Volume I is probably the best music instruction book ever, but Volume II is an absolutly essential companion to it. If you're already an intermediate to advanced player, you could possibly get along without Volume I, but you've gotta get Volume II. It is comprised of two sections, songs and exercises.

First there are the songs, just about every song needed in a plectrum player's basic repertoire of tunes. But get this, not only are they presented in the usual "fake book" or "lead sheet" format (melody line in standard musical notation with chord names above and lyrics below), there is also a chord chart, as well as chord diagrams for every note in the chord melody!

The chord chart uses a box for each measure with the chord name(s) in each, a great compact memory jogger for use after you've learned the song.

The chord melody diagrams are the tour de force of this set of books and a major advance in the art of string music instruction books. They not only show how to form the chord, and where on the neck to play it, but they also show the timing and the picking. By following these diagrams, you can be playing the chord melody in a matter of minutes.

Part 2 is the exercises, a compendium of all the exercises in Volume I, which is to say all the really good exercises you will ever need to increase and maintain your skills as a plectrum banjo player. Once you have mastered a particular section in Volume I, all the exercises without the accompanying text will be found in Volume II.

When I was first working my way through Volume I, I tabbed each page with an exercise so I could go back and run through it. Then I looked in the back of Volume II and there they all were, exactly as I needed them to be!

Exercises include: Dexterity exercises; All the chords played up and down the neck; Chord transition exercises (same fret and inversions); Chromatic chord scales for every note on the neck; Single string scales; Harmonized scales; Runs and fillers; Intros, tags, and endings; Duoing; and Arpeggios.

If you can master these exercises, you can play any of the tunes in the first section with professional polish. I can't speak highly enough about these books and the accompanying CD's.