<< 1 >>
Rating: 
Summary: Basinger's "A Woman's View" is a Great History Read
Review: A Woman's View, by Jeanne Basinger, was rightfully the most interesting history based book I have ever read. Although it can be lengthy at times, it touches on subjects in which I had barely any knowledge of, and shows how it was reflecting the time period of the 30's, 40's, 50's, and 60's. Seeing as though this was about women right after the women's rights movement in the 20's, this book shows how Hollywood used female movie stars to incorporate the countries opinions on them. With that, I thought the introduction chapter on the genre of these types of movies was absolutely spectacular. It really made me have so much respect for women during these time periods. They had such class and such morals, which, sad to say, is starting to slowly fade away, or can at least be argued that it is.
A few of the sections of this book that I thought was the most interesting, were the ones about twin women in movies and the fashion and glamour of women. Before reading this book, I never really thought into the idea that being a woman in Hollywood, and acting a certain role represented something as a whole. These actresses were not just playing the part of their assigned character; they were representing women as a whole. With their fashion, their speech, and their actions, I found it truly inspiring to know that they were stepping out of their comfort zone and taking risks with the roles that they chose to act out.
One chapter, entitled Duality, included how Hollywood used twins in their movies to represent one specific point in these movies. This chapter, being one of the more detailed ones, showed how twins portrayed particularly two things: the good and the bad. The good twin, usually dressed in fashionably acceptable clothes and appropriate styles, was usually criticized by her twin, which represented evil, or the bad. I thought it was very much a shock to me how many of the so called "bad" twins in these Hollywood movies were constantly pretending to be their twin to confuse their family, friends, or even their husbands! Many of them did this only to find some sort of revenge on their twin for whatever reason they could think of. In my mind, I would have never thought of this as being presented in movies during these time periods, but I also have to remember that this was also a time when women were really standing up for what they believed in and stepping out of the ordinary molds they had always been put into.
What was so fascinating about this book was how Basinger found a way to represent women in film in such a respectable way, and not so much trashy as some may have viewed it at the time. Women like Loretta Young, Kay Francis, and Greta Garbo are true heroines when it comes to paving the way for all future actresses, and also for open our countries eyes to the lives of women, and really shows that they were becoming less and less like housewives and more like the hardworking entrepreneurs that they really were and always will be.
Rating: 
Summary: Now I know why I enjoy this type of film so much.
Review: Jeanine Basinger is to be congratulated for shedding light on a too-little studied aspect of Hollywood history. She puts the movies and the stars she discusses in the context of how movie-going women perceived them at the time. In doing so, she concentrates not on the "greatest" stars, but rather on secondary figures like Kay Francis, Ann Dvorak, and Loretta Young, women who had (sometimes surprisingly) immense popular appeal while they were making movies but whose careers either faded, made the transition to character rather than leading-lady status, or moved to television. She reminds us that the "woman's picture" was far more than the drama of suffering and renunciation (like "Now, Voyager", "Back Street", or "Autumn Leaves") we most commonly think of today. She broadens her definition to include virtually any film that either focused on a woman as its central character or concerned itself with traditionally "women's" concerns. What she makes clear is that, despite the pronounced limitations of the world view of the woman's picture, it represented a varied and vigorous film culture in which (as she writes) "on the screen ... the woman will decide. She is important. She matters. She is the Center of the Universe." "A Woman's View" is that rare thing -- a scholarly examination of mostly obscure figures and works that is at the same time an excellent and entertaining read.
Rating:
Summary: When Women Ruled the Screen
Review: Jeanine Basinger is to be congratulated for shedding light on a too-little studied aspect of Hollywood history. She puts the movies and the stars she discusses in the context of how movie-going women perceived them at the time. In doing so, she concentrates not on the "greatest" stars, but rather on secondary figures like Kay Francis, Ann Dvorak, and Loretta Young, women who had (sometimes surprisingly) immense popular appeal while they were making movies but whose careers either faded, made the transition to character rather than leading-lady status, or moved to television. She reminds us that the "woman's picture" was far more than the drama of suffering and renunciation (like "Now, Voyager", "Back Street", or "Autumn Leaves") we most commonly think of today. She broadens her definition to include virtually any film that either focused on a woman as its central character or concerned itself with traditionally "women's" concerns. What she makes clear is that, despite the pronounced limitations of the world view of the woman's picture, it represented a varied and vigorous film culture in which (as she writes) "on the screen ... the woman will decide. She is important. She matters. She is the Center of the Universe." "A Woman's View" is that rare thing -- a scholarly examination of mostly obscure figures and works that is at the same time an excellent and entertaining read.
Rating:
Summary: Now I know why I enjoy this type of film so much.
Review: This book articulates for me why I have always loved this genre of film. The author highlights the work of many fine actresses of the period whose work is overlooked in many film books. Although the ideas they espoused may be dated, the desire of women to see the concerns of their private lives played out on screen still exists. I believe that the next century may bring a resurgurce of this type of film.
<< 1 >>
|
