Baker's Dictionary of Music

Rating:
Summary: Worth every penny and then more......
Review: There is no other dictionary of music equal to this one in range, depth, style, and presentation. It presumes music as a whole, not only in its classical cloak. It is a pleasure to read. Individual entries are clear and focused, without the infuriating omissions one has found in various editions of the Oxford or Harvard. Specific topics which in the editors' opinions require greater analysis are given their due in thoroughly inteligent boxed articles, with different background color. To give an idea of the work's scope, here are some samples of regular entries: etiology, major-minor syndrome, Arab music, "A Bicycle Built for Two", Marni Nixon, Picardy third, schnarre, kolo, "Red" Foley, Fluxus, Eduard Steuermann, mescolanza, etc. Of course, all the usually expected items are present, not in dry lexicographic prose but vibrantly and wittily written. Boxed articles include such topics as Music Therapy, Arnold Schoenberg, socialist realism, interval, longevity, Edward MacDowell, Arturo Toscanini, rock, Henry Cowell, César Franck, graphic notation, jazz,etc. The entry on Maria Callas ends by quoting a commentator who said: "If an orgasm could sing, it would sound like Maria Callas." Slonimsky concludes "Pleanostically speaking, she was an incarnation of carnality." The book is printed on sturdy, beautiful paper, standard type, and has numerous photographs throughout, including one of Carmen Miranda. The binding is meant to last and be passed on.

This is a work to cherish. I cannot imagine a music lover who would not treasure it. This edition was edited after Slonimsky's death. There may not be another version coming. I encourage anyone with a serious interest in Music to get it before it goes out of print. Music is here, presented with depth and elegance, in all her infinite variety.