Counterpoint in the Style of J.S. Bach

Rating:
Summary: an excellent book for qualified students
Review: Thomas Benjamin's book is a great continuation for serious students of counterpoint. Neccessary prerequisites include basic understanding of traditional harmony and a firm understanding of basic species counterpoint. When armed with this background, students will find this book an invaluable guide into the deeper aspects of Bach's musical style. (All serious composition students should go through this series, and yes its a 5 to 50 year project!) Through examples and excercises the student will learn to apply the same considerations to his writting, if not the same sublimity, as one of the greatest musical masters of known history. Progressive excercises show the student how to synthesize harmonic considerations, counterpoint guidelines, and stylistic techninques (rhythmic figures and motiffs and the like) in a way that leads to satisfying musical conclusions. Once smaller scale writting excercises are mastered, no small feat and nothing to be rushed, the student then is ready to tackle larger musical forms. The satisfaction that emerges from such work is immeasurable, and this book is one of the only successfull treatments of the subject. Once again, this book shouldn't be undertaken without at least a year's study in traditional harmony, and a years in species counterpoint. Once this has been acomplished, the study of Bach's counterpoint is the logical continuation. Hats off! to Mr. Benjamin.