How to Write a Hit Song: The Complete Guide to Writing and Marketing Chart Topping Lyrics & Music

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Summary: How To Write A Hit Song
Review: I've been writing songs for twenty-two years with the usual confusion and heartbreak. But THIS book pulled it all together for me. I just got three big cuts and I owe it all to Molly Leiken's "How To Write A Hit Song."
Bravo.

Rating:
Summary: How To Write A Hit Song
Review: I've been writing songs for twenty-two years with the usual confusion and heartbreak. But THIS book pulled it all together for me. I just got three big cuts and I owe it all to Molly Leiken's "How To Write A Hit Song."
Bravo.

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Summary: How To Write A Hit Song is a fantastic book
Review: It felt like Mollie was talking just to me. What a good coach. Improved my melodies immediately. Now we're talking. I listened to the whole course three times while stuck on the Long Island Expressway. Now I'm a staffwriter with several cuts. Still stuck on the Long Island Expressway, but at least now I'm paid to do what I love." I found this completely inspiring."



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Summary: Cool Chic!
Review: Molly is great. I studied with Molly for a year or two.

Read her books, listen to her tapes, send her your tunes, and most importantly, do her consultations for a while. Just put the payments on a credit card.

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Summary: How to Write a Hit Song
Review: Molly provides a more humorous approach to the "psychological" aspect of songwriting, in a way EVERY songwriter (who's really trying to do this for a living) can relate to!

Rating:
Summary: How to Write a Hit Song
Review: Molly provides a more humorous approach to the "psychological" aspect of songwriting, in a way EVERY songwriter (who's really trying to do this for a living) can relate to!

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Summary: a book that promises much but doesn't deliver
Review: Molly-Ann Leikin is without doubt a skilled songwriter, but her book 'How to Write a Hit Song' barely begins to convey the complexities of this particular art form. Written with typical American hyperbole and Californian eccentricity, I found the book more and more annoying and irrelevant as I went through it. Sure there are some good ideas and some nifty tips, but when only eight pages are devoted to lyrics and four pages to rhymes without any explanation or examples of the different types of rhymes songwriters employ, one has to wonder if she is interested in communicating her knowledge to others. I was hoping for a book packed full of examples of song lyrics - only two appear in the whole book! How can budding lyricists/composers be expected to progress in their chosen art form if copious examples of excellence from others are missing? Her chapter on making time to write seemed to be written from the perspective of one at the top of her profession, with its attendant lifestyle. Frankly, knowing that she spent an entire flight locked in the aircraft toilet so she could write in peace, or that a friend of hers parks by the Queen Mary to do his composing is of little practical use to me. The one section I was hoping would be useful was on marketing and publishing one's work. Again, a disappointment as everything seemed to revolve around Power Phoning, Power Packages and Power Lunches. Well, it might work in the good ol' USA, but we do things differently here. Ever heard of agents? Sorry Miss Leikin! If you want a really good book on writing songs read 'The Song Writers Idea Book' by Sheila Davis. That will tell you just about everything you want to know.

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Summary: A fundamental necessity for any aspiring songwriter
Review: Songwriting consultant and recipient of two gold records, one platinum record, and one double-platinum records, and composer/writer for 38 television themes and movie scores, Molly-Ann Leikin draws upon her considerable experience and expertise to show aspiring song writers how to not only create hit lyrics and compose successful melodies, but such essential songwriter tasks as crafting song structure, collaborating, securing a publisher, recording the song, and marketing music on the Internet. How To Write A Hit Song is a fundamental necessity for any aspiring songwriter, and an ideal introduction, instruction, and reference guide regardless of the category, genre or niche of their music.