Good Vibes: A Life in Jazz (Studies in Jazz Series)

Rating:
Summary: Good Vibes from a Great Guy and a Great Musician!
Review: I really liked this book! Aside from being a jazz player myself, I got a kick out of the stories Terry tells about the people he's worked with, the adventures he's had, his particularly touching story about Buddy Rich giving his drums to Terry's son, Gerry. I mean, we've all heard the stories about Buddy Rich's meanness, but here's the other side of one of the greatest drummers of all time. The same with Benny Goodman--we've heard about "the ray," but Terry gives another perspective on Benny--a brilliant musician who was so out of it he couldn't remember the name of a white pianist in his group on a tv broadcast (though they'd been rehearsing together all week) and refered to him as "Teddy Wilson," whom everyone knew was African American.

The book has all kinds of anecdotes that give the reader an insight into what it's like to be on the road, trying to play the best, most swinging jazz you can with the best musicians you can hire, despite the racial prejudices that relegated great African American players like Terry Pollard to near invisibility off the stand. Also, great passing anecdotes about Bird, Dizzie Gillespie, Woody Herman and his band, and others.

A great read--hard for me to put down. Terry Gibbs is as funny and engaging a narrator as he is in person. If you're at all interested in the history of jazz told from the perspective of the people who played it, this book should be on your shelves.

Rating:
Summary: Good Vibes from a Great Guy and a Great Musician!
Review: I really liked this book! Aside from being a jazz player myself, I got a kick out of the stories Terry tells about the people he's worked with, the adventures he's had, his particularly touching story about Buddy Rich giving his drums to Terry's son, Gerry. I mean, we've all heard the stories about Buddy Rich's meanness, but here's the other side of one of the greatest drummers of all time. The same with Benny Goodman--we've heard about "the ray," but Terry gives another perspective on Benny--a brilliant musician who was so out of it he couldn't remember the name of a white pianist in his group on a tv broadcast (though they'd been rehearsing together all week) and refered to him as "Teddy Wilson," whom everyone knew was African American.

The book has all kinds of anecdotes that give the reader an insight into what it's like to be on the road, trying to play the best, most swinging jazz you can with the best musicians you can hire, despite the racial prejudices that relegated great African American players like Terry Pollard to near invisibility off the stand. Also, great passing anecdotes about Bird, Dizzie Gillespie, Woody Herman and his band, and others.

A great read--hard for me to put down. Terry Gibbs is as funny and engaging a narrator as he is in person. If you're at all interested in the history of jazz told from the perspective of the people who played it, this book should be on your shelves.

Rating:
Summary: A supreme master of jazz, and a national treasure
Review: Some people see the world as a minefield, and some see it as a merry go round. Terry Gibbs sees life as a fun filled playland, doing what he was born to do almost from birth. Son of a Brooklyn band leader who performed at weddings and bar mitzvahs, Terry learned his craft with his dad, and went on to perform with Benny Goodman, and every major jazz artist from 1940 on. He was stopped in his tracks by only one man. A man many of us see as not only the inventor of modern jazz (1943 on) but as an almost religious figure, Charlie Parker. Hearing Parker's playing, for the first time, was such a major event, that I heard Terry say in an interview, he literally was knocked for a loop by the Parker, Gillespie bebop revolution, and had to re-think his position as a player of jazz. For some strange reason, while almost every one around him was addicted, or fooling around with heroin in the fifties, Terry never succumbed to drugs. It can't be because he was a "nice Jewish boy", because other "nice Jewish boys" got wasted, like Serge Chaloff, Red Rodney, Stan Getz, and Stan Levey, among others. I guess Terry was high on life. This book tells it "like it was". What it meant to be a jazz star on planet earth, cica 1940 to the present, with wit, humanity, and a love of life. The cat is still swingin'. Don't deny yourself the treat of this opus.