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Rating: 
Summary: truly down-to-earth, but also aristocratic
Review: Christa Ludwig is inarguably one of the greatest singers and musicians of this or any time. A mezzo-soprano who also made at least one classic recording of a great soprano role (Beethoven's Leonora in FIDELIO), Mme. Ludwig was, in addition, a probing and insightful recital and concert artist. Mme. Ludwig's memoir, expertly translated by Regina Domeraski, reveals a deeply committed artist who is also a human being who has lived a full life, and has no reservations when it comes to talking about either. If you have read any of Mme. Ludwigs's numerous interviews, you will know that she is a frank, uninhibited, witty and no-nonsense person. She is as comfortable talking about Harry Belafonte in Carmen Jones as she is talking about Schubert and Brahms lieder. Very few autobiographies by celebrated opera singers tell you as much about their subject as this one does. If you've read this far, you'll want to have it. Trust me....
Rating:
Summary: Delightful book by the great German mezzo!
Review: Christa Ludwig was, in my opinion, the greatest German mezzo of her time, in both opera and lieder, and, as someone else says in an opera review on Amazon, the greatest Elektra that never was and the greatest Brunnhilde that never was. And she is also, as you can see from her engaging book "In My Own Voice," a person of wit, honesty, an exuberance for life, and and with an ability to talk about her gifts and her life that both recognizes what she has and puts it in perspective. As she quotes from the Schubert lied "Geheimnis," in the close of her book: So geht es auch dem Sanger,
Er singt, erstaunt in sich;
Was still ein Gott bereitet,
Befremdet ihn wie dich. So it is also with the singer,
He sings, amazed at himself;
What in silence a god made,
Amazes as well as you. Ludwig talks about her early life, born into a singing family, in Nazi Germany. She takes us through her career, but she tells us much more than a recital of what she sang, when and where. The most fascinating part of this book for me was the description of each of her major operatic roles - which ones she especially enjoyed, the joys and the challenges (and the roles she would like to have sung). She doesn't indulge in gossip, and is generous about her colleagues. She talks about conductors, houses, preparation, and the often lonely and difficult life of a singer. And she shares with us her introspection about herself and her art. "Was it worth it? What was the meaning?" I am so greatful to be able to read about Christa Ludwig "in her own words."
Rating:
Summary: Excellent memoir of a great mezzo
Review: Christa Ludwig's powerful performances of Carmen, Ortrud, the Dyer's Wife, and others are treasured memories of many opera lovers and record collectors (including me!). And so it's most welcome to have her memoirs and even more so because of her refreshing directness and candor. She tells about her career with honesty, humor, pride, and humility. A very nice selection of photos are especially welcome to those of us who enjoyed her onstage. Regina Domeraski's translation is an admirably smooth-flowing narrative that lets Miss Ludwig's personality come through clearly. Most highly recommended.
Rating:
Summary: Excellent memoir of a great mezzo
Review: Christa Ludwig's powerful performances of Carmen, Ortrud, the Dyer's Wife, and others are treasured memories of many opera lovers and record collectors (including me!). And so it's most welcome to have her memoirs and even more so because of her refreshing directness and candor. She tells about her career with honesty, humor, pride, and humility. A very nice selection of photos are especially welcome to those of us who enjoyed her onstage. Regina Domeraski's translation is an admirably smooth-flowing narrative that lets Miss Ludwig's personality come through clearly. Most highly recommended.
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