Alternative Shakespeare Auditions for Men (Theatre Arts (Routledge Paperback))

Rating:
Summary: A great resource for any aspiring classical actor
Review: I thought that this book was excellent resource for a number of different reasons. First, Mr. Dunmore, a director himself, provides a list of monologues which are far too frequently used (I found this list invaluable). It not only has some of the monologues you would expect to see on a list of this type (Hamlet, Hal/Henry V, Iago etc.), but also some other characters you wouldn't think would be used that frequently: Clarence, Aaron, Launcelot Gobbo and others. Also, I think that Dunmore provides a nice introduction for actors who are new to Shakespeare with a resource guide in the beginning of the book discussing some of the inricacies of speaking Shakespeare. Lastly, I thought all of the monologues (which I thought might have been edited a little more precisely; I didn't like some of the punctuation) were well laid out and gave a nice (but brief) insight into the characters and some of them give suggested age ranges (though I would have loved to have seen this throughout the book). A terrific resource, nonetheless, for any aspiring classical actor who doesn't want to be the hundredth actor to do Puck at an audition.

Rating:
Summary: A great resource for any aspiring classical actor
Review: I thought that this book was excellent resource for a number of different reasons. First, Mr. Dunmore, a director himself, provides a list of monologues which are far too frequently used (I found this list invaluable). It not only has some of the monologues you would expect to see on a list of this type (Hamlet, Hal/Henry V, Iago etc.), but also some other characters you wouldn't think would be used that frequently: Clarence, Aaron, Launcelot Gobbo and others. Also, I think that Dunmore provides a nice introduction for actors who are new to Shakespeare with a resource guide in the beginning of the book discussing some of the inricacies of speaking Shakespeare. Lastly, I thought all of the monologues (which I thought might have been edited a little more precisely; I didn't like some of the punctuation) were well laid out and gave a nice (but brief) insight into the characters and some of them give suggested age ranges (though I would have loved to have seen this throughout the book). A terrific resource, nonetheless, for any aspiring classical actor who doesn't want to be the hundredth actor to do Puck at an audition.