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Rating: 
Summary: Informative bio is a joy to read.
Review: For those who do not believe that horror icon Romero is an artist passionate about his work I submit this book as a testament that he in fact is. Although hopelessly out of date by now (it ends with a mention of Monkeyshines being his next movie) it still remains a vibrant look at the independant spirit that brings all of Romero's work life. Required reading for Romero fans (both fair weather and die hard). Highly recommended.
Rating:
Summary: Informative, entertaining and endearing portrait of Romero.
Review: Paul R. Gagne's book on George A. Romero, charts his career from it's beginnings as a kid with a camera, to being an ad man to doing his debut "Night of the Living Dead" and through the subsequent highs (Dawn of the Dead, Creepshow and Martin)and lows (There's Always Vanilla, Jack's Wife) and everything else in between (Day of the Dead, Knightriders, The Crazies, television series' et al.) up until about 1986 or so.After a historical background, the book is divided up into a film by film basis and each chapter covers the origins of each project, the inspirations behind them, how they were done, anecdotes from various participants and then conclude with Romero's point-of-view on the particular venture. It's a nice comprehensive format and makes for good reading. The book also contains a chapter at the end on Savini's work and how it was achieved, a comprehensive filmography, discography and possible future direction for Romero which at the time of purchase (1988) were probably a bit more accurate. Also of note are the large amounts of photos within the text (B&W), and the very nice colour spread in the centre. A very well written and well researched biog/filmography on one of films less understood and less represented auters.
Rating:
Summary: The complete George A. Romero story-Kudos to Paul R. Gagne
Review: This book is the definative story of the films of George A. Romero. In fact, it's the only book that's soley dedicated to his films. Gagne recounts Romero's humble beginings at Image Ten Inc. working with John Russo, Bill Hinzman, and Russ Streiner. He concludes with Romero's production and writing credits for 'Tales from the Darkside'(The book was published in 1987). The book is very well written, researched, and contains information not published elsewhere. Gagne's writing-style is straight-forward and insightful. Obviously, Gagne is a fan and writes with great care and affinity. This is a magnificent book and is a must for all George A. Romero fans.
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