Rating: Summary: Behind the scenes of a Hitchcock classic Review: "A boy's best friend is his mother" - Norman Bates (Anthony Perkins)."Psycho" is one of Hitchcock's most famous films and this book is a fascinating account of how the film was made and some of the problems that had to be overcome before the film could be completed. Author Stephen Rebello has done an excellent job and describes in detail how Hitchcock chose his screenwriter, his crew and the actors. It is interesting to discover how little some of these people were paid for what turned out to be a classic money making Hitchcock film. "A man should have a hobby" - Marion Crane (Janet Leigh). Following the enormous success of his latest film "North by Northwest" Hitchcock was looking for something different - but interesting. When the "Psycho" book by Robert Bloch came to his attention he realised that this could be just what he wanted but he was unsure how the censors would react to the gruesome storyline. He decided to purchase the screen rights to the book and very cleverly did so for a bargain price. The authors agents had no idea who was after the rights to the book and thought they had a good deal when $9,000 was agreed upon. However, after Robert Bloch had paid commission to the publishers, his agents fees and the tax he was left with approx $5,000. It was at this point that he discovered the buyer was a certain Mr Alfred Hitchcock!! Joseph Stefano was hired to write the screenplay after many others had been under consideration. Hitchcock's main concern was to keep the plot twists under wraps during filming and did not release any advance information about the film to the Press. He also had an unusual advertising campaign insisting that no-one was admitted to the theatre once the film had started. "12 cabins - 12 vacancies" - Norman Bates (Anthony Perkins). Hitchcock wanted a famous actress for the role of Marion Crane and Lana Turner, Shirley Jones, Hope Lange, Piper Laurie, Martha Hyer and Eva Marie Saint were all considered before the part eventually went to Janet Leigh. Anthony Perkins was the only choice for Norman Bates but several actors were in line to play Sam Loomis (Marion Crane's boy friend). These included Stuart Whitman, Cliff Robertson, Leslie Neilsen, Brian Keith, Jack Lord, Rod Taylor and Robert Loggia. The role of Sam Loomis was played in the film by John Gavin. Alfred Hitchcock's daughter Patricia also had a small role in the film. The music by Bernard Hermann was a major contribution to the success of the film and Hitchcock was so pleased with the result that he doubled the composer's salary. Hermann has written the music for several other Hitchcock films including "The Trouble With Harry", "The Man Who Knew Too Much", "The Wrong Man", "Vertigo", "North by Northwest" and "Marnie". "Well, if the woman up there is Mrs Bates - who's that woman buried out in Greenlawn Cemetery?" - Sheriff Chambers (John McIntire). The book explains how certain scenes were filmed but later disregarded by Hitchcock and deleted from the film as they slowed down the story. Much attention is given to the famous shower murder scene and the controversy that it was Saul Bass who directed this and not Hitchcock. Differing views are given by people who were present at the time but all is revealed here in Stephen Rebello's book. "Psycho" was remade in colour in 1998 by Gus Van Sant. This was an interesting experiment as it was a word for word, scene by scene actual copy of the original. However, it is of course difficult for anyone to top the Hitchcock version.
Rating: Summary: Behind the scenes of a Hitchcock classic Review: "A boy's best friend is his mother" - Norman Bates (Anthony Perkins). "Psycho" is one of Hitchcock's most famous films and this book is a fascinating account of how the film was made and some of the problems that had to be overcome before the film could be completed. Author Stephen Rebello has done an excellent job and describes in detail how Hitchcock chose his screenwriter, his crew and the actors. It is interesting to discover how little some of these people were paid for what turned out to be a classic money making Hitchcock film. "A man should have a hobby" - Marion Crane (Janet Leigh). Following the enormous success of his latest film "North by Northwest" Hitchcock was looking for something different - but interesting. When the "Psycho" book by Robert Bloch came to his attention he realised that this could be just what he wanted but he was unsure how the censors would react to the gruesome storyline. He decided to purchase the screen rights to the book and very cleverly did so for a bargain price. The authors agents had no idea who was after the rights to the book and thought they had a good deal when $9,000 was agreed upon. However, after Robert Bloch had paid commission to the publishers, his agents fees and the tax he was left with approx $5,000. It was at this point that he discovered the buyer was a certain Mr Alfred Hitchcock!! Joseph Stefano was hired to write the screenplay after many others had been under consideration. Hitchcock's main concern was to keep the plot twists under wraps during filming and did not release any advance information about the film to the Press. He also had an unusual advertising campaign insisting that no-one was admitted to the theatre once the film had started. "12 cabins - 12 vacancies" - Norman Bates (Anthony Perkins). Hitchcock wanted a famous actress for the role of Marion Crane and Lana Turner, Shirley Jones, Hope Lange, Piper Laurie, Martha Hyer and Eva Marie Saint were all considered before the part eventually went to Janet Leigh. Anthony Perkins was the only choice for Norman Bates but several actors were in line to play Sam Loomis (Marion Crane's boy friend). These included Stuart Whitman, Cliff Robertson, Leslie Neilsen, Brian Keith, Jack Lord, Rod Taylor and Robert Loggia. The role of Sam Loomis was played in the film by John Gavin. Alfred Hitchcock's daughter Patricia also had a small role in the film. The music by Bernard Hermann was a major contribution to the success of the film and Hitchcock was so pleased with the result that he doubled the composer's salary. Hermann has written the music for several other Hitchcock films including "The Trouble With Harry", "The Man Who Knew Too Much", "The Wrong Man", "Vertigo", "North by Northwest" and "Marnie". "Well, if the woman up there is Mrs Bates - who's that woman buried out in Greenlawn Cemetery?" - Sheriff Chambers (John McIntire). The book explains how certain scenes were filmed but later disregarded by Hitchcock and deleted from the film as they slowed down the story. Much attention is given to the famous shower murder scene and the controversy that it was Saul Bass who directed this and not Hitchcock. Differing views are given by people who were present at the time but all is revealed here in Stephen Rebello's book. "Psycho" was remade in colour in 1998 by Gus Van Sant. This was an interesting experiment as it was a word for word, scene by scene actual copy of the original. However, it is of course difficult for anyone to top the Hitchcock version.
Rating: Summary: AWESOME! Review: An outstanding book about the making of one of the best movies of all time! An easily readable and well-researched offering from someone who obviously loves what they do. Cannot wait for Rebello and Auiler's upcoming book on the making of "North by Northwest".
Rating: Summary: Mother Would Have LOVED It! (Even with the few errors).... Review: Believe it or not, the reputation of the film Psycho is not that high among Hitchcock scholars. Most of them prefer the 50s films (Vertigo and Rear Window), or 30s films (The Thirty-Nine Steps and The Lady Vanishes). Reviewers also disliked this film upon its release, although as Rebello notes, that had a lot to do with Hitchcock's unwillingness to let them see it before its release to the public. (He wanted no advance word on its shocking contents.) Psycho has always been a success with its audience, and the viewers are the ones who keep its reputation as one of Hitchcock's greatest films alive. This book starts with the actual serial killer that Robert Bloch based his novel on, proceeds to the optioning of the novel (Bloch had no idea who bought it and sold it for very little, but his reputation was made for life), the preproduction problems (the studio didn't want it made, so it was done as a low-budget quickie), its scripting and filming, postproduction, release, and unexpected success. An irony of the film, according to Rebello, is that Hitchcock never quite got over its success. His later films were seen as letdowns after this one (although I put two of them, The Birds and Marnie, among his 15 best). Anyone who cares about this film will devour this book as I did. I recommend it unequivocally.
Rating: Summary: Rebello offers a needed defense of this great film. Review: Believe it or not, the reputation of the film Psycho is not that high among Hitchcock scholars. Most of them prefer the 50s films (Vertigo and Rear Window), or 30s films (The Thirty-Nine Steps and The Lady Vanishes). Reviewers also disliked this film upon its release, although as Rebello notes, that had a lot to do with Hitchcock's unwillingness to let them see it before its release to the public. (He wanted no advance word on its shocking contents.) Psycho has always been a success with its audience, and the viewers are the ones who keep its reputation as one of Hitchcock's greatest films alive. This book starts with the actual serial killer that Robert Bloch based his novel on, proceeds to the optioning of the novel (Bloch had no idea who bought it and sold it for very little, but his reputation was made for life), the preproduction problems (the studio didn't want it made, so it was done as a low-budget quickie), its scripting and filming, postproduction, release, and unexpected success. An irony of the film, according to Rebello, is that Hitchcock never quite got over its success. His later films were seen as letdowns after this one (although I put two of them, The Birds and Marnie, among his 15 best). Anyone who cares about this film will devour this book as I did. I recommend it unequivocally.
Rating: Summary: The author gives us much insight into PSYCHO. Review: Congratulations to author Rebello for this splendidly researched and written report on the preparation, filming, postproduction, and 'afterglow and aftermath' of Hitchcock's PSYCHO. It's totally readable and takes you right into Hitchcock's office and onto the film set. Everybody interviewed is knowledgeable and has things to say. Most important, we get right inside Hitchcock's own head. A tiny example: he insisted on 'blinding white tiles' and shiny fixtures for the shower scene (probably he wanted to hit us right in the eyes, photographically!). And Rebello really shows his class when he notes things like how, 'Beneath the shock and suspense tactics ... is Hitchcock's outrage toward the cruelty we inflict upon each other in the name of love.' I'm enormously impressed by this book, compiled with so much energy and insight and respect for Hitchcock and the team who helped make PSYCHO a classic.
Rating: Summary: Psycho Tidbits All Over The Place!! Fantastic Read!! Review: Every Psycho fan will truly love this fine book. Incredibly detailed throughout. Just about anything you could ever want to know about Alfred Hitchcock's 1960 masterpiece is contained in this volume. Lots of nice behind-the-scenes photos as well. I challenge you to put it down. You'll want to read it all today!!
Rating: Summary: Psycho Tidbits All Over The Place!! Fantastic Read!! Review: Every Psycho fan will truly love this fine book. Incredibly detailed throughout. Just about anything you could ever want to know about Alfred Hitchcock's 1960 masterpiece is contained in this volume. Lots of nice behind-the-scenes photos as well. I challenge you to put it down. You'll want to read it all today!!
Rating: Summary: A Must Read for All Hitchcock-Psycho Fans!! Review: For anyone who is a true fan of the Alfred Hitchcock movie Psycho, this book is a must-have. Stephen Rebello covers everything from the conception of the story from Robert Bloch's novel to the effect Psycho has had on the movie industry decades later. Any fan who has always wanted to learn more about this movie now has a great opportunity to do so.
Rating: Summary: Almost Perfect But... Time For A Companion Volume? Review: For the true fanatic, or just the curious, this is an immensely readable account. Far, far more interesting and enlightening then any of the turgid, pompous academic treatises on Hitchcock that pollute bookshelves everywhere. As definitive a reconstruction of how PSYCHO - or any movie, with a few exceptions - was put together. However, I suggest Mr. Rebello is overdue for either an update (though this reprint's front and back cover is definitely an improvement over the original), or a companion volume. For the completists, I suggest: 1. More production and cast stills. 2. Saul Bass's storyboards. 3. Interviews and/or photos of Marli Renfro, the actresses who provided the voice for Mrs. Bates, the diminutive woman who stabbed Arbogast. Other cast interviews. 4. Documentation on PSYCHO's aborted CBS broadcast of 09/66 and its subsequent showing in 06/67 on ABC - the edits, and when it was finally shown complete. 5. Information on the sequels, and Van Sant's "recreation". 6. Full descriptions of deleted scenes from the original. 7. Some of the less inflated analysis on its symbolism, etc. 8. Most importantly: a cue by cue evaluation of Bernard Herrmann's magnificent score, including its unused parts. Ok, Mr. Rebello, make it happen. Until then, anyone who is at all fascinated with how an American cultural landmark came together, (Yeah, I know, like Hitchcock used to say, "Oh,it's only a movie!") GET THIS BOOK!
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