Rating: 
Summary: EXCELLENTway to get started--and keep going.
Review: "Imagine that you have been captured by the Lorac, a warlike tribe ruled by Edrevol, who will spare you life only if you please him with the music you write for the Imperial Flute..."If you've ever wanted to take a note for a walk, Russo's guide will tease, challenge, and entice you to commit it to paper. The especial strength of this book is that you get a few rules at a time with each exercise: some only hint at why you should do some things to create a musically interesting composition; others state flat-out why some effects work. Learn by doing!
Rating:
Summary: A Piano Players Dream
Review: Every keyboard player should buy this book. This book contains the most straightforward explanation of diatonic harmony in print. It can transform your keyboard playing.
Rating:
Summary: A Piano Players Dream
Review: Every keyboard player should buy this book. This book contains the most straightforward explanation of diatonic harmony in print. It can transform your keyboard playing.
Rating:
Summary: Wonderful approach
Review: I found this book a wonderful text. I was afraid that it was going to start to simply, and it did. BUT, it was still a wonderful excercise. As are all. The author imposes some restrictions, which forces you yo use more creative resources. everything is covered from chord progressions to picture music, but all in detail. I would rercommend this book to many people.
Rating: 
Summary: fails to teach application of theoretical principles well
Review: I see that most people have high ratings for this book, but I cannot give it more than 2 stars for several reasons. First of all, the book does give a ton of exercises, but I didn't find these very useful--most of them were very simple exercises that had restrictions on how you could write the piece. This book does give much information about music theory, and the author does allow you to use this theory to write small (usually 10-15 bar) monophonic melodies, but by the end of the book this was all that I had learned to do. Yes, I did learn a lot of theory but I did not learn how to use the theoretical concept to its fullest potential when I composed a piece. At the end of the book, I found that, since the book gave me no practice at writing for more than one instrument at a time, I was not any better of a composer than I was at the start of the book. In my opinion, the author should add a CD to the book to illustrate how each concept he teaches is used to its fullest potential in a musical example. A major part of learning to compose is to listen and imitate--without listening, how are you supposed to know how to use this new music theory that you have just learned? Overall, the book is just a music theory book with a bunch of useless (to me, anyway) compositional exercises. Perhaps this book is for people who already have experience composing for a while. Personally, I am an ameateur and have piano skills and I wanted a book to teach me to compose, but I am afraid it did not help me very much, and I don't think it will help other ameateurs either.
Rating: 
Summary: Solid fundamentals
Review: I'm a musician and songwriter with a degree and many years' experience. But when I took on a project to create an opera with a playwright friend I found that my theory was rusty -- and I was also venturing into types of composition I'd never done before. I wanted a good solid book that would help me review my long-ago theory classes and layout a framework that would help me structure my composition. The book's been a very pleasant surprise. It's quite intermediate in level. If you're not comfortable with a lot of theory basics, it would be a hard place to start. Similarly, experienced composers looking for inspiration for new directions probably won't find it here (or not enough to make it worthwhile). However, especially for composers with some experience, the book is an valuable way to brush up on theory, begin to apply that theory to examples and exercises and try some new approaches to writing. If that's the type of book you're looking for, I heartily recommend this title.
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Summary: Start Here
Review: Russo's book is the best place to begin if you're seriously interested in composing music. His methodology is straightforward, and his rules sensible. The exercises bear fruit both as a learning experience and a stimulus for original compositions. Russo assumes you understand some rudimentary musical theory, and I suppose most people picking up this book will have that knowledge. Where I found this book most useful is in writing long themes, which had always daunted me. Russo's method is transportable, and when inspiration is stymied, I find what I've learned from this book can tide me over. One reviewer makes the point that this book doesn't tie all the exercises together into longer pieces, which is true, but that's a flaw that can be remidied by reading scores, and looking at structural examples of other composers. I wish I'd found this book years ago.
Rating:
Summary: fails to teach application of theoretical principles well
Review: The book's author is clearly influenced by minimalism not only in his approach to music, but also to writing and music instruction. His clearly modal approach to both melody and harmony is presented in superbly logical and fluff-free sequence of explanations and exercises. Some of advanced chapters on topics such as mating lyrics with music or writing picture music are brilliant as well.
Rating:
Summary: Clear, logical, complete.
Review: The book's author is clearly influenced by minimalism not only in his approach to music, but also to writing and music instruction. His clearly modal approach to both melody and harmony is presented in superbly logical and fluff-free sequence of explanations and exercises. Some of advanced chapters on topics such as mating lyrics with music or writing picture music are brilliant as well.
Rating:
Summary: On Composing Music
Review: This book is full of small exercises for getting the beginnner to start composing. Covers most of the techniques a composer will want to know without giving you a headache. However, the scope of the book doesn't cover where and how to use some of the techniques. Though not methodical toward composing mature pieces, overall the book is highly educational for those with a background of half a year of college piano or theory class. I would recommend it to anyone.
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