First Lady of Song: Library Edition

Rating:
Summary: Laughably unprofessional
Review: I must first commend Fidelman for his relatively thorough documenting of Ella's recordings, concerts, and television appearences; if this book is at all worthwhile, it is to learn more about the lady's career.

That being said, the author has here penned one of the most unprofessional works of biography ever published. He sets the tone early, recounting the ways he was denied access to Fitzgerald's inner circle with all the righteous, catty anger of the dorky girl excluded from the popular group in middle school. He punctuates various passages with tangents that have little or nothing to do with Fitzgerald's life and legacy, including a plea for record labels to reissue the works of the great stars of the mid-twentieth-century, and mentions of his having written liner notes for certain Fitzgerald releases. The majority of the book's narrative is written in a silly tone which belies any attempt by Fidelman to cast himself as a serious biographer. His insight into Fitzgerald the woman is nil. This is all in addition to his highly questionable and tabloid-esque recounting of a tragic interview with Joe Pass, suffering from terminal cancer, which seems only to be included due to Joe's saying he doesn't know why he's telling Fidelman this - perhaps an attempt by GMF to indicate some sort of personal relationship with the legendary guitarist.

I would not go so far as to tell Fitzgerald fans to avoid this book, nor would I send them running to Stuart Nicholson's dull, fact-heavy tome; a compelling, authoritative biography of the great jazz singer has not yet been written. I would instead advise possible readers to approach "First Lady of Song" with very low expectations, and then purely from an informational standpoint.

Rating:
Summary: Laughably unprofessional
Review: This alleged biography of Ella Fitzgerald is seriously flawed and not recommended. At its most basic, the book is simply not a serious biography written in a professional manner. For example, the author CONSTANTLY interupts the narrative to give the reader HIS opinions of each and every song she sings, her weight and even her wigs. Even the captions to the photos are annoying ("Still hiding her figure for Verve"..."Oh those awful wigs") This is not acceptable or serious writing for a biography. He also seemingly attempts to convince the reader that he knew Ella personally, sometimes referring to her (annoyingly) as "Miss Fitz." Another complaint: the author talks knowingly about live recorded concert albums leading the reader to believe he has some inside knowlege of a concert, when in reality he is simply relating what is on the actual album for everyone to hear. He also refers to others he supposedly interviewed by their first names ("Keeter" Betts, "Danny" Kaye). Was he really on a first name basis with these people? Of course, we don't know who he interviewed, or when he interviewed them, because there aren't any notes in the book to prove it. If you want a serious bio of the great singer, instead of this thing, I recommend the much-respected "Ella Fitzgerald" by Stuart Nicholson.

Rating:
Summary: Unworthy Bio of the First Lady of Song
Review: This alleged biography of Ella Fitzgerald is seriously flawed and not recommended. At its most basic, the book is simply not a serious biography written in a professional manner. For example, the author CONSTANTLY interupts the narrative to give the reader HIS opinions of each and every song she sings, her weight and even her wigs. Even the captions to the photos are annoying ("Still hiding her figure for Verve"..."Oh those awful wigs") This is not acceptable or serious writing for a biography. He also seemingly attempts to convince the reader that he knew Ella personally, sometimes referring to her (annoyingly) as "Miss Fitz." Another complaint: the author talks knowingly about live recorded concert albums leading the reader to believe he has some inside knowlege of a concert, when in reality he is simply relating what is on the actual album for everyone to hear. He also refers to others he supposedly interviewed by their first names ("Keeter" Betts, "Danny" Kaye). Was he really on a first name basis with these people? Of course, we don't know who he interviewed, or when he interviewed them, because there aren't any notes in the book to prove it. If you want a serious bio of the great singer, instead of this thing, I recommend the much-respected "Ella Fitzgerald" by Stuart Nicholson.