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Rating: 
Summary: Done Deal's Review of "Why We Write"
Review: "The joy of this book is that the reader is actually able to learn the screenwriting process from successful screenwriters. Only a selected, creative few become successful writers in Hollywood. Most of them are contributors to this book. This collection serves as inspirational tool that will teach you, the novice screenwriter, what it takes to become successful, and what steps the contributors took to become a success.""Once you pick the book up, it's difficult to stop reading. This well-structured and artistic book is highly recommended."
Rating:
Summary: Done Deal's Review of "Why We Write"
Review: "The joy of this book is that the reader is actually able to learn the screenwriting process from successful screenwriters. Only a selected, creative few become successful writers in Hollywood. Most of them are contributors to this book. This collection serves as inspirational tool that will teach you, the novice screenwriter, what it takes to become successful, and what steps the contributors took to become a success." "Once you pick the book up, it's difficult to stop reading. This well-structured and artistic book is highly recommended."
Rating: 
Summary: Interesting -- but would have liked longer interviews
Review: Although there are some interesting backgrounds provided on each of the screenwriters profiled here, I would have preferred even longer interviews (how did these people get into screenwriting? what obstacles did they have along the way? how did they land their first agents, if they used one on their first sale? etc.) I guess this book wasn't really meant to be a career primer, but just a collection of insights from some writers and their backgrounds. John Brancato and Michael Ferris's (THE GAME, THE NET) interviews, however, gave some insight into their writing process and how they get ideas for scripts (they banged out a first draft of THE GAME in a matter of weeks). And Michael Grais's interview really shows the sacrifices some people make to stay in the arts (he picked fruit at one point). Again, I wish more of the book was like this. Bottom line though: not worth the price. Read it in the store or borrow it from a friend or the local library. There's some other picture book about screenwriters -- this is the better one if you're going to buy one of them.
Rating:
Summary: Great insight
Review: Giving the screenwriters the opportunity to write what is true to their soul is by far the best idea I have seen in a long time. How many times do we read about somebody through the edited interview process? It is so interesting to hear what these screenwriters have to say, unedited. I loved the pictures too. This approach creates a wide variety of stories heard from the least heard about people in the film industry...screenwriters.
Rating:
Summary: Great insight
Review: Giving the screenwriters the opportunity to write what is true to their soul is by far the best idea I have seen in a long time. How many times do we read about somebody through the edited interview process? It is so interesting to hear what these screenwriters have to say, unedited. I loved the pictures too. This approach creates a wide variety of stories heard from the least heard about people in the film industry...screenwriters.
Rating:
Summary: An insightful read, beautifully photographed
Review: Lorian Tamara Elbert's Why We Write is immensely enjoyable. I figured I might skip some of the chapters by writers whose films were action/thrillers, but wound up reading the entire book. I especially dug Patrick Donovan's musings on why screenwriting is a GREAT gig, and the impact his Mr. Holland's Opus had on people; Dana Stevens ruminating on her weird little writing office; Scott Alexander's amusing explanation of why he always writes about wacky madmen; and Michael Ferris' tongue-in-cheek take on the Hollywood rollercoaster and the spoils of success (helicopters, hot tubs, dominatrixes...). Elbert's interviews not only got her subjects to open up in very personal ways, her photos bring out her subjects' essences (a la Annie Liebowitz) and their tones (light, contrast) are striking, B&W is a great medium for her.
Rating:
Summary: An insightful read, beautifully photographed
Review: Lorian Tamara Elbert's Why We Write is immensely enjoyable. I figured I might skip some of the chapters by writers whose films were action/thrillers, but wound up reading the entire book. I especially dug Patrick Donovan's musings on why screenwriting is a GREAT gig, and the impact his Mr. Holland's Opus had on people; Dana Stevens ruminating on her weird little writing office; Scott Alexander's amusing explanation of why he always writes about wacky madmen; and Michael Ferris' tongue-in-cheek take on the Hollywood rollercoaster and the spoils of success (helicopters, hot tubs, dominatrixes...). Elbert's interviews not only got her subjects to open up in very personal ways, her photos bring out her subjects' essences (a la Annie Liebowitz) and their tones (light, contrast) are striking, B&W is a great medium for her.
Rating:
Summary: Very interesting examination of the real visionaries of film
Review: The people who matter, the artists who face 120 blank pages and fill them with their original visions (only to have directors, actors, executives and producers change or take credit later) finally get a chance to come front and center. Yeah!!!
Rating:
Summary: Raw look at screenwriting and screenwriters
Review: Writers, professionals in the entertainment industry and people who just like to watch movies will love this book. The public has been offered an opportunity to get to know 25 big named screenwriters without the mask of studios, cameras, actors or editors. In Why We Write, we learn that these screenwriters are the true creators of the words and pictures we see on the screen in movie theaters across the country. The movie industry would simply not exist without them!
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