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Rating: 
Summary: A good collection of avant-garde Biblical images
Review: Comprised of some cool contemporary depictions of Biblical events, clever "Visionaire-esque" packaging and presentation, and a fine lineup of contributors, this book definitely has value as a collector's item. Yet, I'm torn. I really do like this book, but it could have offered so much more."Visionaire #28: The Bible," contains 41 images (e.g., photos, paintings, graphics) pertaining to verses of the Bible, submitted by over 40 artistic contributors. Each image takes up the left and right side of the opened page, complemented by the Biblical chapter, verse and text; the title of the work; and credits for the artist, stylist, model, etc. The book looks like a big, white Bible with gold-edged, stiff, cardboard-like pages. I must say, there is good deal of striking imagery in here, especially "The Annunciation" (Gregory Crewdson), "No Room at the Inn" (Mary Ellen Mark), "Mother and Child" (Jean-Paul Goude), "Salome and John the Baptist" (Andres Serrano), and "The Ascension" (Raymond Meier). Other notables include works by Lagerfeld, Testino and Meisel. There are also several excellent paintings and computer-generated graphics. Given the magnitude and importance of the Bible, this book could easily contain twice as much art. Also, with over half the pages dedicated to the books of Genesis, Luke and Revelations, I feel a little shortchanged knowing how much Biblical history was left out. I truly believe there was a great deal more artistic "fun to be had" that Visionaire #28 passed up. Of the two Visionaire books I've studied, I like this one much better, even though packaging and collector's novelty weigh just as heavily (they shouldn't) as artistic merit. I may sound overly critical, but a 5-Star art/photo book has to have "wow factor" on almost every page. This is a good effort, but falls short of a top rating. [Note that I didn't mention the price]
Rating:
Summary: A good collection of avant-garde Biblical images
Review: Comprised of some cool contemporary depictions of Biblical events, clever "Visionaire-esque" packaging and presentation, and a fine lineup of contributors, this book definitely has value as a collector's item. Yet, I'm torn. I really do like this book, but it could have offered so much more. "Visionaire #28: The Bible," contains 41 images (e.g., photos, paintings, graphics) pertaining to verses of the Bible, submitted by over 40 artistic contributors. Each image takes up the left and right side of the opened page, complemented by the Biblical chapter, verse and text; the title of the work; and credits for the artist, stylist, model, etc. The book looks like a big, white Bible with gold-edged, stiff, cardboard-like pages. I must say, there is good deal of striking imagery in here, especially "The Annunciation" (Gregory Crewdson), "No Room at the Inn" (Mary Ellen Mark), "Mother and Child" (Jean-Paul Goude), "Salome and John the Baptist" (Andres Serrano), and "The Ascension" (Raymond Meier). Other notables include works by Lagerfeld, Testino and Meisel. There are also several excellent paintings and computer-generated graphics. Given the magnitude and importance of the Bible, this book could easily contain twice as much art. Also, with over half the pages dedicated to the books of Genesis, Luke and Revelations, I feel a little shortchanged knowing how much Biblical history was left out. I truly believe there was a great deal more artistic "fun to be had" that Visionaire #28 passed up. Of the two Visionaire books I've studied, I like this one much better, even though packaging and collector's novelty weigh just as heavily (they shouldn't) as artistic merit. I may sound overly critical, but a 5-Star art/photo book has to have "wow factor" on almost every page. This is a good effort, but falls short of a top rating. [Note that I didn't mention the price]
Rating: 
Summary: Always Intriguing
Review: Created in 1991 from his one bedroom apartment, Stephen Gan turned a $10 per issue labor of love into a $150.00 per issue work of art. Amazingly, he still publishes Visionaire with as much intensity, creativity, and originality as the issue before and most importantly - his attention to detail is closer to a parent doting on his child, than a publisher overseeing a magazine. After all - Visionaire is Gan's brainchild. Now far removed from that one bedroom apartment and, at times, charging up to $400.00 per issue, Gan and Visionaire have become a unique fashion-publishing dynasty. Top fashion/art/photo contributors such as Karl Lagerfeld, Mario Testino, Alexander McQueen and Nick Night - among many others - willingly submit their work to Visionaire without compensation. With thirty-two limited edition issues already published since 1991, not every one has been a winner; although Visionaire is original and creative in every respect, it still doesn't make each issue worthwhile or, worth $150 - $400. However, most are fascinating in their thematic approach and satisfying as a work of art. Because of the unavailability of past issues, a current review can only contain the more recent and obtainable issues of Visionaire. "Chic" (#22) is clearly the most impressive of late, due to a theme that encompasses one of the central components in fashion. This is a fashion lover's ultimate scrapbook. Edited by Mario Testino, the issue is brimming with fashion photographs, from current to classic. Combined with these images are swatches of material from famous designer houses. As if this wasn't enough, "Chic" also contains a white napkin with Paloma Picasso's lipstick print, an envelope containing a letter from Catherine Deneuve to Yves Saint Laurent, and a tiny piece of fabric from the Versace dress Madonna wore to the opening of Evita. Toning down a bit for the next issue, "The Emperor's New Clothes" (#23) is lavishly packaged in a wooden box and contains forty 11x14 sepia-toned photographs by Karl Lagerfeld. The entire suite of nude photographs is wrapped in a satin bow. Lagerfeld's images are on par with any of today's great fashion photographs. That he is also one of the best and most well known clothing designers in the realm of current fashion, only confirms Lagerfeld as an endearing renaissance man. "Movement" (#27), as the theme implies, extrapolates on the idea of motion by using clear pages that, when turned, conveys both movement and metamorphosis. "Woman" (#28) contains various artists' interpretations on the theme - however, several of the images need such deep-seated, subjective interpretation, that one wonders why they were ever included. "Woman" is clearly the least inventive of the recent issues. Encased in a Philippe Starck designed white, plastic, pillow-like casing, "The Bible" (#29) integrates chapters from the Old and New Testament with photographs and paintings. The book's size and weight is due in part to the thickness of its cardboard pages, which turn like a children's book but reveal intense, erotic, and oftentimes nightmarish images that parallel each of the Bible passages. With each new issue, Visionaire is designed to amaze and delight. After nine years, it is a credit to Stephen Gan's `vision' that Visionaire continues to gain popularity. Like a haute couture gown, the exclusivity of Visionaire makes it all the more fashionable, rendering it another must-have accessory for the in-crowd.
Rating:
Summary: Always Intriguing
Review: Created in 1991 from his one bedroom apartment, Stephen Gan turned a $10 per issue labor of love into a $150.00 per issue work of art. Amazingly, he still publishes Visionaire with as much intensity, creativity, and originality as the issue before and most importantly - his attention to detail is closer to a parent doting on his child, than a publisher overseeing a magazine. After all - Visionaire is Gan's brainchild. Now far removed from that one bedroom apartment and, at times, charging up to $400.00 per issue, Gan and Visionaire have become a unique fashion-publishing dynasty. Top fashion/art/photo contributors such as Karl Lagerfeld, Mario Testino, Alexander McQueen and Nick Night - among many others - willingly submit their work to Visionaire without compensation. With thirty-two limited edition issues already published since 1991, not every one has been a winner; although Visionaire is original and creative in every respect, it still doesn't make each issue worthwhile or, worth $150 - $400. However, most are fascinating in their thematic approach and satisfying as a work of art. Because of the unavailability of past issues, a current review can only contain the more recent and obtainable issues of Visionaire. "Chic" (#22) is clearly the most impressive of late, due to a theme that encompasses one of the central components in fashion. This is a fashion lover's ultimate scrapbook. Edited by Mario Testino, the issue is brimming with fashion photographs, from current to classic. Combined with these images are swatches of material from famous designer houses. As if this wasn't enough, "Chic" also contains a white napkin with Paloma Picasso's lipstick print, an envelope containing a letter from Catherine Deneuve to Yves Saint Laurent, and a tiny piece of fabric from the Versace dress Madonna wore to the opening of Evita. Toning down a bit for the next issue, "The Emperor's New Clothes" (#23) is lavishly packaged in a wooden box and contains forty 11x14 sepia-toned photographs by Karl Lagerfeld. The entire suite of nude photographs is wrapped in a satin bow. Lagerfeld's images are on par with any of today's great fashion photographs. That he is also one of the best and most well known clothing designers in the realm of current fashion, only confirms Lagerfeld as an endearing renaissance man. "Movement" (#27), as the theme implies, extrapolates on the idea of motion by using clear pages that, when turned, conveys both movement and metamorphosis. "Woman" (#28) contains various artists' interpretations on the theme - however, several of the images need such deep-seated, subjective interpretation, that one wonders why they were ever included. "Woman" is clearly the least inventive of the recent issues. Encased in a Philippe Starck designed white, plastic, pillow-like casing, "The Bible" (#29) integrates chapters from the Old and New Testament with photographs and paintings. The book's size and weight is due in part to the thickness of its cardboard pages, which turn like a children's book but reveal intense, erotic, and oftentimes nightmarish images that parallel each of the Bible passages. With each new issue, Visionaire is designed to amaze and delight. After nine years, it is a credit to Stephen Gan's 'vision' that Visionaire continues to gain popularity. Like a haute couture gown, the exclusivity of Visionaire makes it all the more fashionable, rendering it another must-have accessory for the in-crowd.
Rating: 
Summary: Dream Screens
Review: Visionaire is always spectacular, and even when it falls flat, it's a great failure. But this issue is among the finest they've produced, a compilation of dream imagery as imagined by first rank artists and photographers, rendered in impossibly delicate laser-cut screens. The technique is flawless, the execution mind-boggling, and the resulting object is a work of art that vastly exceeds the sum of its parts. Many highly-regarded artists have contributed to the issue, and the extraordinary elegance with which these incredibly fragile artworks are presented is simply astonishing. It's amazing, and produced in such a limited edition that you would be foolish not to buy one immediately before they sell out.
Rating:
Summary: a fantastic art book
Review: when i bought this book,my first impresion was a shock to me, because the Phillipe starck design is a wonderfull piece of art,i didn't seen the book yet.i consider very interesting and i enjoyed so much.the meisel's pictures are stunning and "mother and son" too. if you have enought money to buy it, do it now,because you'll have into your hands a fantastic art book for all your life.
Rating:
Summary: BITE THE BULLET AND JUST BY IT!
Review: You don't know Visionare yet? You can't believe that a "magazine" can cost $150? Get with it already! "Visionare #28: The Bible" has to be one of the best issues of this ongoing art multiple. Incredible works created by a who's who of the avant-garde art world. This issue is worth the hefty price for the custom-designed Philippe Starck "pillow" case alone. Still not convinced to shell out $150? Have a look at what the past issues sell for on Ebay. This is not a impulse purchase - it's an investment! Buy it before it's too late. Karl Taps
Rating:
Summary: BITE THE BULLET AND JUST BY IT!
Review: You don't know Visionare yet? You can't believe that a "magazine" can cost $150? Get with it already! "Visionare #28: The Bible" has to be one of the best issues of this ongoing art multiple. Incredible works created by a who's who of the avant-garde art world. This issue is worth the hefty price for the custom-designed Philippe Starck "pillow" case alone. Still not convinced to shell out $150? Have a look at what the past issues sell for on Ebay. This is not a impulse purchase - it's an investment! Buy it before it's too late. Karl Taps
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