The Real Thing

Rating:
Summary: The usual Stoppard brilliance.
Review: As what is considered a turning point in Stoppard's ability to write romance, The Real Thing includes the usual ingenius commentary on life and art this time woven through a love story. Thus, the play can be enjoyed for the usual Stoppardian elevated language and fascinating explanations of quality art as well as its touching yet clever romantic plot. Moreover, it is this plot that sets it apart from Stoppard's earlier work. The characters in The Real Thing make up complex relationships and display emotions that add another facet to Stoppard's masterful control of the language. Dialogue seemlessly drifts between discussions of language to discussions of life, all the while maintaining the level of quality for which Stoppard is famous. It is a wonderful play demonstrating wit, intelligence, cleverness, and overall entertainment in a variety of ways.

As Ros. and Guil. used Hamlet and Travesties used the Importance of Being Ernest, The Real Thing contains certain references to 'Tis Pity She's a Whore that make that Jacobean tragedy a helpful piece of background reading.

Rating:
Summary: Simply superb
Review: This play is very funny in places, very moving in places, very absorbing in places -- all of it in an apparently seamless whole of the high Stoppardian quality. How does the man do it? How does one write a dissertation on the art of writing using a cricket bat as a teaching aid? To quote another recent Stoppard's work: "It's a mystery!..."