Rating: 
Summary: Thrills and Chills
Review: All I can say about this play is that it is sheer genius. I was fortunate enough to see the Broadway revival cast act it out in Studio 54, thus can safely say that the play is just as shrewd and clever onstage as it seems in the play. The thing that often repels people from 'Assassins' is firstly its subject matter - assassins and would-be assasins of presidents of the United States - and secondly, the way it handles its subject matter. 'Assassins' neither trivializes nor glorifies its characters: what it does is examine them, and let the audience make the decision as to what prompted them to commit the crimes they did. On stage, the play is chilling - seeing "Squeaky" Fromme carve an 'M' for 'Manson' into her forehead at the end of her number with John Hinckley 'Unworthy of Your Love' does not seem disgusting; it is entrancingly horrific. And this is not even mentioning the song 'How I Saved the President', the fast-paced narrative of Giuseppe Zangara's attempt on the life of President Franklin Roosevelt: it rises to an eerie feverish pitch and ends with a jolt - literally. The singing ceases only when Zangara has been electrocuted. I realize that the above description may seem to portray 'Assassins' as a gruesome horror-trip into history - but really, that is not what it is at all. The rises and falls of emotions in the songs (apparent in the book as well as in the play) are shrewdly placed so that the viewer can't quite bring themself to feel sorry for the assassin, exactly, more fascinated. And this is what 'Assassins' is - a fascinating look at some of the most forbidden American taboo in our country's history. The play jumps on its subject matter with surprising gusto - it does not jump delicately from point to point. It attacks its topics and does not let the audience leave unshaken. I feel as though I should probably mention that reading the book and seeing the play live are two different things. They are both thought-provoking and interesting looks at the various assassins - but a certain emotional element is lost in the text. Not that the book is bland and dry - far from it. However, seeing Charles Guiteau dance his way up to gallows feverishly reciting his poem 'I Am Going to the Lordy' is slightly more morbid than reading it. Highly recommended.
Rating:
Summary: Startling and thought-provoking
Review: Being a Sonheim fan, I expected to like the music, and did. You need to get the CD even if you don't like the script. It stands on its own merits. My favorite: The Gun Song, a delightful little ballad about how easy it is to shoot someone. "All you have to do is crook your little finger." The script is equally compelling, though I imagine the subject matter may make it too controversial for many community theaters. (I hope not, as I intend to suggest it for next season in our little theater here.) The play does not promote assassination, nor does it present assassins in a good light. Instead, it shows these historical figures as what they are: madmen, with all the weaknesses of other humans, but somehow flawed in their logic. Consider Charles Guiteau, who assassinated President Garfield, in part to promote the sales of his book. Superficially, as good a justification as any, but, let's face it, crazy as a bedbug. The writing is superb, and the action varies from the absolutely hilarious scene between "Squeaky" Frome and Sarah Jane Moore, to the powerful confrontation between John Wilkes Booth and Lee Harvey Oswald. EXCELLENT, EXCELLENT, EXCELLENT!!!
Rating:
Summary: Wonderful dark comedy!!
Review: Being a Sonheim fan, I expected to like the music, and did. You need to get the CD even if you don't like the script. It stands on its own merits. My favorite: The Gun Song, a delightful little ballad about how easy it is to shoot someone. "All you have to do is crook your little finger." The script is equally compelling, though I imagine the subject matter may make it too controversial for many community theaters. (I hope not, as I intend to suggest it for next season in our little theater here.) The play does not promote assassination, nor does it present assassins in a good light. Instead, it shows these historical figures as what they are: madmen, with all the weaknesses of other humans, but somehow flawed in their logic. Consider Charles Guiteau, who assassinated President Garfield, in part to promote the sales of his book. Superficially, as good a justification as any, but, let's face it, crazy as a bedbug. The writing is superb, and the action varies from the absolutely hilarious scene between "Squeaky" Frome and Sarah Jane Moore, to the powerful confrontation between John Wilkes Booth and Lee Harvey Oswald. EXCELLENT, EXCELLENT, EXCELLENT!!!
Rating:
Summary: Attention Must Be Paid!
Review: By far the most powerful play I've ever read, or seen. Somehow Sondheim and Weidman found a way to take the most controvertial topic in the USA and turn it into a dark comedy that stretches audiences minds and makes them look at the Presidential Assassinations from a different viewpoint. A viewpoint that brought tears to hundreds of audience members nightly durring it's short Broadway run.
Rating:
Summary: A marvelous story on how everyone deserves to be happy
Review: I have read and re-read the play, and have memorized the CD. It is quite entertaining, as well as educational. It shows us that no matter how demented a person is, they still have the right to be happy in America. It does not really stand up for the assassins, but it teaches you what they believed. I suggest anyone that likes American history either buy the CD or read the play.
Rating: 
Summary: Be prepared
Review: I profess to be of a young age, and those who don't know me would probably consider my experience with musical theatre to be rather inextensive. I am, however, even at a young age, a Stephen Sondheim admirer. Yet even I, whose favorite musical is the ghastly and mind-numbing masterpiece "Sweeny Todd," was not entirely prepared for the unabashed "Assassins." Assassins combines all the would be and have been presidential assassins of the United State's history and throws them all into a timeless world where Charles Guiteau (Garfield) can chat with Leon Czolgosz (McKinley) and Sam Byck (Nixon) at a bar while John Wilkes Booth (Lincoln) reads a copy of Variety magazine. It is more of a revue than anything, but the music (which you MUST own if you're going to buy the libretto) is so moving and so powerful it actually is able to draw sympathy for Lincoln's assassin. If the prospect of feeling pity or sympathy for Lee Harvey Oswald makes you angry, Assassins is not my recommendation. Indeed, Sondheim and Weidman sucessfully made me feel sorry for Leon Czolgosz and Booth and Oswald and nearly all the characters in the musical. Some may think it unpatriotic; I think it presents the other side to woefully biased history lessons claiming the Assassins to be vengeful madmen searching for chaos. Assassins truly brings to light what's wrong with the American dream, and for any history buff, Sondheim fan, or just plain theater fan, Assassins is a MUST have.
Rating:
Summary: Sondheim and Weidman at their best
Review: OK, so Sondheim isn't everybody's favourite composer, but this libretto is perhaps the cleverest, most emotive piece of theatre I have ever read. Sondheim and Weidman deal with a very tricky subject with profound intelligence. It's funny, it's sad, it's frightening, it's tense. Sondheim has always been a pioneer in musical theatre and this, I reckon, is his apex. Worth it for the penultimate scene alone! Oh, and even if you don't like Sondheim, get the soundtrack anyway because EACH of those songs is a classic.
Rating:
Summary: Sondheim and Weidman at their best
Review: OK, so Sondheim isn't everybody's favourite composer, but this libretto is perhaps the cleverest, most emotive piece of theatre I have ever read. Sondheim and Weidman deal with a very tricky subject with profound intelligence. It's funny, it's sad, it's frightening, it's tense. Sondheim has always been a pioneer in musical theatre and this, I reckon, is his apex. Worth it for the penultimate scene alone! Oh, and even if you don't like Sondheim, get the soundtrack anyway because EACH of those songs is a classic.
Rating:
Summary: Startling and thought-provoking
Review: This is a fine example of 20th century writing which focuses on issues that most people would rather not think about. How many of us have sat through history class and learned that John Wilkes Booth shot Abraham Lincoln and never even thought about why? What is most surprising about the play (and music) is that you really begin to understand why these people thought they should try to kill the President. Unfortunately this musical will go down as one of the most seldom performed because of it's subject matter and the fact that people will believe it promotes the assasins. Sondheim and Weidman seem to make quite a statement about gun possesion as well as the insanity of the perpetrators. Samuel Byck's monologue alone is enough reason to buy this book and I plan to use it in an audition if given the chance.
Rating:
Summary: A beautiful, prolific musical about killers of Presidents
Review: This is a great musical. Only about 10,000 people saw it on Broadway, but it is definitely a moving, comic series of character studies of all the men who have killed or have tried to kill a President of the USA. A truly odd, mesmerizing, and all-American Show
|
