Rating:  Summary: Table of Contents Review: Part 1: Halftones 1. Dots, Spots, and Halftones 2. Frequency, Angle, and Spot Shape 3. Frequency vs. Gray Levels 4. Reproducing Halftones 5. Setting Your Screens 6. The Glorious Spot 7. Who Does the Halftone? 8. Beyond the Spot 9. Band Aid 10. When Grids Collide 11. Rosettes and Moires 12. Frequencies, Angles, and Moires 13. Controlling Halftone ScreensPart 2: Scanning 14. Waltzing Through the Process 15. Scanners 16. Scanned Images 17. File Formats 18. Image Resolution 19. Choosing Resolution 20. Tonal Correction 21. A Sharper Image 22. Getting Small 23. Just Read It 24. Photo CD Part 3: PostScript 25. PostScript Halftoning 26. Spot Functions Part 4: Applications 27. Image Applications 28. Page-Layout Applications 29. Illustration Applications
Rating:  Summary: Table of Contents (2nd Edition) Review: Part 1: Scanned Images 1. Waltzing Through the Process 2. Scanners 3. Scanned Images 4. File Formats 5. Image Resolution 6. Choosing Resolution 7. Tonal Correction 8. Color 9. A Sharper Image 10. Compression 11. Images for the Web 12. Color Output 13. OCR 14. Photo CD Part 2: Halftones 15. Dots, Spots, and Halftones 16. Frequency, Angle, and Spot Shape 17. Frequency Versus Gray Levels 18. Reproducing Halftones 19. Setting Your Screens 20. The Glorious Spot 21. Who Does the Halftone? 22. Stochastic Screening 23. Band Aid 24. When Grids Collide 25. Rosettes and Moires 26. Angle Strategies 27. Controlling Halftone Screens 28. PostScript Halftoning 29. Spot Functions Part 3: Applications 30. Image Applications 31. Illustration Applications 32. Page-Layout Applications 33. Scanning Applications
Rating:  Summary: Excellent book on scanning Review: This 2nd edition improves on an already very good book on scanning. It adds more information on color, using web graphics, and adds more scanning software explanations. If you think you need a 1200 dpi scanner for web work, check this book out and find out why you probably don't. The book will save you time and money and show you how to improve your graphic outputs. It's well worth the money.
Rating:  Summary: This has an excellent blend of theory and specific detail. Review: This is an excellent blend of specific, useful detail about particular software applications (as of 1993) and general information about halftones. It rarely becomes too technical, and never too insubstantial. The book is worth keeping as a reference, and, if there were a second edition, I would buy it without hesitation
Rating:  Summary: Second edition expands, updates, and responds Review: We wrote a second edition in part because of support from our readers for it. You wanted more (and newer) information on color and color management, scanning images aimed for the World Wide Web, and stochastic screening, among other issues. We rewrote the book for up-to-the-minute explanations of the oldest and newest scanning and halftones technology and tips. Want to know how FlashPix works? See Chapter 4, File Formats. Need to modify CorelDraw for a custom screen? See Part 3, Applications. Readers at Amazon.com (see below) have noted they were waiting for a second edition - and it's here. We'd love to hear from you if you've read the book or just have questions.
Rating:  Summary: What I didn't know, I didn't know about digital halftones. Review: When the author suggested that the proper way to read this book was cover to cover. I thought sure every author wants you to hang on every word. What I found was in reading cover to cover was little insights from page to page created a new model about halftones and how they relate to image setters and laser printers. I continually got "so thats why". I recommend this book to all my customers as a definitive source for scanning and output. It takes a subject that is a mystery to us printers born or trained before 1980 and clearly mates our analog knowledge with the digital world we now work in. I'm 60 and run an answer line for digital plate distributors.
Rating:  Summary: What I didn't know, I didn't know about digital halftones. Review: When the author suggested that the proper way to read this book was cover to cover. I thought sure every author wants you to hang on every word. What I found was in reading cover to cover was little insights from page to page created a new model about halftones and how they relate to image setters and laser printers. I continually got "so thats why". I recommend this book to all my customers as a definitive source for scanning and output. It takes a subject that is a mystery to us printers born or trained before 1980 and clearly mates our analog knowledge with the digital world we now work in. I'm 60 and run an answer line for digital plate distributors.
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