X-Men: Visionaries

Rating:
Summary: Neal Adam's brilliant nine-issue run on 'The X-Men" 1969-70
Review: You have to remember before issue #56 of the "X-Men" came out in 1969 that the comic book was hurtling towards oblivion (which meant it would became a reprint title for Marvel). Jim Steranko had come in and done a few wonderful issues but then we had issue #53, which we all thought was the worst drawn comic in the history of the world. The artist was some young kid off the boat from England named Barry Smith who was clearly trying to imitate Jack Kirby (what we did not know was that Smith had literally drawn the pages sitting on benches in Central Park. In what was clearly a final but big time effort to save the X-Men, Neal Adams was brought in as the artist, the pages inked by Tom Palmer, the stories written by Roy Thomas and then Dennis O'Neil. For those who had suffered through issues drawn by the competent but uninspiring Don Heck, the nine issues drawn by Adams raised the bar for what the art in a comic book could look like. Whereas Steranko was the master of style, Adams provided a realism that was just great, as he went on to show while drawing Batman and Green Lantern/Green Arrow for DC.

Collected in "X-Men: Visionaries - Neal Adams" are issues #56-63, and 65 of "X-Men," published originally in 1969-1970, and since all of them run for over $100 in proverbial near mint condition, this is a nice way of enjoying these great comic book stories. Issue #56 has the Living Pharaoh, #57 the start of an awesome Sentinel trilogy, #58 offers the first appearance of Havok, #59 has Cyclops as the last X-Man standing against the Sentinels, Issues #60-62 offers the Sauron trilogy, which gets the X-Men back to the Savage Land and a meeting with Ka-Zar, #63 is a nice Magneto story (picking up on the Steranko bit of the devil having a daughter), and #64 is admittedly a lame monster story. These were just above well above average stories with the longer storylines working to the advantage of the characters and the artwork. I did not understand the importance of using the name "Sauron" as a villain, since I was still a few years away from reading the Lord of the Rings, but it was cool to have a monster that was a flying dinosaur. The Havoc costume was pretty cool too and I still remember the way Adams introduced Magneto without his helmet in one of the great reveals of all time. There was one more original issue after the run by Adams and then the title started reprinting issues #12-45. Granted, the run by Chris Claremont and John Bryne when the X-Men were brought back as an international gang of merry mutants in 1975 is the highpoint of the series, but the issues by Adams comes in a strong second.

Rating:
Summary: Neal Adam's brilliant nine-issue run on 'The X-Men" 1969-70
Review: You have to remember before issue #56 of the "X-Men" came out in 1969 that the comic book was hurtling towards oblivion (which meant it would became a reprint title for Marvel). Jim Steranko had come in and done a few wonderful issues but then we had issue #53, which we all thought was the worst drawn comic in the history of the world. The artist was some young kid off the boat from England named Barry Smith who was clearly trying to imitate Jack Kirby (what we did not know was that Smith had literally drawn the pages sitting on benches in Central Park. In what was clearly a final but big time effort to save the X-Men, Neal Adams was brought in as the artist, the pages inked by Tom Palmer, the stories written by Roy Thomas and then Dennis O'Neil. For those who had suffered through issues drawn by the competent but uninspiring Don Heck, the nine issues drawn by Adams raised the bar for what the art in a comic book could look like. Whereas Steranko was the master of style, Adams provided a realism that was just great, as he went on to show while drawing Batman and Green Lantern/Green Arrow for DC.

Collected in "X-Men: Visionaries - Neal Adams" are issues #56-63, and 65 of "X-Men," published originally in 1969-1970, and since all of them run for over $100 in proverbial near mint condition, this is a nice way of enjoying these great comic book stories. Issue #56 has the Living Pharaoh, #57 the start of an awesome Sentinel trilogy, #58 offers the first appearance of Havok, #59 has Cyclops as the last X-Man standing against the Sentinels, Issues #60-62 offers the Sauron trilogy, which gets the X-Men back to the Savage Land and a meeting with Ka-Zar, #63 is a nice Magneto story (picking up on the Steranko bit of the devil having a daughter), and #64 is admittedly a lame monster story. These were just above well above average stories with the longer storylines working to the advantage of the characters and the artwork. I did not understand the importance of using the name "Sauron" as a villain, since I was still a few years away from reading the Lord of the Rings, but it was cool to have a monster that was a flying dinosaur. The Havoc costume was pretty cool too and I still remember the way Adams introduced Magneto without his helmet in one of the great reveals of all time. There was one more original issue after the run by Adams and then the title started reprinting issues #12-45. Granted, the run by Chris Claremont and John Bryne when the X-Men were brought back as an international gang of merry mutants in 1975 is the highpoint of the series, but the issues by Adams comes in a strong second.