The Crab with the Golden Claws (The Adventures of Tintin)

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Summary: At long last, Tintin and Snowy meet up with Captain Haddock
Review: "The Crab with the Golden Claws" has a simple beginning, when Snowy goes scavenging in the rubbish and gets his muzzle stuck in a can of crabmeat. However, that crab of tin meat quickly leads our hero on a new adventure, which starts off rather horribly when Tintin is knocked unconscious aboard a mysterious ship and taken out to sea where the bad guys intend to send him to the bottom. Of course, Tintin leads a charmed life, which takes a major turn for the better when he comes across the ship's drunken captain, who introduces himself as Captain Haddock.

The rest, as they say is history, because this is the first of many adventures for Tintin and the person who, along with Snowy, becomes his almost constant companion in the years to come. Even though this is the good captain in his rawest form, Herge knew he was onto something with the emotional, blustering, cursing (in his way) Haddock, who plays increasingly pivotal roles in the next Tintin adventures, "The Shooting Star" and "The Secret of the Unicorn." As for Snowy, he does manage to find some of the biggest bones in his long career.

"The Crab with the Golden Claws" takes Tintin and his companions from the perils of the high sea to the burning sands of the desert. Of course, all those cans of crab are not actually filled with crab. This 1941 story is a traditional exotic adventure for the interpid reporter, filled with slapstick and narrow escapes in equal measure, which might indicate Herge's desire to forget about what was happening in Europe at that point in history.

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Summary: great book!
Review: After six comics Captain Haddok gets intruduced. And in this adventure Tintin fights drug smuggling. This book is interesting because Herge draws so well and so presise. This is truly a book for Tintin fans of all ages.

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Summary: Oh Columbus! It's Captain Haddock!
Review: The adventure every re-reader of Tintin waits impatiently for, Captain Haddock's debut. We first meet him on board the merchant ship Karaboudjan, his alcoholism being fuelled by a nefarious mate, the hatchet-faced Allan, who is smuggling opium in tins of crab meat. It is curious that such a weak, defeated, decadent figure should become such a beloved, even heroic character for generations of readers - in the context of the Nazi-Occupied Europe in which the book was written, the resonance of Haddock's spiritual progress - from manipulable weakling to tortured prisoner to victim of (collaborationist?) police brutality to ferocious resistant - is easier to fathom. Besides his inability to resist bottle-sized tipples, the captain is famous for a bellicosity unleashed in an inexhaustible gust of arbitrary, all-inclusive epithets ('Rats! Ectoplasms! Freshwater swabs! Bashi-bazouks! Cannibals! Caterpillars!'); his rage often sufficient to ward off enemies. Beneath these terrifying outbursts, however, and the tendency to Thom(p)son-like imbecilities (such as the drunken kindling of a fire on a longboat), Haddock is really a kind of human Snowy, someone whose essentially good instincts are led astray by appetite, someone who needs the affection, reassurance, security and stability offered by Tintin's tolerant friendship. He is a brave man of an earlier, more chivalrous age, stranded in a modernism blighted by criminals and the counterfeit.

This marvellously funny episode begins as a mystery story, with Thompson and Thomson investigating the death by drowning of a sailor whose remains include clues that prompt Tintin to investigate the Karaboudjan. In terms of incident and visuals, 'Crab' harks back to the earlier 'Cigars Of The Pharoah' (another introductory adventure, that time the Thom(p)sons), with its drug-smuggling plot, its misadventures at sea, its awesome African sandscapes and the delight offered by Thom(p)sonian buffoonery. The depiction of French Morocco, its eternal sunlight riven with omnipresent shadows, echoes the Metaphysical/Surrealist world of de Chirico, while there are many jokes inspired once again by silent cinema, especially two 'Gold Rush'-quoting hallucinations in which a thirst-crazed Haddock imagines Tintin as a bottle of champagne.

An added bonus are four full-page plates you will be sorely tempted to rip from the page and hang on your wall - a looming airplane terrorising our capsized heroes bobbing in a Hokusai sea; a panting Tintin and Haddock trekking an endless desert, happy Snowy chomping the massive bone of a dromedary skeleton and acknowledging the 'camera'; the trio in pursuit down a crowded Moroccan alley, amazingly detailed and coloured, and seemingly on the brink of collapse; and an archway-framed composition of the Thom(p)sons shadowing a suspect in one of their hapeless attempts at blending in with the locals, bournos failing to hide their ever-distinctive black suits, bowlers and moustaches. As ever, Tintin, like Sherlock Holmes, is much more successful with disguise, and learns something about the contempt directed at the poor in certain societies.