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Rating: 
Summary: A translation for singing
Review: Andrew Porter's English translation of the 'Ring' was written to be sung. It has been used in performances of the 'Ring' cycle at English National Opera and elsewhere. When reading this translation, and perhaps using it to follow a recording or broadcast of any of these operas in the original German, you should keep in mind that it is not a *literal* translation. Porter has taken some liberties with the meaning of the original text, in order to match the rhythms of his English as closely as possible to those of Wagner's archaic German. The translator has also attempted to capture some of the alliteration that is characteristic of Wagner's *stabreim*.It is clear that Andrew Porter understands the text of the 'Ring' well enough that he was able to make this "poetic" translation without distorting the meaning of the original text. For a literal, accurate translation, the only one currently available is by Stewart Spencer (Wagner's Ring of the Nibelung: The full German text with a new translation and commentaries, Thames and Hudson, 1993). You might also be able to find in a library or for sale used, the William Mann translation (Centurion Press Ltd, 1964).
Rating:
Summary: A translation for singing
Review: Andrew Porter's English translation of the 'Ring' was written to be sung. It has been used in performances of the 'Ring' cycle at English National Opera and elsewhere. When reading this translation, and perhaps using it to follow a recording or broadcast of any of these operas in the original German, you should keep in mind that it is not a *literal* translation. Porter has taken some liberties with the meaning of the original text, in order to match the rhythms of his English as closely as possible to those of Wagner's archaic German. The translator has also attempted to capture some of the alliteration that is characteristic of Wagner's *stabreim*. It is clear that Andrew Porter understands the text of the 'Ring' well enough that he was able to make this "poetic" translation without distorting the meaning of the original text. For a literal, accurate translation, the only one currently available is by Stewart Spencer (Wagner's Ring of the Nibelung: The full German text with a new translation and commentaries, Thames and Hudson, 1993). You might also be able to find in a library or for sale used, the William Mann translation (Centurion Press Ltd, 1964).
Rating: 
Summary: I probably wouldn't use while listening along.
Review: I bought this translation after I bought Wolfgang Sawallisch's excellent live Ring on EMI-- which, obviously, did not include a libretto. I did not realize until I read the introduction that Andrew Porter's translation was for an English version of The Ring staged some years back. I would only want to hear The Ring in the original German, but I must say Porter does a fabulous job in capturing both the sense and the rhythms of Wagner's language. He is forced to give up some of the alliterative quality in order to be more literal, but what makes this book so intriguing is that one can follow along with the music and practically hear the English text in each note, syllable by syllable. That's because Porter did the impossible by pretty much matching the meaning of each word (and each part of a word) with the intended note, setting it apart from those clumsy German translations of Mozart's Da Ponte operas, and so forth. However, I did feel like I was missing out on some of Wagner's meaning, and so I sought out a more literal (and less poetic) translation. I found that in Barry Millington's text-- in hardcover, and therefore more expensive, but with excellent notes and a few essays (as well as photos of older productions). So, unless one wants to know how Wagner might sound in English (and the Chandos cycle on CD does just that), I suggest finding another translation for listening purposes.
Rating:
Summary: I probably wouldn't use while listening along.
Review: I bought this translation after I bought Wolfgang Sawallisch's excellent live Ring on EMI-- which, obviously, did not include a libretto. I did not realize until I read the introduction that Andrew Porter's translation was for an English version of The Ring staged some years back. I would only want to hear The Ring in the original German, but I must say Porter does a fabulous job in capturing both the sense and the rhythms of Wagner's language. He is forced to give up some of the alliterative quality in order to be more literal, but what makes this book so intriguing is that one can follow along with the music and practically hear the English text in each note, syllable by syllable. That's because Porter did the impossible by pretty much matching the meaning of each word (and each part of a word) with the intended note, setting it apart from those clumsy German translations of Mozart's Da Ponte operas, and so forth. However, I did feel like I was missing out on some of Wagner's meaning, and so I sought out a more literal (and less poetic) translation. I found that in Barry Millington's text-- in hardcover, and therefore more expensive, but with excellent notes and a few essays (as well as photos of older productions). So, unless one wants to know how Wagner might sound in English (and the Chandos cycle on CD does just that), I suggest finding another translation for listening purposes.
Rating:
Summary: Great libretto for the ring operas
Review: If you collect audio "Ring" CDs, throw out all the libretti that may have come with your CDs and buy porter's book! The nice thing about this translation is that it (a) is understandable, and (b) is easy to follow along to an audio performance because it matches the singing syllable to syllable. Care was also taken in the translation so that the english words occur in the appropriate places where the motif occurs in the music. Also, proper names match up one for one with the German. So, for example when someone refers to "Siegmund", on a recording, the English text at that point is "Siegmund"! Awesome synchronization!
Rating:
Summary: Great libretto for the ring operas
Review: If you collect audio "Ring" CDs, throw out all the libretti that may have come with your CDs and buy porter's book! The nice thing about this translation is that it (a) is understandable, and (b) is easy to follow along to an audio performance because it matches the singing syllable to syllable. Care was also taken in the translation so that the english words occur in the appropriate places where the motif occurs in the music. Also, proper names match up one for one with the German. So, for example when someone refers to "Siegmund", on a recording, the English text at that point is "Siegmund"! Awesome synchronization!
Rating: 
Summary: Bad Translation
Review: Stay away from this translation - it's the pits! The vocabulary is very contemporary and there is no lyricism. The more poetic passages come off as...florid, overheated. There has to be a better translation!
Rating:
Summary: Great libretto for the ring operas
Review: This is the best SINGABLE translation of the Ring available. It was written to match up line by line, syllable by syllable, with words matching exactly where musically necessary. Better, more poetic translations may exist, but they aren't singable, and therefore aren't as useful when following the operas.
Rating:
Summary: Excellent
Review: This is the best SINGABLE translation of the Ring available. It was written to match up line by line, syllable by syllable, with words matching exactly where musically necessary. Better, more poetic translations may exist, but they aren't singable, and therefore aren't as useful when following the operas.
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