Nick Fury, Agent of S.H.I.E.L.D.

Rating:
Summary: Eye-Popping
Review: I first read these comic books when I was 13, and knew then there was something unique and different about them. And re-reading them over 30 years later confirms my belief that these are still truly incredibly entertaining comic book stories! The artwork gets better and better throughout the book as Steranko actually becomes a better artist with each subsequent chapter. His graphic design sense is totally original and eye-popping. I have the original comics on which this reprint book is based upon and it is nice to have them in one volume printed on better paper. My criticism is that Steranko's original colours were not used and that the stats upon which these reprints were based were not of the highest quality.

Rating:
Summary: Jim Steranko tranforms Nick Fury into Comic Book "Pop Art"
Review: I know I could never tell you where Jim Steranko came from before he started drawing Nick Fury, Agent of S.H.I.E.L.D. (Supreme Headquarters, International Espionage, Law-Enforcement Division), in Marvel's "Strange Tales" comic book in 1966. Actually, way back when, I was more interested in Doctor Strange, Master of the Mystical Arts. Besides, it was hard to believe Nick Fury, from "Sgt. Fury and His Howling Commandos," was a one-eyed spymaster. But the development of Steranko's signature style as an artist became THE reason for bothering with a comic that was, in many regards, the bottom of the line at Marvel. Steranko began by doing the finished artwork over layouts by Jack "King" Kirby and ended up not only drawing the series but scripting it as well. The rest was most definitely comic history.

Included in this collection are "Strange Tales" 150-168, which provides one of the greatest examples of artistic growth ever seen in the field of comic books (Barry Windsor-Smith's legendary run on "Conan the Barbarian" is the only other example on the same plateau). Here we have Nick Fury's one-man assault on Hydra and the epic battle with the Yellow Claw. Early in the Sixties Marvel had labeled its comics as "Pop Art," in a feeble attempt to market themselves as more than just comics for kids. Well, when Steranko started incorporating elements from the psychedelic films and art of the time you could argue he achieved "Pop Art" in comics. Steranko used photography, optical art effects and unorthodox page designs to create his own unique style. Ultimately, his work had much more to do with cutting-edge cinema than it did with traditional comic books, which is why his reputation endures.

It is hard not to look at these Steranko's striking designs in these super spy stories and find yourself thinking more of "Bladerunner" and "The Matrix" more than James Bond. But as much as we admire Steranko's use of fine, defined ink line we also need to pay attention to his use of pacing, which is undeniably cinematic. I heard Steranko went on to do storyboards for movies, including "Indiana Jones and the Temple of Doom" and "Bram Stoker's Dracula," which is fitting, but also rather ironic. Speaking of irony, Steranko's best work in comics, both with Nick Fury and other characters (most notably Captain America and The X-Men) was yet to come. So while this collection does not represent Steranko's best work, it does capture the evolution of a major talent in comics. Besides, it will probably cost you more than the price of this collection to pick up just ONE of the comics reprinted within.

Rating:
Summary: Nick Fury - Slightly Ahead Of Its Time
Review: Nick Fury, Agent Of SHIELD is a great collection of Jim Steranko tales done for Strange Tales. It is amazing that these were written and drawn in the mid-60s. You can see the growth of Steranko as an artist as you turn the pages from basic comic book artist to the futuristic styles mimicked by many of today's comics artists. Steranko's style is very cinematic and I would not be surprised if many moviemakers of today did not read these stories in their youth. As beautiful as the artwork is, the stories are exciting and quickly paced (the Fury segment in Strange Tales was usually 10 to 11 pages long). Hope to see more of Steranko's work reprinted, particularly his Captain America, X-Men, and other Nick Fury stories. Too bad he left the series after the Scorpio saga and left monthly comics shortly thereafter. I loved his work while I was growing up and felt that every character he touched stepped up to a higher level.

Rating:
Summary: WHAT?!?
Review: Reading level: ages 4-8. Ages 4 to 8?!?! Come on, Amazon, how many four year olds are going to pick up a 60's mod spy books? Have some common sense, please. I'm twenty-two and these books aren't exactly "Goodnight Moon". Why America has such a disrespect for graphic storytelling, when it is highly respected in essentially the rest of the world, is beyond me. [...]

Rating:
Summary: WHAT?!?
Review: Reading level: ages 4-8. Ages 4 to 8?!?! Come on, Amazon, how many four year olds are going to pick up a 60's mod spy books? Have some common sense, please. I'm twenty-two and these books aren't exactly "Goodnight Moon". Why America has such a disrespect for graphic storytelling, when it is highly respected in essentially the rest of the world, is beyond me. [...]

Rating:
Summary: A volume of ingenious and innovative storytelling.
Review: Seldom has a comic artist injected so much of his personality into a series. There are variations of Fury the escape artist. There are multiple identity themes (did the film makers of Face Off and MI-2 read these stories at an impressionable age?). There are scenes that are, literally and figuratively, slight of hand. Beginning with "The Tribunal," Steranko molded his life, comic book, and film influences to fit his sensibilities and developed rapidly as a master storyteller. In doing this, Steranko became a major influence in his own right.

It is great to have the stories in one volume. After more than thirty years, they hold up wonderfully as entertainment and as models of innovative storytelling for the critical reader. The only drawback is that the color printing in this volume is not quite as good as in the original comic books.