Callista: A Tale of the Third Century

Rating:
Summary: CALLISTA OPENS UP ALL OF JOHN HENRY NEWMAN
Review: John Henry Newman's CALLISTA, especially as introduced in this fine year 2000 edition by Alan G. Hill, stands on its own merits as a rollicking good love story, almost gothic in its plague of locusts, demonic possession of the young North African Juba, realistic depiction of mob violence, state torture and intolerance of the rising Christian religion whose adherents refused in the year 250 to worship the persecuting emperor Decius.

It is the story of a beautiful 17-year old Greek orphan who finds work as an artisan in Roman Africa, mainly fashioning statues and other adornments of various pagan cults. The evils of third century Roman imperial life depress her. She is tempted by the beauty of Christianity as hinted to her years ago by a Christian slave. Later she is wooed by the Christian Agellius who gives her another slant into his religion--though he fails to persuade Callista to marry him. Finally, Saint Cyprian, bishop of Carthage and the Gospel of Luke which he persuades her to read in a prison where she languishes falsely accused of being a Christian, tip the scales. She is baptized, confirmed and takes the Eucharist in one ceremony in prison. Shortly thereafter she is brutally martyred. The story stands on its own feet. It is a great read independently of any external impact or uses.

But CALLISTA is also, in my opinion, the most illuminating first book which any serious or prospective student of ALL the works of John Henry Newman should read (or now re-read). For CALLISTA opens the door to Newman's spiritual autobiography of conversion, APOLOGIA PRO VITA SUA. It also adumbrates DEVELOPMENT OF CHRISTIAN DOCTRINE, RISE AND PROGRESS OF UNIVERSITIES, his sermons and Newman's many musings on the echo of God's voice definitively heard in conscience. And what CALLISTA does not lead into, Newman's earlier novel LOSS AND GAIN most certainly does lead into: ARIANS OF THE FOURTH CENTURY, THE IDEA OF A UNIVERSITY, A GRAMMAR OF ASSENT and literally every serious thing the great Cardinal ever penned. Fortunately, the best edition of LOSS AND GAIN is by Alan G. Hill who gives us the best CALLISTA as well.

CALLISTA, perhaps the greatest of "Christian Romances," indeed deserves to be read both internally for itself and also externally as a first step into the huge ocean of Newman's essays, poems (e.g. "Lead Kindly Light"), sermons, histories, satires, educational theory, philosophy, theology and more than 20,000 letters. CALLISTA, set in Africa, paradoxically invites readers to step into the almost as little known spiritual world of 19th Century England, one of the most creative times and places the world has yet known.

-OOO-

Rating:
Summary: A rare novel from Newman
Review: Written by John Henry Newman in 1855, Callista is a fictional tale of life in the early Christian church. One of only two novels from his pen, this tale is set in northern Africa, near Carthage, about the year 250 AD, during the reign of the Emperor Decius. The talented and lovely young greek native Callista, along with her brother Aristo ply their handicraft in the shop of Jucundus, in the small provincial town of Sicca, by finishing and decorating the pagan images of gods, idols, charms and other items of superstition. Jucundus, appreciating her many talents, attempts to play the matchmaker between her and his poor befuddled nephew Agellius. This nephew, much to his continued dismay and consternation seems to be obsessed with the notion of Christianity, and worse, considers himself to be of their number. As the story unfolds, we become aware of the strange status Christians held in the Roman World. Rather than being hated for their zeal toward God, they are thought to be atheists, anarchists and traitors. Callista, though not a Christian, feels the emptiness and insufficiency of the Roman, and even the Greek world of morality and philosophy, and never did believe in their gods. Agellius, with much internal turmoil, because Callista is not Christian, wishes to propose marriage. But these are troubled times, natural disasters, Imperial edicts, demonic possessions and the breakdown of civil order bring this story to an exciting conclusion. Obviously Newman wishes to use this story as a sort of parable, while at the same time painting a picture for us of what the early Christian church was actually like. And while he may succeed in this aim, some may think the story occasionally bogs down in pedantics. For this reason I gave the story 4, rather than 5 stars.

Rating:
Summary: A rare novel from Newman
Review: Written by John Henry Newman in 1855, Callista is a fictional tale of life in the early Christian church. One of only two novels from his pen, this tale is set in northern Africa, near Carthage, about the year 250 AD, during the reign of the Emperor Decius. The talented and lovely young greek native Callista, along with her brother Aristo ply their handicraft in the shop of Jucundus, in the small provincial town of Sicca, by finishing and decorating the pagan images of gods, idols, charms and other items of superstition. Jucundus, appreciating her many talents, attempts to play the matchmaker between her and his poor befuddled nephew Agellius. This nephew, much to his continued dismay and consternation seems to be obsessed with the notion of Christianity, and worse, considers himself to be of their number. As the story unfolds, we become aware of the strange status Christians held in the Roman World. Rather than being hated for their zeal toward God, they are thought to be atheists, anarchists and traitors. Callista, though not a Christian, feels the emptiness and insufficiency of the Roman, and even the Greek world of morality and philosophy, and never did believe in their gods. Agellius, with much internal turmoil, because Callista is not Christian, wishes to propose marriage. But these are troubled times, natural disasters, Imperial edicts, demonic possessions and the breakdown of civil order bring this story to an exciting conclusion. Obviously Newman wishes to use this story as a sort of parable, while at the same time painting a picture for us of what the early Christian church was actually like. And while he may succeed in this aim, some may think the story occasionally bogs down in pedantics. For this reason I gave the story 4, rather than 5 stars.