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Rating: 
Summary: Careful and persuasive.
Review: What are the Gospels? Biography? Myth? A unique genre of literature, otherwise unknown to the ancient world?
Richard Burridge begins by discusses genre, how it develops and evolves. He offers a dozen or so characteristics by which we can judge the genre of a book. No one item by itself proves that a given book belongs to a certain genre, he argues.
Following a few longish sections that establish his methods of analysis, Burridge introduces ten works that belong to the category of Graeco-Roman bioi, five from before the time of Christ, five from shortly after. Applying the criteria he mentions earlier to these works, he establishes what an ancient biography was really like. Then he considers the Synoptic Gospels, concluding that they clearly fit into this category. Next he performs the same operation with the Gospel of John, and concludes that it is also an example of ancient biography.
I think Burridge proves his case, that the canonical Gospels do belong to the category of ancient bioi, or biography. (Be prepared for a few words of Greek in the text.) But what does that mean to call the Gospels "biography?" Among the examples of Bioi he considers are Tacitus' Agricola, a sober account of a Roman general written by his son in law a few years after his death, and Apollonius of Tyana, a tall tale loosely based on a New Age guru that talks about various breeds of dragon in India, and was written more than a hundred years after the alleged life it portrays. So the simple fact that a work belongs to the category of bioi, does not prove that it is true.
Burridge notes however that Apollonius is rather on the fringe of the genre. In some ways, the Gospels are closer to Agricola. Having closely compared these two texts with the Gospels on my own, I came to the conclusion that in terms of historical reliability, the Gospels are closer to Agricola, and hardly resemble Apollonius of Tyana at all. In fact,in some ways the Gospels seem more historical than Agricola. But Burridge does not discuss the historicity of the books he reviews directly. Instead, he conducts a somewhat plodding, but careful, convincing, and I think useful argument that helps one better understand literary genre, ancient literature, the Gospels, and how they all fit together.
Rating:
Summary: Careful and persuasive.
Review: What are the Gospels? Biography? Myth? A unique genre of literature, otherwise unknown to the ancient world?
Richard Burridge begins by discusses genre, how it develops and evolves. He offers a dozen or so characteristics by which we can judge the genre of a book. No one item by itself proves that a given book belongs to a certain genre, he argues.
Following a few longish sections that establish his methods of analysis, Burridge introduces ten works that belong to the category of Graeco-Roman bioi, five from before the time of Christ, five from shortly after. Applying the criteria he mentions earlier to these works, he establishes what an ancient biography was really like. Then he considers the Synoptic Gospels, concluding that they clearly fit into this category. Next he performs the same operation with the Gospel of John, and concludes that it is also an example of ancient biography.
I think Burridge proves his case, that the canonical Gospels do belong to the category of ancient bioi, or biography. (Be prepared for a few words of Greek in the text.) But what does that mean to call the Gospels "biography?" Among the examples of Bioi he considers are Tacitus' Agricola, a sober account of a Roman general written by his son in law a few years after his death, and Apollonius of Tyana, a tall tale loosely based on a New Age guru that talks about various breeds of dragon in India, and was written more than a hundred years after the alleged life it portrays. So the simple fact that a work belongs to the category of bioi, does not prove that it is true.
Burridge notes however that Apollonius is rather on the fringe of the genre. In some ways, the Gospels are closer to Agricola. Having closely compared these two texts with the Gospels on my own, I came to the conclusion that in terms of historical reliability, the Gospels are closer to Agricola, and hardly resemble Apollonius of Tyana at all. In fact,in some ways the Gospels seem more historical than Agricola. But Burridge does not discuss the historicity of the books he reviews directly. Instead, he conducts a somewhat plodding, but careful, convincing, and I think useful argument that helps one better understand literary genre, ancient literature, the Gospels, and how they all fit together.
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