Rating: 
Summary: A Penetrating and Artful Book
Review: This is a first-rate biography of the sainted Thomas More. Ackroyd's goals in this biography are to present a non-anachronistic depiction of More, and through his portrait of More, to give readers a sense of the late Medieval world destroyed by the Reformation and the emergence of nation-states. Ackroyd presents More as a man exemplifying the late Medieval ethos. Deeply religous, highly intelligent, and well educated, More existed with a profound sense of human fallibility and saw all aspects of his world as manifestations of a divine order. The world as the body of Christ, a metaphor to which Ackroyd returns repeatedly, is a recurring theme. The temporal world is transient and a necessary preparation for the eternal and in a crucial sense, less real than the eternal world of Christian teachings. This world is bound by custom and inherited legal and religous traditions, hierarchial and paternalistic in its structure of authority, and deeply enmeshed in rituals that mirror the structure of divine authority. More was not, however, a reactionary except when the radicalism of the Lutherans pushed him to stringent and violent acts needed to defend the integrity of his perception of the Christian world. A prominent member of the Northern European Humanist movement, More was dedicated to the recovery of a renovated faith based on a new reading of the Patristic fathers, attention to classical, particularly Greek neoplatonic authors, and disdain for complex scholastic theology. He and his fellow Humanists hoped for reformation of the Church without abandoning the unity of Christendom, the apparatus of ritual and hierarchy that defined so much of their lives, and the primacy of papal authority. Ackroyd's efforts to present More and the late medieval ethos are very successful. Readers will be introduced to a foreign world, but one which is an ancestor of our contemporary society. Ackroyd's efforts at depicting the lost of world of More include not only the content but the structure of the book. Some prior reviewers commented adversely on Ackroyd's use of unmodified quotations from More's English writings. While interpreting these lines requires a little effort, that effort helps to appreciate More's style. As Ackroyd points out, for More and his contemporaries, style was not simply a matter of presentation but had a significant moral dimension. While chronologically arranged, this biography is not strictly a narrative of More's life. Each chapter is presented as an almost self contained vignette or episode from More's life. I believe this is a deliberate effort on Ackroyd's part to mimic aspects of medieval ritual and theater. This is another and I think successful effort on the part of Ackroyd to present the late Medieval world. Ackroyd argues that not only that More was dedicated to the importance of ritual and theater but that it formed a very important part of More's character and perhaps self-image. Ackroyd's construction of this book is then a doubly artful device to mirror both the world of late medieval England and More himself.
Rating:
Summary: If you will only read one biography of Thomas More...
Review: This is the biography to read of Thomas More if you only have the motivation to read one. It is even handed and well-written.
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