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Rating:  Summary: Refreshing Review: Steve Turner has shed some refreshing light on an age-old controversial subject. Should a Christian's art be obviously Christian or is there room to fudge a bit? These and many other types of questions are answered by Turner. Perhaps the greatest insight he shares in the book is that a Christian artist is also a human being. The art created by this person is affected by all things in their environment. To create only art that reflects an inflexible spiritual message is ludicrous. If the artist is touched by the power of God, the artist paints it. If the artist is hurt by a lover's rejection, the artist writes a song about it. If the artist likes french toast, the artist writes a short story about it. Christian themed or not, it's art and it's justified. Let the fundamental, backward thinking, Super Christians beware. Steve Turner is a champion for the cause of Christians in the arts.
Rating:  Summary: a very honest look at the life of the artist of faith Review: This is, quite simply, the best book on the issues surrounding the life of a modern day Christian artist that I have ever read--period. I say this for several reasons:1. It is uncompromising, both in its descriptions of the artist's mind, dreams, and motivations, and also in its exacting analysis of what it means to be a Christian. Turner pulls no punches in describing the incredible dichotomy between the gift of new life we have been given as a result of faith in the death and resurrrection of Christ as atonement for our sins, and the very emotions, dreams, insecurities, and passions that drive the artist in his or her creative endeavors. It is true, at least in my experience (and as Rory Noland has written in his very good book, "The Heart of the Artist"), that Christians in the arts are often more prone to temptation since they allow their feelings and passions to not only enter in to their work, but to drive it. 2. It puts out a call for artists to not only do art in the church to glorify God, but especially to do art OUT in the world to carry His message of salvation to those who do not yet know Him. How often do we hear the statement that the "real" work of the Christian is religious in nature, or takes place in and around the church? But, as Turner writes, "Jesus is Lord" over the WHOLE of our lives, even and especially those parts that are very 'unreligious' in nature. We are called to live for Christ minute by minute. 3. It is also honest in its assessment that the church often does not know what to do with the artists in our midst, let alone present an atmosphere in which they can flourish in their gifts and talents. It is my sincere hope that books like this one and the aforementioned Noland book can serve as a wake up call, letting the modern day church know that there is a powerful group of servants here, and that we need to both minister to them and more importantly allow them to minister to us and to God with their creative talents. 4. Rather than a simplistic "Christian vs. secular" explanation of art in the world, Turner submits a very well-conceived philosophy of five concentric circles of varying degrees of the mix of faith and art. I found this very helpful both in better understanding the art I see in and out of churches around me, and developing my own philosophy of art and faith. I am the Worship Arts Pastor for a medium-large (approx. 2000 members) Bible church near Dallas, Texas. This book makes statement after statement that my own heart (after nearly 5 years of leading artists, and creating worship services at our church) really resonated with. I found myself underlining sentence after sentence, and often entire paragraphs or pages! This stuff is really that profound. I hope and pray that the book will help both church staffers and artists find their way to utlizing ALL that they are in the pursuit of God through their gifts. May the church once again become the incredible storehouse and "town square" for the arts that it has been in centuries past; and may more and more Christian artists embrace their gifts and calling, rather than feeling confused and dazed at the apparent lack of understanding by the world in general and the church in particular as to just what makes the artist tick. I cannot recommend this book highly enough. It has already had a large impact on my thinking, and helped to clarify issues that have been clouded and murky for so long.
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