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Rating:  Summary: A Little Bit of Everything... Review: In this poem, the lives of six troubled kids entwine. Wrapping around each other like the words to a song, or maybe more like a dance, their words work hard to make everything come out right. The fear of a teen pregnancy and it's consequences to both teens, foster care, DUI, being gay, an abusive stepfather, and the words Ms. Frost uses to convey everything are spare and concise and beautiful. Surely a Printz Award contender.
Rating:  Summary: A Little Bit of Everything... Review: In this poem, the lives of six troubled kids entwine. Wrapping around each other like the words to a song, or maybe more like a dance, their words work hard to make everything come out right. The fear of a teen pregnancy and it's consequences to both teens, foster care, DUI, being gay, an abusive stepfather, and the words Ms. Frost uses to convey everything are spare and concise and beautiful. Surely a Printz Award contender.
Rating:  Summary: Richie's Picks: KEESHA'S HOUSE Review: my choice..........KATIE "I sleep in my sleeping bag in a room with a lock in the basement of the place on Jackson Street. And I feel safe. If Keesha wants to talk to me, she knocks first, and if I want to let her in, I do. If I don't, I don't. It's my choice. There's not too much I really have a choice about. Mom would say I chose to leave my room at home, but that's not something anyone would do without a real good reason. There's no place for me there since she got married. Like, one time, I knocked her husband's trophy off his gun safe, and he twisted my arm--hard. I never feel safe when he's around. I finally asked my mom to make a choice: him or me. She went, Oh, Katie, he'll be fine. Then she knocked on our wooden table. I blew up. I stormed out of the room and started thinking hard. In the first place, I know he won't be fine. I didn't tell her what he tries to do to me when she works late. In a way, I want to, but even if I do, she won't believe me. She thinks we're safe in that so-called nice neighborhood. Finally, Katie, a place of our own. And since she took a vow, she thinks she has no choice but to see her marriage through. No room for me, no vow to protect me if he comes knocking on my door late at night. He knocks and then walks in when I don't answer. Or even when I do answer: Stay out! This is my room and you can't come in! I could never be safe there, with him in the house. So, sure, I made a choice. I left home and found my way to this place, where I've been these past two weeks. And I found a place to work, thirty hours a week. Today Mom knocked on the door here. She wanted to talk. I told her, You made your choice; I made mine. She wondered what she could do to get me to come home. But when I said, It's not safe for me as long as he's there, she left the room. My choice is to be safe. This room is dark and musty, but it's one place I do know I can answer no when someone knocks." The use of those words over and over in a sestina--safe, knock, choice, room--I feel like I can really step into Katie's skin after reading the piece. Throughout this awesome verse novel we are able to step into the skin of a variety of kids--kids who all have problems that cause them to leave their "real" homes. What we find is that these young people are caring of each other and that they care about the future. You will like these kids. You'll like it at Keesha's house. In this next piece--a sonnet instead of a sestina--we are shown why all these young people have been able to go to a safe place and stay there for free: i know the value..........JOE "I know the value of a house like this. Old and solid, hardwood stairs and floor. But when I showed up at Aunt Annie's door when I was twelve--bruised, scared, clenched fists-- all I knew was: I could stay. As long as you need to, Joe, was what she kept on saying, right up till she died and left the house to me. So now that's what I say when kids show up and I know they can't ask for what they shouldn't have to ask for. They need more than I can give them. I know I'm no Aunt Annie. I ain't up to the task of tryin' to be their legal foster dad. But I can give them space--and space is time." Keesha is the girl living there who has put out the word about Joe's/Aunt Annie's house. Now everyone calls it Keesha's House and the new arrivals are surprised to meet Joe. In the long run some of these kids are able to come to terms with the adults who've raised them. They choose to go home. Others don't: up to us..........HARRIS "There's light ahead of me as I walk on into my senior year. I wasn't sure about going back, but Katie said, If you're about to quit, The Jerks will think they won. She calls them that--The Jerks--like Dontay calls me son when he gives me fake advice:Stay pure, son, in thought word and deed. We'll find a cure for you someday. I laugh. It's all in fun. If people we're supposed to count on can't (or don't) support us, it's up to us to find the friends who can and do. Of course we want to be with both our parents in the kind of home where we'd be loved. But why rant on about all that? Home is in your mind." Readers will find KEESHA'S HOUSE a great place to spend some quality time. You'll find me back there again soon. Richie Partington ...
Rating:  Summary: Honest and Relevant Review: Years ago, young Keesha ran away from home, from her verbally abusive, alcoholic father. Since then, she has found comfort in the home of a local resident, Joe, who had a large house and an even larger heart. Joe provided Keesha with a roof over her head and a fresh start in life. Now it's Keesha's turn to give back. As she meets young people in trouble, she invites them to Joe's house, so that they may have a chance to sort out life's problems. Though unconventional and not in line with the state's plans for runaways, Keesha's solution is helping many local teenagers, including Stephanie who is pregnant, Dontay, who is a runaway from foster care, and Harris, a young man whose family will not accept that he is gay. We eventually watch these characters meet and learn from each other. The tragic ending serves to remind us that there's not always a happy ending, but success comes from making the most of your life. Helen Frost has created a wise and thoughtful character in young Keesha; however, she's not perfect, which makes her more believable and more likeable. When Stephanie is accepted back into her parents' home despite her pregnancy, Keesha's comments reflect the jealousy you'd expect from a 14-year-old who always hoped that her own father would come looking for her. All poems in the book are written in sestinas and sonnets, and each contains multicultural references that will connect the readers to the characters and their environment. The situations are real and prevalent in society, and even though they're sometimes uncomfortable to talk about and read about, young readers from ages 15 on up will appreciate each character's candid, poetic narration.
Rating:  Summary: Honest and Relevant Review: Years ago, young Keesha ran away from home, from her verbally abusive, alcoholic father. Since then, she has found comfort in the home of a local resident, Joe, who had a large house and an even larger heart. Joe provided Keesha with a roof over her head and a fresh start in life. Now it's Keesha's turn to give back. As she meets young people in trouble, she invites them to Joe's house, so that they may have a chance to sort out life's problems. Though unconventional and not in line with the state's plans for runaways, Keesha's solution is helping many local teenagers, including Stephanie who is pregnant, Dontay, who is a runaway from foster care, and Harris, a young man whose family will not accept that he is gay. We eventually watch these characters meet and learn from each other. The tragic ending serves to remind us that there's not always a happy ending, but success comes from making the most of your life. Helen Frost has created a wise and thoughtful character in young Keesha; however, she's not perfect, which makes her more believable and more likeable. When Stephanie is accepted back into her parents' home despite her pregnancy, Keesha's comments reflect the jealousy you'd expect from a 14-year-old who always hoped that her own father would come looking for her. All poems in the book are written in sestinas and sonnets, and each contains multicultural references that will connect the readers to the characters and their environment. The situations are real and prevalent in society, and even though they're sometimes uncomfortable to talk about and read about, young readers from ages 15 on up will appreciate each character's candid, poetic narration.
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