To 'Joy My Freedom: Southern Black Women's Lives and Labors After the Civil War

Rating:
Summary: A worthy read
Review: Although it is not perfect, Hunter provides an engrossing look at southern black women's labor (especially in Atlanta) from the end of the Civil War to the Great Migration. With emancipation, these women searched for identity as free women, as paid workers, and as African Americans. White woutherners developed institutions and laws to restrict the newfound freedom black southerners sought to enjoy. Black women workers responded through community awareness and activism, showing intelligence and the desire to better their lives. Hunter's innovative use of sources shapes her work and helps the women's voices come alive. Because of limited African-Americal literacy in the early Reconstruction period, Hunter turned to newspapers and white southners' diaries fo flesh-out black women's experiences. Although problematic, the attention given in them to black women domestics demonstrated the division of both race and gender. Hunter also incorporates unique sources like dance steps so show the many ways newly freed women sought to define themselves. Her haunting use of illustrations reinforces the oppression and struggle for freedom black women laborers faced. As someone who knew very little about this aspect of history, Hunter's work has developed my interest in this time.

Rating:
Summary: A worthy read
Review: Although it is not perfect, Hunter provides an engrossing look at southern black women's labor (especially in Atlanta) from the end of the Civil War to the Great Migration. With emancipation, these women searched for identity as free women, as paid workers, and as African Americans. White woutherners developed institutions and laws to restrict the newfound freedom black southerners sought to enjoy. Black women workers responded through community awareness and activism, showing intelligence and the desire to better their lives. Hunter's innovative use of sources shapes her work and helps the women's voices come alive. Because of limited African-Americal literacy in the early Reconstruction period, Hunter turned to newspapers and white southners' diaries fo flesh-out black women's experiences. Although problematic, the attention given in them to black women domestics demonstrated the division of both race and gender. Hunter also incorporates unique sources like dance steps so show the many ways newly freed women sought to define themselves. Her haunting use of illustrations reinforces the oppression and struggle for freedom black women laborers faced. As someone who knew very little about this aspect of history, Hunter's work has developed my interest in this time.