Class Struggle in Hollywood, 1930-1950 : Moguls, Mobsters,

Rating:
Summary: Hollywood's buried history
Review: Amazingly, this is the first comprehensive work written on a key event in American labor history -- an event that was headline news in the mid 1940's, and that among many other things set the stage for the passage of Taft-Hartley and propelled Ronald Reagan into politics. While countless historians have left no stone unturned in examining the Hollywood Blacklist, the story of the Hollywood studio strikes has long been relegated to footnotes and chapters in more general works. With this work Gerald Horne has shined a relentless light of painstaking scholarship on what may well be the most neglected event in American labor history. The footnotes alone are worth the price of the book and will no doubt entice many readers to follow these myriad paths deeper into the hidden corners of Hollywood history.

This book belongs on the shelf of anyone interested in Hollywood history, labor history, the Hollywood Blacklist, American radical history, and the history of organized crime in America. It should especially be read by anyone who earns their living as a worker in the film and television industry or is a member of IATSE and wishes to know the true story of their union's dark history.

Rating:
Summary: A Needed Light
Review: Reviewer Everitt's remarks capture the book's essential value. Several points however merit emphasis. First, Horne's book brings out the symbiotic relation between the studios' desire for non-independent company unions, on one hand, and organized crime's desire for corrupt unions, on the other. By taking in one another's washing during the tumultuous events of '45 - '47, these two representatives of private capital maintained an alliance that defeated efforts by the Conference of Studio Unions to emerge as an independent union of movie-making employees. Horne the historian is detailed about this sinister and under-reported alliance. Second, by using abundant primary sources, the author debunks the nurtured image of CSU as a communist-led movement, a scare tactic still in its infancy following the anti-fascist WWII and, as the book shows, a tactic used to increasing effect by the corporate-owned press of the day. Belated communist support for CSU strikers was willfully twisted by these flacks into communist domination. Third, the inability of the CSU to cross racial and gender lines of the day is emphasized. This had the unfortunate effect of reducing potential for attracting outside allies, especially among aggrieved African-Americans and women's groups, though it's hardly surprising that prejudices within the union would reflect those of the larger society from which it sprang. It's fascinating to follow this dark underside of the Hollywood dream factory, though I did find time shifts in the narrative confusing at times. Nonetheless, Horne has focused his word-camera on a worthy and neglected real life drama.