Home :: Books :: Biographies & Memoirs  

Arts & Photography
Audio CDs
Audiocassettes
Biographies & Memoirs

Business & Investing
Children's Books
Christianity
Comics & Graphic Novels
Computers & Internet
Cooking, Food & Wine
Entertainment
Gay & Lesbian
Health, Mind & Body
History
Home & Garden
Horror
Literature & Fiction
Mystery & Thrillers
Nonfiction
Outdoors & Nature
Parenting & Families
Professional & Technical
Reference
Religion & Spirituality
Romance
Science
Science Fiction & Fantasy
Sports
Teens
Travel
Women's Fiction
The Gang: Coleridge, the Hutchinsons, and the Wordsworths in 1802

The Gang: Coleridge, the Hutchinsons, and the Wordsworths in 1802

List Price: $45.00
Your Price: $45.00
Product Info Reviews

Description:

British academic John Worthen gives a new spin to the oft-told tale of English Romanticism's best-known coterie. It's well known that William Wordsworth married Mary Hutchinson, that Samuel Taylor Coleridge hopelessly loved her sister Sara, and that Dorothy Wordsworth served as intimate friend to them all, not least her brother William. Worthen deepens our knowledge by closely analyzing every available document--diaries, letters, household accounts--from a pivotal six-month period in 1802 when Coleridge wrote "Dejection: An Ode" and Wordsworth began work on one of his most famous poems, "Ode: Intimations of Immortality." Only by delving into the artists' daily lives, Worthen asserts in a thoughtful preface, can we truly understand the way their creativity fed off the natural world and their personal relationships. Taking critical issue with previous biographers (particularly Richard Holmes), whom he argues used source material very selectively to serve their own agendas, Worthen seeks a fairer, fuller view. He reminds us that the Wordsworths' highly unconventional lifestyle shocked many people other than Coleridge's soon-to-be-estranged wife, Sarah (better treated here than in many books on the period). He asserts that there is no documentation to suggest that Sara Hutchinson regarded Coleridge's declaration of adulterous love with anything but shock and horror, again reproving scholars who overread the evidence. Most crucially, Worthen makes clear the key importance of the interchange among Coleridge and the Wordsworth siblings, which shaped both men's poetry and placed Dorothy at the group's emotional center. The academic (though accessible) prose and dense lines of argument may intimidate casual readers, but this excellent study turns literary monuments back into human beings. --Wendy Smith
© 2004, ReviewFocus or its affiliates