The Bowie Companion

Rating:
Summary: a fine book of bowie
Review: As the other reviewer simply put it, this book is "Interesting, but not essential". That basically sums it up, but if you can find it, I would definately buy it. There's tons of interesting facts on the music and David himself. It's all very interesting material, but I would much rather own an actual biography, such as Loving the Alien.

Rating:
Summary: a fine book of bowie
Review: As the other reviewer simply put it, this book is "Interesting, but not essential". That basically sums it up, but if you can find it, I would definately buy it. There's tons of interesting facts on the music and David himself. It's all very interesting material, but I would much rather own an actual biography, such as Loving the Alien.

Rating:
Summary: Very good book to get
Review: This book is great since it doesn't just talk about Bowie, but also about the world around him and what other people were doing. Some of the essays are a little too academic, but they do give some insight into his albums and individual songs. This book is best read after you have listened to his early albums carefully, so that you have your own opinions and can understand what the authors are talking about.

Rating:
Summary: Very good book to get
Review: This book is great since it doesn't just talk about Bowie, but also about the world around him and what other people were doing. Some of the essays are a little too academic, but they do give some insight into his albums and individual songs. This book is best read after you have listened to his early albums carefully, so that you have your own opinions and can understand what the authors are talking about.

Rating:
Summary: Serious look at his work
Review: This interesting collection of interviews, reviews and articles takes a look at Bowie's career as it was in the early 90s. It includes pieces from the US and UK pess and considers Bowie from all angles, including his stage and screen work. In the main, it avoids showbiz gossip and concentrates on his artistic contribution, although this can get a bit academic at times. Lindsay Kemp talks about his years as Bowie's mime teacher, while Ann Rice and Jon Savage discuss the gender issue. Craig Copetas' observations on Bowie and William Burroughs are fascinating, while the best quotes come from Lester Bangs (on Bowie's fear of flying), journalist Adam Sweeting and the man himself: "I usually don't agree with what I say very much, I'm an awful liar" confesses Bowie. The Bowie Companion is a valuable and interesting contribution to the literature on Bowie as multimedia artist.