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Rating: 
Summary: A Satisfying Biography
Review: Although quite academic and not an 'easy read', I enjoyed reading 'Sometimes Madness is Wisdom'. It has generated in me an interest to discover more about Zelda Fitzgerald which appeals to me personally, however, I do understand that some readers would find this biography frustrating in the way it leaves some questions unanswered. I think perhaps the author has set herself one goal and gotten caught up in another - ie. her introduction promises to reveal more of Zelda herself than her husband. What results is more an analysis of the marriage, as the subtitle indicates, but as a result neither Zelda nor the marriage are completely exposed. I certainly would not discourage anyone from reading 'Sometimes Madness Is Wisdom' because of this dichotomy. I would make two recommendations: 1)That this title will appeal to readers with an interest in history and/or literature as an academic pursuit more than readers of pop-bios 2) Wait for the paperback!
Rating: 
Summary: Disappointing Ramble
Review: Although the author, Kendall Taylor, begins her biography with a disdainful look at how all biographies of Zelda are about F. Scott Fitzgerald, she proceeds to do the same thing, badly. Not only does she discuss the friendship between the Fitzgerald's and the Hemingways. she also discuss all of their friends, enemies and the possible lovers of these same friends and enemies. There is nothing new. The biography is not well written, which I generally expect from a English professor (too self-involved.} Beside the mediocre writing, the proofing is terrible, as is the editing--if there was any--leaving mistakes and errors galore. If the reader is interested in Zelda and her descent into madness and what happened after Scott died, chose another book. I'm sorry I wasted the time and money on this one.
Rating: 
Summary: A Tragedy Worthy of Shakespeare
Review: As an English major in college, I was required to reach much of F. Scott Fitzgerald, most particularly "The Great Gatsby" and "Tender Is the Night." And like many others of my ilk, I fell madly in love with the legend that was the Fitzgeralds. I went on to read everything I could get my hands on, from Scott's collected short stories to "The Beautiful and the Damned" to "This Side of Paradise" to the tragically unfinished "The Last Tycoon." Through all of my Fitzgerald worship, I viewed Zelda as an "also-ran"--the madcap flapper, the passionate spouse and lover, the quintessential "roaring 20s girl," the great beauty who was her husband's muse-until she went crazy. I never took her seriously as an artist in her own right, and why should I have done so? Certainly until recent years, no biography of Fitzgerald painted her that way, and I found the few biographies of Zelda opinionated and suspect. Now, with a fascinating work that took author Kendall Taylor 30 years (!!) to write, the tragedy that was Scott and Zelda Fitzgerald finally comes to light as never before. And for the first time, I realize that the incredibly brilliant prose that made up Scott's novels was often lifted VERBATIM from Zelda's most intimate and personal diaries, which Scott viewed as his own property, to be purloined at will. I find that some of his most cunning and original turn of phrase was taken VERBATIM from Zelda's unique, brilliant, colorful, and wholly her own way of speaking (probably, in fact, a precurser of the schizophrenia that was to overtake her). I find that Scott was so possessive of Zelda as his SOURCE that he actively forbade her to write on her own, although she showed great talent. He went so far as to write long letters to her various doctors forbidding them to allow her to write, and they agreed to do so! A highly creative, completely unique human being, Zelda was thwarted at every turn, whether her painting (which Scott ridiculed) her sad attempts to become a prima ballerina (equally ridiculed and the final step to her first breakdown) to anything else she attempted to do. Scott, a difficult, vain, selfish and jealous human being, viewed Zelda as more than his lover and wife, as more than his helpmate and muse. He felt he owned the very words that fell from her mouth, and strongly resisted any attempt on her part to express herself apart from him, feeling that their mutual story belonged to him and him alone, as the novelist and breadwinner. We all know the end of the story. Scott died much too young of heart disease and TB brought on by acute alcoholism. Zelda, in and out of mental hospitals from her late twenties on, died in a horrible fire at the institution where she was housed. These two bright flames, these two icons of The Jazz Age, these two physically gorgeous people, the flapper and her swain, were doomed from the start. But until the recent death of their only daughter, Scottie Lanahan, many of their papers, letters, diaries, and so forth, remained unavailable to the public. Taylor was given unprecedented access to these, and tells her tale in as objective a way as she can, given her subject matter. One must commend Ms. Taylor for her Herculean efforts and her fascinating story. Unfortunately, like many authors of today, she has fallen victim to the same bad editing that plagues most paperbacks in today's marketplace. Therefore, the paperback version of this book (which is the version I read) is plagued by silly grammatical mistakes and typos that Scott OR Zelda would have noticed. It isn't fair to Taylor, but so be it. Suffice to say that, upon reading the very last sentence of the very last page, I broke into sobs. I now wish to go on and read Zelda's collected works (available from Amazon!), view all her artwork (ditto) and reread Scott's works-from the viewpoint of all I know now. I commend Ms. Taylor on a simply brilliant job.
Rating:
Summary: Rambling Wisdom
Review: I am impressed with Kendall Taylor's supreme effort in writing this book. She has invested a great deal of her life, some thirty years, in researching all the material. It is a very interesting biography, but it seems she tries to do too much. There are so many details of the Fitzgeralds' friends and contemporaries that one gets bogged down in details. There are many repetitions of facts, and areas where one sees poor editing and sentence structure errors. It would appear that the author spent too much time on the book, and therefore its presentation is somewhat disjointed and disorganized. I would have preferred to see more emphasis on Zelda herself, instead of anecdotes regarding her frivolous lifestyle.
Rating:
Summary: zelda fitzgerald
Review: I found this book to be very entertaining and readable though not as many new facts and insights are delivered as it initially seems to promise. (Ms. Taylor's credibility comes into question when she first describes Scott's eyes as being lavender, then green, then blue -- all within the first chapter.) The title is a misnomer, as Ms. Taylor seems mostly interested in Zelda. Certainly the author has a great sense of sympathy and admiration for Zelda, and the vivacity and unquestionable brilliance of the Last of the Belles has never been captured or celebrated so vividly. Ms. Taylor's disdain for Scott, however, is occassionally off putting, and to reduce Zelda to his victim is unfair to them both. The facts (and their writings) just don't support this thesis -- that Zelda was the great artist and that Scott stole her genius and stifled her talent in service of his own literary ego and ambition. (All artists -- especially writers -- "use" the people in their lives for material, don't they?) The author views Scott's elaborate declarations of love for his wife with suspicion and hidden motives. The postscript on their daughter Scottie is very interesting and a much needed updating of this sad and still fascinating story of romantic disillusionment.
Rating: 
Summary: Unfortunate effort
Review: My senior year of college, I wrote a term paper on Zelda Fitzgerald's writing. As you can imagine, it was a challenge to find sources which provided any information on her own career. I also bought this book to get some sort of insight into Scott and Zelda as a unit. Unlike any of the biographies that I have found, this book manages to convey the difficulties Scott and Zelda had, together and personally, without being partial towards either of them. It includes some information that I had not found at the time, and come of the photographs were new to me also. This book is an excellent choice for a true Fitzgerald fan, and for anyone needing to do extensive research into Zelda and/or Scott
Rating:
Summary: zelda fitzgerald
Review: This book, if one wants to believe, provides new information that is interesting, but a lot seems to be sensationalist conjecture. The author writes about the treaments of Zelda's disease used at the time, which one can believe she went through, but her interpretations of Zelda's thoughts and actions cannot be backed up with any proof. The author's analysis is sophmoric, and full of factual mistakes: "Noonie" was Zelda's neice, not her cousin, for example. If this author can write a biography, anyone can. Mitford's book still remains the best source on Zelda, and if that book disturbed Scottie Fitzgerald, this one would have made her hair stand on end. If you like yellow jounalism, you'll like this.
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