Rating: 
Summary: Far more than a biography--you become steeped in the time.
Review: William Manchester does much more here than tell the story of perhaps the greatest person of the 20th century--he transports you back to the pre-WWII England to see the events that shaped Winston Churchill's life and political destiny. You not only come away with a true sense of who Churchill was (and he truely was the hand that slammed the door to Hell during WWII)--you also gain real insight into other key British politicial figures of the day including Lloyd George, Lord Halifax, Nevile Chamberlain and many others in the context of their often-changing relationships with Winston. I came away with a fresh perspective of the key people and geopolitical events of the time; and gained a wealth of useful historical information as well. This, and Manchester's first volume of Churchill's bigography should be required reading in any proper 20th century college-level history course. (They're crafted so well that students might actually read them!) Beware--you will not want to put it down once you start reading; I didn't.
Rating:
Summary: Towering
Review: Winston Churchill became Prime Minister only when World War II seemed hopelessly to threaten Britain. On retiring to bed late the first night of his tenure, rather than feeling overawed by the desperate struggle ahead, Churchill was "conscious of a profound sense of relief." One can imagine few men who would have felt such enormous self-confidence in a like situation. Manchester's biography brilliantly tells why Churchill was justified in so feeling. "Alone 1932-40" covers the years when Churchill, apparently a political has-been, unceasingly warned the country of the danger Hitler posed. His political superiors, full of class hubris, dismissed the warnings and recoiled from addressing the steps necessary to thwart Hitler. The British people were made of steadier stuff than their leaders, but, spiritually exhausted by World War I, cherished the hope that a second great war could be avoided. Manchester tells the story in thrilling fashion, making it especially compelling by writing not just about Churchill's heroism, but also covering at length and in unsparing terms, the appeasers, Chamberlain, Halifax, Henderson, et al. The story is as engrossing as a novel, and written elegantly enough to carry it along most pleasurably. Manchester's only misstep is his frequent use of the German original along with the English in many phrases quoted from the German principals. This might make sense where the meaning was ambiguous or there was an untranslatable nuance, but this is rarely the case. It seemed as if he was bringing in the German just because he enjoyed it. It's a minor quirk and should not deter anyone from reading a great book. I hope Manchester has not abandoned plans to complete the biography, which is comprehensive, but not intimidatingly long like the Gilbert series.
Rating:
Summary: GRIPPING PRELUDE TO WWII
Review: Winston Churchill was one of the most dynamic leaders of the 20th century and Mr. Manchester does not disappoint in his gripping follow-up to Vol. 1 of THE LAST LION. We're told in sometimes too much detail Churchill's activities at home and at his desk between the two world wars: painting, fixing up his beloved Chartwell, writing endlessly to pay for his lavish lifestyle during a world depression and keeping tabs on those bullies across the Channel. In his "wilderness years" when he was a political pariah, he boldly warned over and over the threat to world peace but was laughed at and ultimately ignored. The gripping finale leads up to Churchill's restored to power as the world teeters on the edge. The beautiful characterizations of the main players in this drama are just one of the many attributes to be gained from this wonderful bio. Sadly, it's an incomplete story because Mr. Manchester, due to poor health, cannot complete this series and refuses to let someone help him --- I cannot blame him as the writing is very singular and a monumental job would face his (in effect) ghostwriter. We must therefore satisfy ourselves with what we have and rue the writer who thinks he's got all the time in the world to finish what he started.
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